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Byrd Gang Money (feat. NOE & Mel Matrix) - Jim Jones



     
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Byrd Gang Money (feat. NOE & Mel Matrix) Lyrics


Just clean my fancy car
Picked up my fancy clothes
And we only in the hot spot,
No, we got the bomb,
We got the bomb
This is Byrd gang money,
This is Byrd gang money,
This is Byrd gang money
Only niggas spending that Byrd gang money.Just clean my fancy car
Picked up my fancy clothes
And we only in the hot spot,
No, we got the bomb,
We got the bomb
This is Byrd gang money,
This is Byrd gang money,
This is Byrd gang money
Only niggas spending that Byrd gang money.Reminiscing on my first slant,
By the time I was sipping on my first Schlitz

Hit the game, I started as a look out,
See the fly cars that the big wheelies pushed out,
Dirt bikes popping wheelies by the cookout, that was that summer,
I was thirst to be plumper. It pays better but the risk was worst,
Save the fly leather copping kicks with the work.
It didnt work; I was fucken up the re-up.
Bottles at the tunnel, that was 98, I called papa for the bundles,
An easy ten grand, it felt like a hundred,
These Gucci belts by the stomach, with guns in them.
Its only wealth that we want, if we run wit em
Till the death, until the feds come and get em
Byrd gang money, it started off that Byrd Kane Money
New cars, in that third lane money!Just clean my fancy car,
Picked up my fancy clothes,
And we only in the hot spot,
No, we got the bomb,
We got the bomb,
This is Byrd gang money,
This is Byrd gang money,
This is Byrd gang money
Only real niggas spending that Byrd gang money.Getting money is the hardest,
Your first hundred grand is a job
Your first cool million, you're an artist.
Especially if the niggas up the block, sell garbage
Told it, crumbles all apart when you hold it
Wasn't naturally born a crook, I was molded
Drugs kept my uncles in the green, so I sold it
Even learned to smell a good grade through the packing
Headed Midwest and got financial backing
Started networking with the wheelies on credit
Any concepts of being robbed I was debited
Anybody get it, don't come a day later with the eigth money
Got to play it out, cause I said it
Courts an acquittal, coming in the club with an entourage
Me I'm the boss in the middle.
The brain and the bran roc-a-house rope around the neck
A lot of letters for the chain, and the charm. Come on manJust clean my fancy car
Picked up my fancy clothes
And we only in the hot spot,
No, we got the bomb,
We got the bomb
This is Byrd gang money,
This is Byrd gang money,
This is Byrd gang money
Only niggas spending that Byrd gang money.At a young age, no bricks just grams
Nigga stuck, then your mans a flip
The situation real, then your mans a hit
You slow on the get-a-way, the can you get
You circle the block, you play track and field
A lot of real niggas on that track got killed
But you know me forever manning up,
Never sit down when I pee, forever standing up
I'm a boss, so I'm calling the shots,
Big homie, pioneer of the block
You wanna pump, nigga Ill tell you when and where at
Don't face-fight; I'm not the one to stare at.
Matter of fact dog, you and your man sits,
In the back off cop car, dog, pointing your index
I guess you could, cause you a Sammy the Bull
But somebody gonna die if a hammer get pulled.Just clean my fancy car
Picked up my fancy clothes
And we only in the hot spot,
No, we got the bomb,
We got the bomb
This is Byrd gang money,
This is Byrd gang money,
This is Byrd gang money
Only niggas spending that Byrd gang money.Just clean my fancy car
Picked up my fancy clothes
And we only in the hot spot,
No, we got the bomb,
We got the bomb
This is Byrd gang money,
This is Byrd gang money,
This is Byrd gang money
Only niggas spending that Byrd gang money

Enjoy the lyrics !!!
DO NOT redirect Rev. Jim Jones here.

There are two artists by this name:

1) Jim Jones is the stage name of American hip hop artist and director Joseph Guillermo Jones II.

2) Jim Jones was a producer and experimental music artist best known as the guitarist for Pere Ubu.


1) Fortitude, ambition and creative business tactics are at the forefront of Jim Jones’ career. The enigmatic Diplomat CEO and entrepreneur spent the past decade designing an empire that will solidify his place in Hip Hop history and beyond.

After continued success with his Dipset crew and his Diplomat Record label, Jim’s solo album, On My Way To Church, debuted at #18 on Billboard Top 200 in August 2004, and has sold over 200,000 copies independently to date. The videos for the first single, “Certified Gangsta”, and second single, “Crunk Musik”, have received consistent airplay on both BET and MTV. Jim Jones is also exceedingly popular in the fast-paced world of mix-tape releases.

