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B.k. Style - Fabolous



     
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Yea, its 'bout to get real hard for these niggas to move man
Somebody get these niggas some wheelchairs or somethin'Goin' to war is still a scary issue
But in my hood they train to kill wit every pistol
Like a military issue
Guess you a star if you sell a million every disc two
Catch a gun case an' bounce, still they'll barely frisk you
Cuz, I proved I move the retail
Make the smoothest grooves wit female
And I remove the rules on V12's
You never ain't never seen it move this smooth on Sprewell's
I'm a hustler, he's just a middle man to me
The way I pass the rock, could make Jason Kidd a fan of me
Just cop one joint, I'm a one point somethin'
Still I had you at gunpoint, with one joint dumpin'
So watch what you say to them, crackers
I'll put a couple g's on yer head, like you play for the packers
I'm rap's Labron James, I quickly see baskets
These scrubs wouldn't make it to the Mickey-D's classics

You got some sticky weed, pass it
If not put it out, I'm pushin' it before they put it out
Wit the dash, wooded out, Shaq O'Neal, footed out
Blastin' a do-did-it, first before they put it out, clueMaybe wouldn't be a million kids wit they faces on containers
If cops pursue the same way they chase us entertainers
In the hood, a few big faces and a chain-a
Get metal in ya mouth, like braces and retainers
Even the young bucks be scheming on somebody change
Tryin' a sell somebody 'cain, before they even potty trained
You can smooth talk your way into a hottie brain
Have her suckin' long enough to leave a nigga body drained
I wasn't taught, I learned from watchin' stupid people
That'll run up shootin' in front of a group of people
I lay in a cut, the same way the troopers peep you
Ride up on yer Coupe creep you
Why you let a groupie deep you?
'Cuz even if you reppin' like a man of steel
You gon' still need a weapon when you land a deal
One for watch you slippin' like you steppin' on banana peels
Think a nigga ain't gon' pull a weapon cuz you scanned a mil'?
I crept in and got handed meals
Now the white and black rides look like salt, pepper on a bannon grill
Think I wouldn't hold a Pepsi in my hand for mil's?
You must be fuckin' stupid, niggaYeah
Brooklyn stand the fucker
Every project, rebourse, Kings Borough
Push wig, for grain
Fill it in, brown fill
Lengston you, LG
Linda, bandi, steflo, Brooklyn
All believe, Glym wall
Abyss fill, faragay
Mossly
Talkin' stumlo, Guonas
Rosawell
I'm just the project nigga myself

Enjoy the lyrics !!!
John David Jackson (born November 18, 1977 in Brooklyn, New York), better known by his stage name Fabolous, is a Grammy award nominated American rapper, actor and designer signed to Def Jam Records. He released his debut album, Ghetto Fabolous in 2001 and has since released 2003's Street Dreams, 2004's Real Talk and 2007's From Nothin' To Somethin', all of which have collectively sold over four million copies in the United States. His fourth studio album, Loso's Way, was released in July of 2009 and debuted at #1 on the Billboard 200 chart.

It takes talent to make the struggle to succeed seem effortless, but that is the gift that separates artists like Brooklyn's John Jackson, aka Fabolous, from the everyday MC. While most rappers spend more and more time convincing the masses of their "hustle," Fabolous lets his work speak for his effort. With two platinum albums (2001's Ghetto Fabolous and 2003's Street Dreams) and one Gold (2004's Real Talk) to his credit, the veteran hitmaker still exudes a rookie-of-the year swagger. After recording for both Elektra and Atlantic Records, Fab is enjoying a home coming with the legendary Def Jam label. His first recorded song was "If They Want It" from DJ Clue's The Professional, which was released by Roc-A-Fella/Def Jam in 1998.

"I had people in my corner already over there," Fab says of DJ Clue and A&R Skane, the Desert Storm duo who discovered Fabolous. "So it wasn't like I was coming to a new neighborhood."

While he doesn't site any one reason for his move, Fabolous has learned a lot from his time in the industry and is eager to capitalize on his experience. "I haven't peaked yet," he explains. "I was happy with the past records, but I have some adversity to learn off of for the future."

It's appropriate that Fabolous is getting a fresh start for his latest release because he wants From Nothin' to Somethin' to be a rebirth for his fans old and new. "Everybody is trying to take what they have and make something more," says Fabolous, explaining the album's title. "It's a new year, everybody's on their hustle, back in the gym and I'm trying to give them some inspiration. This is music to chase your money too, work out--motivation music.

The first single "Make Me Better" is produced by Grammy Award winning producer Timbaland and finds Fabolous doing what he does best; blending radio ready sound beds with clever and memorable lyrics. Rapping that he needs "a Corretta Scott to make me King" Fab picks up with his female fans where "Baby" left off. "It's a great feel good record, it's got a lot of style to it," he says. "I wanted a record that could show that I could touch different people with my music."

Already recognized for his hit-making ability, Fabolous is eager to show the diversity of his technique while staying true to his blueprint for success. On the cocky "Make Money" he cleverly borrows Notorious B.I.G's trademark chuckle to comment on the laugh-ability of his competition: "these dudes is stand up rappers, hip-hop comedians, I start laughin as soon as I put your CD in." His wit and wordplay is not something he gets enough credit for, but the MC is confident people will come around. "Certain people recognize it," he says, "but its like they'll sing it in the shower, but they won't sing it outside. It's all good though. One of them days you gonna get drunk and start singing that song."

Enlisting a whose-who list of guests that includes Akon, Young Jeezy, Ne-Yo and Junior Reed, Fabolous plays to a variety of audiences on this disc, but there is no mistaking that it's his show from beginning to end. The anthemic "Brooklyn" features a yet to be disclosed surprise guest and "Change Up" pairs Fab with singer, producer extraodinaire Akon helping him reflect on his life and career.

"Anytime you become a successful person, people may look at you and say you changed," explains Fabolous, who references the October 2006 shooting that took place outside of Justin's restaurant in the lyrics of the song. "That record just talks about people changing as a person for money, how they carry themselves and treat other people. For me, I might have changed where I live or my number, but I haven't changed as a person…I slid a line or two about what happened in October but I'm not coming out with a bullet proof vest or anything."

The playful "Foggin Up The Windows," produced by Miami's The Runners, features R. Kelly's chopped and screwed vocals from his hit "Ignition" to prop up Fabolous' ode to parkin' lot pimpin' of the more carnal kind.

"I just took it back to trying to get some in the car," he says with a laugh. "Everyone's either done it or tried to get some in the car. It may not have been the place of choice but everybody's had a hotel on wheels."

Other rewind worthy tracks like "Real Playa" featuring Lloyd, "Diamonds" featuring Young Jeezy and the Just Blaze produced "Back To School" round out an impressive collection that makes From Nothin' to Somethin' worth the two-year wait. In his absence no artist has come close to matching his boyish charm, wit and unassuming cool both on and off the mic. With a new team and a pop of his collar Fabolous is indeed "fresh to Def."

"I'm trying to bring good music back to the game," he says confidently. "And anybody that's bringing good music, the hype is gonna follow them."

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