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Up On Things - Fabolous



     
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Up On Things Lyrics


Yeah
Walk with me west coast
Yeah
It's the coast to coast G on the check in
Yeah ride ride ride
If you ain't up on things
Fabulous is the name, street fam's the game
Screamin' seven one eight while them hammers bang
Like bludda ludda lacca bludda ludda lacca
Kick game like I know a little bit of socca
Spic, dames, ass and a little bit of knockas
Give them nick names and a little bit of vodka
Then I'm game change a very freaky girl
You know who got the gold like the kid from the last dragon
You know who got the low on the spokes and the ass saggin'
You know who got the gold that'll have your ass gaggin'
You know who got the boat that'll have the task naggin'
But I fuck bitches and get money

My truck switches, you gotta duck bitches
When you get twenties and plug switches
That make you sit funny, I'm a rider
If you ain't up on things
(Don't come close to me)
(Unless you ride like you supposed to be)
If you ain't up on things
(Don't come close to me)
(Unless you pimpin' like you supposed to be)
If you ain't up on things
(Don't come close to me)
(Unless you banging like you supposed to be)
If you ain't up on things
(Don't come close to me)
(Unless you gangsta like you supposed to be)
C'mon you know its g's up C.O.'s down
If I freeze up, its kilos now
Pick trees up its three four pounds
Fill the bees up ‘til these bro's drown
I snatch a few G's up and flea those towns
Busta's freeze up when my V slow down
I ease up with these four pounds
Squeeze up to three four rounds
I pick these up its G code now
Y'all better call the D's up before I reload now
I'm the boss somethin' like Springsteen
I got somethin' that bring green, that look somethin' like stringbeans
I make sure the hustlers keep somethin' to sling the fiends
White, yellow, and a little somethin' that bling green
We going to blast if we going I been doing
This since Jabber was hooking off the glass in the forum
Your grandparents has to assume
'Cuz the face look like a magnifying glass on the poem
(Oh boy!)
If you ain't up on things
(Don't come close to me)
(Unless you ride like you supposed to be)
If you ain't up on things
(Don't come close to me)
(Unless you pimpin' like you supposed to be)
So my niggas, they get money
Throw your motherfucking hand in the air
And if you up on things and you don't give a fuck
Let me hear y'all niggas scream oh yeah oh yeah
And all my bitches, they get money
Throw your motherfuckin' hand in the air
And if you up on things and you don't give a fuck
Let me hear y'all bitches scream "Oh yeah"
It's the kid with the D O double G
After blowing three four dubs of trees
My eyes are below double G's
After sipping pin O bubbly skee O rubbing me
We'll probably go below publically
I'm a coast to coast G, I keep the toast to mostly
For those who pose to closely backup
Keep a piece in the vest, that's how we ride
From the north to the south to the east to the west
So my niggas, they get money
Throw your motherfucking hand in the air
And if you up on things and you don't give a fuck
Let me hear y'all niggas scream "Oh yeah"
All my bitches, they get money
Throw your motherfuckin' hands in the air
And if you up on things and you don't give a fuck
Let me hear y'all bitches scream "Oh yeah oh yeah"

Enjoy the lyrics !!!
John David Jackson (born November 18, 1977 in Brooklyn, New York), better known by his stage name Fabolous, is a Grammy award nominated American rapper, actor and designer signed to Def Jam Records. He released his debut album, Ghetto Fabolous in 2001 and has since released 2003's Street Dreams, 2004's Real Talk and 2007's From Nothin' To Somethin', all of which have collectively sold over four million copies in the United States. His fourth studio album, Loso's Way, was released in July of 2009 and debuted at #1 on the Billboard 200 chart.

