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Never Duplicated - Fabolous



     
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Never Duplicated Lyrics


Uh, yes I am often imitated
But I am never duplicated, yeah
Yes I am often imitated
But I am never duplicated
I can't deny it, you's a dick rider
You can never flow like me, blow like me
Why would a bitch like ya?
She can see that I'm a fuckin' rider, you a hitch hiker
I'm walkin' in some shoes, they can't make fit ya
Got millions of that paper that you can't take with ya
I don't wanna talk and I can't take pictures
Listen to your demo, I'll handshake with ya
Excuse you, who's you? If I need a stunt double, I'll use you
Pardon y'all, I don't wanna step on y'all toes
I seperate the authentic from the replica flows
And the kid be places you could never be at
So that can never be this, and this can never be that
These niggaz got some audacity

Sell some records as fast as me
Or sell some tickets out as fast as me, motherfucker
Yes I am often imitated
(Yes he is often imitated)
But I am never duplicated
(But he is never duplicated)
Yes I am often imitated
(Yes he is often imitated)
But I am never duplicated
So all that y'all can do is hate it
None of these wannabes really come close
I feel like I'm watchin' the MTV show Christina Milian hosts
Everybody know this brother got it
Way before everybody and their mother got it
They still wonder how he sound like he do
If I was you, I'd wanna sound like me too
'Cause I got M's, they got G's and they all right
But they not me
They hear how I spit it on a station
Now they wanna put me on they singles just to get an imitation
No, I can't make an appearance
Give you a cheap fee or break on a clearance
I'm what your label hoped it could be
That's why they trying to mould your little ass, into a sculpture of me
With the ladies it'll be like leader, she like real
See I tryin' to be like me and be like ill
Yes I am often imitated
(Yes he is often imitated)
But I am never duplicated
(But he is never duplicated)
Yes I am often imitated
(Yes he is often imitated)
But I am never duplicated
So all that y'all can do is hate it
I'm real, it's the way I talk, the way I walk
It ain't my fault, I won't let nothin' on two legs stop me
'Cause the real is always better than the bootleg copy
Like I ain't show 'em the white and yellows at the same time
Throw backs and pin wheels at the same time
Like I'm scared to drop at the same time
I'll show you how to do this young'n
I ain't frontin', these Jordan's ain't comin'
It ain't nothin', keep the complaints comin'
Can't hop on my bandwagon, jump in my blue flames
You should not try, you are not I
It's the dude with the Grammy grin
It's no relation if it ain't a street family kin
So won't the real Fabolous please stand up
Please stand up, please stand up
Yes I am often imitated
(Yes he is often imitated)
But I am never duplicated
(But he is never duplicated)
Yes I am often imitated
(Yes he is often imitated)
But I am never duplicated
So all that y'all can do is hate it

Enjoy the lyrics !!!
John David Jackson (born November 18, 1977 in Brooklyn, New York), better known by his stage name Fabolous, is a Grammy award nominated American rapper, actor and designer signed to Def Jam Records. He released his debut album, Ghetto Fabolous in 2001 and has since released 2003's Street Dreams, 2004's Real Talk and 2007's From Nothin' To Somethin', all of which have collectively sold over four million copies in the United States. His fourth studio album, Loso's Way, was released in July of 2009 and debuted at #1 on the Billboard 200 chart.

It takes talent to make the struggle to succeed seem effortless, but that is the gift that separates artists like Brooklyn's John Jackson, aka Fabolous, from the everyday MC. While most rappers spend more and more time convincing the masses of their "hustle," Fabolous lets his work speak for his effort. With two platinum albums (2001's Ghetto Fabolous and 2003's Street Dreams) and one Gold (2004's Real Talk) to his credit, the veteran hitmaker still exudes a rookie-of-the year swagger. After recording for both Elektra and Atlantic Records, Fab is enjoying a home coming with the legendary Def Jam label. His first recorded song was "If They Want It" from DJ Clue's The Professional, which was released by Roc-A-Fella/Def Jam in 1998.

"I had people in my corner already over there," Fab says of DJ Clue and A&R Skane, the Desert Storm duo who discovered Fabolous. "So it wasn't like I was coming to a new neighborhood."

While he doesn't site any one reason for his move, Fabolous has learned a lot from his time in the industry and is eager to capitalize on his experience. "I haven't peaked yet," he explains. "I was happy with the past records, but I have some adversity to learn off of for the future."

It's appropriate that Fabolous is getting a fresh start for his latest release because he wants From Nothin' to Somethin' to be a rebirth for his fans old and new. "Everybody is trying to take what they have and make something more," says Fabolous, explaining the album's title. "It's a new year, everybody's on their hustle, back in the gym and I'm trying to give them some inspiration. This is music to chase your money too, work out--motivation music.

The first single "Make Me Better" is produced by Grammy Award winning producer Timbaland and finds Fabolous doing what he does best; blending radio ready sound beds with clever and memorable lyrics. Rapping that he needs "a Corretta Scott to make me King" Fab picks up with his female fans where "Baby" left off. "It's a great feel good record, it's got a lot of style to it," he says. "I wanted a record that could show that I could touch different people with my music."

Already recognized for his hit-making ability, Fabolous is eager to show the diversity of his technique while staying true to his blueprint for success. On the cocky "Make Money" he cleverly borrows Notorious B.I.G's trademark chuckle to comment on the laugh-ability of his competition: "these dudes is stand up rappers, hip-hop comedians, I start laughin as soon as I put your CD in." His wit and wordplay is not something he gets enough credit for, but the MC is confident people will come around. "Certain people recognize it," he says, "but its like they'll sing it in the shower, but they won't sing it outside. It's all good though. One of them days you gonna get drunk and start singing that song."

Enlisting a whose-who list of guests that includes Akon, Young Jeezy, Ne-Yo and Junior Reed, Fabolous plays to a variety of audiences on this disc, but there is no mistaking that it's his show from beginning to end. The anthemic "Brooklyn" features a yet to be disclosed surprise guest and "Change Up" pairs Fab with singer, producer extraodinaire Akon helping him reflect on his life and career.

"Anytime you become a successful person, people may look at you and say you changed," explains Fabolous, who references the October 2006 shooting that took place outside of Justin's restaurant in the lyrics of the song. "That record just talks about people changing as a person for money, how they carry themselves and treat other people. For me, I might have changed where I live or my number, but I haven't changed as a person…I slid a line or two about what happened in October but I'm not coming out with a bullet proof vest or anything."

The playful "Foggin Up The Windows," produced by Miami's The Runners, features R. Kelly's chopped and screwed vocals from his hit "Ignition" to prop up Fabolous' ode to parkin' lot pimpin' of the more carnal kind.

"I just took it back to trying to get some in the car," he says with a laugh. "Everyone's either done it or tried to get some in the car. It may not have been the place of choice but everybody's had a hotel on wheels."

Other rewind worthy tracks like "Real Playa" featuring Lloyd, "Diamonds" featuring Young Jeezy and the Just Blaze produced "Back To School" round out an impressive collection that makes From Nothin' to Somethin' worth the two-year wait. In his absence no artist has come close to matching his boyish charm, wit and unassuming cool both on and off the mic. With a new team and a pop of his collar Fabolous is indeed "fresh to Def."

"I'm trying to bring good music back to the game," he says confidently. "And anybody that's bringing good music, the hype is gonna follow them."

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