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Bookshelf - Beenie Man



     
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Bookshelf Lyrics


The way them gal ya look so pretty, full a witty
Them no gritty me hafi put them pon me bookshelf
Yes, a no one a di whole committee inna the city them ya kitty
Mi naah go share them with nobody else, yesSo any time mia bore them, a sametime me adore them
When mi rip off them negligee
And from once mi can afford them, then me ago sport them
Put them all pon displayA so them nice mi caan ignore them, so affi tour them
Take them all over to L.A.
Then mi ago score them, anytime mi lure them
Fi a drive along the freewayMi very picky when mi choose them, who no good me loose them
When mi a run mi survey
And before mi go bruise them, tek them out and cruise them
Inna mi yacht along the bay'Cause me know me enthused them, and me amuse them
With mi lyrical display
Same time me naah confuse them, the Doctor naah abuse them
A pure loving without delayYes mi love how dem dweet, senoritas look petite
When me a mek a drive through
The way how them complete and them look so sweet

Me haffi live pon dem avenueNuff gal a kiss dem teeth 'cause them caan compete
When them a walk inna crew
So the way how me see it, mek them move to me beat
And then them wi stick like glue

Enjoy the lyrics !!!
Anthony Moses Davis (born August 22, 1973 in Kingston, Jamaica), better known by the stage name Beenie Man, is a well established reggae artist and DJ. He was involved in the music industry from a young age when he won the Tastee Talent contest in 1981. Only one year later, when he was eight years old, he recorded a single, "Too Fancy", with record producer "Junjo" Lawes. By 1983, Beenie Man was recording with heavyweight DJs, such as Dillinger and Fathead and released his debut album, The Invincible Beenie Man: The Ten Year Old DJ Wonder and the single "Over the Sea".

He was booed off stage at a show celebrating the visit of Nelson Mandela. In 1993 at the very popular show Sting he accused fellow deejay Bounty Killer that the elder artist had stolen his catchphrase, "people dead". This triggered a lyrical battle which continued on the air with each artist counteracting the other's songs. Finally, in 1995, Beenie Man and Bounty Killer settled their differences on the air by actually signing a peace treaty and the two recorded an album together, Guns Out. This was followed by a single, "No Mama No Cry", a rehash of the Bob Marley classic "No Woman No Cry", speaking out against violence and inspired by the murder of Pan Head, another popular Deejay.

Partially as a result of prodding from his producers, Sly and Robbie, Beenie Man soon converted to the Rastafari movement.

In 1994, he was signed by Island Records and released the critically acclaimed album Blessed.

In 1995, Beenie Man released a remix of Barrington Levy's "Under Mi Sensi" in the United Kingdom, and collaborated with Dennis Brown and Triston Palma to release Three Against War and Lt. Stitchie on Mad Cobra Meets Lt. Stitchie & Beenie Man. He took another step up the ladder in 1996, releasing the seminal Maestro, produced by Patrick Roberts and shot him to UK fame. During the period from the mid to late '90s, Beenie Man dominated the Jamaican charts to the extent that he perhaps had a good claim to the crown of "Dancehall King", a title only bestowed previously on Yellowman in the early 1980s.

In 1998, Beenie Man signed to Virgin Records to release albums in the United States. His first American offering was The Doctor (1998). In 2000, Beenie Man teamed up with Arturo Sandoval and Wyclef Jean (The Fugees) to release The Art & Life. During the late 1990s, Beenie Man began his conquest of America with the hits, "Romie", "Who Am I" and "Girls Dem Sugar", which featured American R&B singer, Mya.

In 2002, he had a sizeable hit with a duet with Janet Jackson called "Feel It Boy", but his biggest break in America came in early 2004 with the release of a remix of "Dude", featuring guest vocals by fellow Jamaican Ms. Thing, as well as rhymes by Shawnna.

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Beenie Man