Chacka Dance - Beenie Man



     
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Chacka Dance Lyrics


Ziggy, umm, alright, cool
Mi nuh innna di argument wit dem unno
I jus go an sing a song, alright, tell dem seh
So unno move outta di way
Gweh man, gweh, chaka, chaka, chaka, tek dem onJohn Hype, who dat ah run? Who dat? Ah ball
True yuh put yuh ak ova di wall
Harder dem come ah di harder dem fall
Everybody from yuh know yuh gun dem tallDo di, chaka tall, chaka tall
Put di chaka chaka ak ova di wall
Do di, chaka tall, chaka tall
Put di chaka, chaka, ak ova di wallDem ova deh suh keep tings steady
We ova yere suh lock down di city
Memba di dance weh dem call shelly belly
We ago remix di dance, everybody watch diAy, chaka belly, chaka belly
Have a new dance weh dem call chaka belly
Chaka belly, chaka belly
Everybody inna di dance do di chaka bellyDem seh, john ah fan dem off, john ah flag dem off
Dem ah telephone, dem ah fax dem off

John ah call down di rain pon di gal dem
But if ah rain di man call down him bless demJohn, ah, gangsta, yu ah wanksta
John, ah, dance, dem ah turn cookie monsta
Chaka, chaka gal, chaka, chaka gal
Chaka, chaka, chaka, chakaSo unno move outta di way
Gweh, man, gweh, chaka, chaka, chaka ayEverybody inna di dance, dem, ah, do di weddy, weddy
Alright, time fi remix weddy, weddy
An, who cyan do it? Just sing rock steady
Everybody inna di dance, unno do di chaka weddyDo di chaka weddy, chaka weddy
Chaka weddy, weddy, weddy, weddy, weddy, weddy, weddy
Chaka, chaka weddy, chaka weddy
Chaka weddy, weddy, weddy, weddy, weddy, weh di chaka nowGirl, ah, when mi down inna bunch
Waan drink mi like fruit punch
Ding dong originate di summer bounce
Everybody mek we remix di bounceDo di chaka bounce, chaka bounce
Walk wid di bounce an do a chaka tomp
Chaka bounce, chaka bounce
Walk wid di bounce, an do a chaka okDis anno no lip service
Ryan new dance name shankle dip
Everybody mek we remix di dip
John livin up di crew an do di chaka dipDo di chaka dip, chaka dip
Run wid yuh foot an do di chaka dip
Chaka dip, chaka dip
Run wid yuh foot an sing to me nowSo unno move outta di way
Gweh man gweh chaka chaka chaka ayJohn Hype, who dat ah run? Who dat ah ball?
True yuh put yuh ak ova di wall
Harder dem come, ah, di harder dem fall
Everybody from yuh know yuh gun dem tallDo di, chaka tall, chaka tall
Put di chaka, chaka ak ova di wall
Do di, chaka tall, chaka tall
Put di chaka, chaka ak ova di wallDem ova deh suh keep tings steady
We ova yere suh lock down di city
Memba di dance weh dem call shelly belly
We ago remix di dance, everybody watch diAy, chaka belly, chaka belly
Have a new dance weh dem call chaka belly
Chaka belly, chaka belly
Everybody inna di dance do di chaka bellyDem seh, John, ah, fan dem off, John, ah, flag dem off
Dem ah telephone, dem ah fax dem off
John ah call down di rain pon di gal dem
But if ah rain di man call down him bless demJohn ah gangsta, yu ah wanksta
John ah dance, dem ah turn cookie monsta
Chaka, chaka gal, chaka, chaka gal
Chaka, chaka, chaka, chakaSo unno move outta di way
Gweh, man, gweh chaka, chaka, chaka ay

Enjoy the lyrics !!!
Anthony Moses Davis (born August 22, 1973 in Kingston, Jamaica), better known by the stage name Beenie Man, is a well established reggae artist and DJ. He was involved in the music industry from a young age when he won the Tastee Talent contest in 1981. Only one year later, when he was eight years old, he recorded a single, "Too Fancy", with record producer "Junjo" Lawes. By 1983, Beenie Man was recording with heavyweight DJs, such as Dillinger and Fathead and released his debut album, The Invincible Beenie Man: The Ten Year Old DJ Wonder and the single "Over the Sea".

He was booed off stage at a show celebrating the visit of Nelson Mandela. In 1993 at the very popular show Sting he accused fellow deejay Bounty Killer that the elder artist had stolen his catchphrase, "people dead". This triggered a lyrical battle which continued on the air with each artist counteracting the other's songs. Finally, in 1995, Beenie Man and Bounty Killer settled their differences on the air by actually signing a peace treaty and the two recorded an album together, Guns Out. This was followed by a single, "No Mama No Cry", a rehash of the Bob Marley classic "No Woman No Cry", speaking out against violence and inspired by the murder of Pan Head, another popular Deejay.

Partially as a result of prodding from his producers, Sly and Robbie, Beenie Man soon converted to the Rastafari movement.

In 1994, he was signed by Island Records and released the critically acclaimed album Blessed.

In 1995, Beenie Man released a remix of Barrington Levy's "Under Mi Sensi" in the United Kingdom, and collaborated with Dennis Brown and Triston Palma to release Three Against War and Lt. Stitchie on Mad Cobra Meets Lt. Stitchie & Beenie Man. He took another step up the ladder in 1996, releasing the seminal Maestro, produced by Patrick Roberts and shot him to UK fame. During the period from the mid to late '90s, Beenie Man dominated the Jamaican charts to the extent that he perhaps had a good claim to the crown of "Dancehall King", a title only bestowed previously on Yellowman in the early 1980s.

In 1998, Beenie Man signed to Virgin Records to release albums in the United States. His first American offering was The Doctor (1998). In 2000, Beenie Man teamed up with Arturo Sandoval and Wyclef Jean (The Fugees) to release The Art & Life. During the late 1990s, Beenie Man began his conquest of America with the hits, "Romie", "Who Am I" and "Girls Dem Sugar", which featured American R&B singer, Mya.

In 2002, he had a sizeable hit with a duet with Janet Jackson called "Feel It Boy", but his biggest break in America came in early 2004 with the release of a remix of "Dude", featuring guest vocals by fellow Jamaican Ms. Thing, as well as rhymes by Shawnna.

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Beenie Man