Building upon successes from his record label to his new alcohol brand, Sizzurp, Jim Jones is preparing to release a new Documentary Film, currently titled THE JIM JONES PROJECT, which presents a candidly-told cautionary tale of a “gangsta” rapper in transition. A purposeful message in the documentary is intended to act as a deterrent for the self-destructive behaviors of at-risk youth who have taken the bravado of “gangsta” rap to heart.

Bronx-born-but Harlem raised, Jim Jones knew all to well at a very early age what the streets had to offer. While he experienced his share of trouble growing up in Harlem, he was fortunate enough to escape anything that would cause him to wind up as another statistic in the concrete jungle.

In addition to his many ventures, Jim Jones is also gaining respect for his role as a music video director winning several music award nominations. He created the vision behind several videos for Dipset emcee Cam’ron including “Oh Boy”, “Hey Ma” and “Get Em Girl/Killa Cam”, State Property’s “When You Hear That”, as well as his own popular “Certified Gangsta” and “How G Is This” videos.

Jim takes his ability to influence the world at large very serious, he continues to search for new ways to find social and political growth while progressing within the Hip Hop culture. Currently, Jim is an active participator in Russell Simmons’ Hip Hop Summit, The Andre Neal Foundation as well as the South East Queens Action Network for Public Schools, all which focus on building and strengthening the community through it’s youth, educating them on politics and teaching them how influential their voice is.

Even his pursuit to bring the ideals of gangsta rap to the world with his Documentary Film, Jim makes it clear that he is no way advocating a movement toward it. “My advice for younger people is: Please don’t try this shit at home. There’s a difference between a gangsta and a gangbanger - a gangbanger is very ambitious, he has a fiery heart. When he knows how smart he is, he’ll turn into a gangsta. A gangsta becomes a businessman, because with power you gotta show restraint - you only show that power when your back is against the wall and people force you to come out swinging.” - Bio courtesy of Tygereye Entertainment

Along with fellow Harlem-based player Cam'ron, Jim Jones founded the Diplomat label, home to the Diplomats/Dipset and many of that crew's prolific solo activities. Though more of a businessman and behind-the-scenes figure than an MC (he was also named a director of AR at Warner Music Group in early 2005), Jones released solo albums in 2004 (On My Way to Church, which hit the Top 20 upon its August release) and 2005 (Diary of a Summer). Andy Kellman, All Music Guide

2) Jim Jones (born James E. Jones, 1950 in Cleveland, Ohio. Died of a heart attack Feb 18 2008) graduated from Mayfield High School in 1968. He played baritone sax in the MHS Marching Band, alto sax in the concert band, and discovered an affinity for tape manipulation while in charge of the high school language lab. Jim attempted two quarters at Cuyahoga Community College in '69, but his interest in music won out. He formed the short-lived band, Lazarus, and worked as a clerk/buyer for Leo Mintz's Record Rendezvous retail chain for the next fifteen years. Jim started his own record shop, Platter-Puss Records, in '84. He sold the business in '87 after joining Pere Ubu. Jim got his first guitar in 1965, and taught himself to play in a self-devised open tuning. He was/is profoundly moved by music in nearly all forms, especially Indian music (thanks to George Harrison), 20th century classical & experimental, 50's thru 60's pop and mood music, and of course "rock" in it's many forms. Jim joined local "underground" band, Mirrors, in '74 as bass player. Mirrors shared gigs with Rocket From The Tombs and The Electric Eels (whom he later recorded with), and later transformed into The Styrenes. In '77 Jim quit The Styrenes and took some time off from work to become a member of the Pere Ubu road crew, doing the infamous Co-Ed Jail Tours of the US & Europe in support of The Modern Dance lp. Back from the tours Jim and fellow roadie, Pat Ryan, started a two-man experimental rock band called Foreign Bodies, which released a single. The next few years saw Jim honing his skills as a studio producer for a number of local Cleveland artists and bands, recording his own music, and composing electronic pieces for local theatre and dance companies. In 1980 Jim formed the raucous Easter Monkeys, and concomitantly became a member of Scott Krauss And Tony Maimone's project, Home & Garden. Gigs were played and recordings were released by both bands. Having worked with David Thomas and the Pedestrians On The Variations On A Theme album in '84, Jim was asked to join David's latest project, The Wooden Birds, in 1986. A year later that group (with the addition of Scott Krauss) became the revived Pere Ubu. Jim has recorded with the band since that time, but no longer tours. He currently appears and records with local bands Speaker\Cranker, Noble Rot, and KNG NXN as mainly a keyboardist. Jim has overseen operations of the US arm of Ubutique in Cleveland since 1990.

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Jim Jones