It takes talent to make the struggle to succeed seem effortless, but that is the gift that separates artists like Brooklyn's John Jackson, aka Fabolous, from the everyday MC. While most rappers spend more and more time convincing the masses of their "hustle," Fabolous lets his work speak for his effort. With two platinum albums (2001's Ghetto Fabolous and 2003's Street Dreams) and one Gold (2004's Real Talk) to his credit, the veteran hitmaker still exudes a rookie-of-the year swagger. After recording for both Elektra and Atlantic Records, Fab is enjoying a home coming with the legendary Def Jam label. His first recorded song was "If They Want It" from DJ Clue's The Professional, which was released by Roc-A-Fella/Def Jam in 1998.

"I had people in my corner already over there," Fab says of DJ Clue and A&R Skane, the Desert Storm duo who discovered Fabolous. "So it wasn't like I was coming to a new neighborhood."

While he doesn't site any one reason for his move, Fabolous has learned a lot from his time in the industry and is eager to capitalize on his experience. "I haven't peaked yet," he explains. "I was happy with the past records, but I have some adversity to learn off of for the future."

It's appropriate that Fabolous is getting a fresh start for his latest release because he wants From Nothin' to Somethin' to be a rebirth for his fans old and new. "Everybody is trying to take what they have and make something more," says Fabolous, explaining the album's title. "It's a new year, everybody's on their hustle, back in the gym and I'm trying to give them some inspiration. This is music to chase your money too, work out--motivation music.

The first single "Make Me Better" is produced by Grammy Award winning producer Timbaland and finds Fabolous doing what he does best; blending radio ready sound beds with clever and memorable lyrics. Rapping that he needs "a Corretta Scott to make me King" Fab picks up with his female fans where "Baby" left off. "It's a great feel good record, it's got a lot of style to it," he says. "I wanted a record that could show that I could touch different people with my music."

Already recognized for his hit-making ability, Fabolous is eager to show the diversity of his technique while staying true to his blueprint for success. On the cocky "Make Money" he cleverly borrows Notorious B.I.G's trademark chuckle to comment on the laugh-ability of his competition: "these dudes is stand up rappers, hip-hop comedians, I start laughin as soon as I put your CD in." His wit and wordplay is not something he gets enough credit for, but the MC is confident people will come around. "Certain people recognize it," he says, "but its like they'll sing it in the shower, but they won't sing it outside. It's all good though. One of them days you gonna get drunk and start singing that song."

Enlisting a whose-who list of guests that includes Akon, Young Jeezy, Ne-Yo and Junior Reed, Fabolous plays to a variety of audiences on this disc, but there is no mistaking that it's his show from beginning to end. The anthemic "Brooklyn" features a yet to be disclosed surprise guest and "Change Up" pairs Fab with singer, producer extraodinaire Akon helping him reflect on his life and career.

"Anytime you become a successful person, people may look at you and say you changed," explains Fabolous, who references the October 2006 shooting that took place outside of Justin's restaurant in the lyrics of the song. "That record just talks about people changing as a person for money, how they carry themselves and treat other people. For me, I might have changed where I live or my number, but I haven't changed as a person…I slid a line or two about what happened in October but I'm not coming out with a bullet proof vest or anything."

The playful "Foggin Up The Windows," produced by Miami's The Runners, features R. Kelly's chopped and screwed vocals from his hit "Ignition" to prop up Fabolous' ode to parkin' lot pimpin' of the more carnal kind.

"I just took it back to trying to get some in the car," he says with a laugh. "Everyone's either done it or tried to get some in the car. It may not have been the place of choice but everybody's had a hotel on wheels."

Other rewind worthy tracks like "Real Playa" featuring Lloyd, "Diamonds" featuring Young Jeezy and the Just Blaze produced "Back To School" round out an impressive collection that makes From Nothin' to Somethin' worth the two-year wait. In his absence no artist has come close to matching his boyish charm, wit and unassuming cool both on and off the mic. With a new team and a pop of his collar Fabolous is indeed "fresh to Def."

"I'm trying to bring good music back to the game," he says confidently. "And anybody that's bringing good music, the hype is gonna follow them."

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