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Come Again - Beenie Man



     
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Come Again Lyrics


Dong, dong ziggy anyway
Zong, diggy, diggy, dong, dong, diggy, siggy, dong
Dong, diggy, diggy, dong, dong, dong, dong
Zong, diggy, diggy, dong, dong, diggy, siggy, dong
Dong, diggy, diggy, dong, dong, dong, dong
Rrr, diggy, dong, dong, dong
Dong, dong, diggy, diggy, diggy, diggy
Diggy, diggy, diggy, diggy, dong, dong
Mi come again, fi rip it up and mash it up again
Mi come again, fi bun out all di informa dem
Mi come again, fi zagga zagga zow dem again
Mi come again, fi, oh God, dem again
Mi come again, fi rip it up and mash it up again
Mi come again, fi bun out all di informa dem
Mi come again, fi zagga zagga zow dem again
Mi come again, fi, oh God, dem again
Nah flip dem a flop dem a chit dem a chat
But a mi dem caan flop man a lyrical dat

Dem a yip dem a yap dem a hip dem a hop
Dem a dip dem a drop but mi fine like a rock
Punchline dem a chat pon a beat dem hot pon lyrics
But mi nuh bizniz dat
When di album drop I can chat don't flop
Di more we stock di money we got
Dung yard dem call mi di top a di top
PG crown mi di king a di crop
VMA's Ashanti a go play wid mi locks all
Hot 97 dem gimme di props
Some lie dem a ask why mi always chat
Dem a sue dem a flop some a do dem a don't
Some a sue to di cops dem a duck
Dem a dock fly wey when dat [unverified]
Mi come again, fi rip it up and mash it up again
Mi come again, fi bun out all di informa dem
Mi come again, fi zagga zagga zow dem again
Mi come again, fi, oh God, dem again
Mi come again, fi rip it up and mash it up again
Mi come again, fi bun out all di informa dem
Mi come again, fi zagga zagga zow dem again
Mi come again, fi, oh God, dem again
Some a czar we a star we and di gal dem a par
Dem a blar dem a war we a di real toppa nar
Det get cut dem got scar dem a bleach we a tar
Big up di big singer Jah Cure weh thug it out behind bar
We a sing dem dem a song dem a swing our slang
Nah sling we nuh slong we nuh ping we nuh pong
Mi nuh ding mi nuh dong man a king dem a kong
All a bling and dem a blong while we a sing song
Mi come again, fi rip it up and mash it up again
Mi come again, fi bun out all di informa dem
Mi come again, fi zagga zagga zow dem again
Mi come again, fi, oh God, dem again
Mi come again, fi rip it up and mash it up again
Mi come again, fi bun out all di informa dem
Mi come again, fi zagga zagga zow dem again
Mi come again, fi, oh God, dem again
Nuh matta weh dem feel
True dem seh mi humble dem a wonda what's the deal
Sing dem like a gal a wasp and shot dem like a heel
Neva join di Navy but mi pull di musical feel
Have more rhyme like a Orange but nah tek nuh peel
How dem can handle acrimmage walk right out on big field
Mi a eat [unverified] wid cabbage dem a all a fix meal
Back to weh we get dem just a know how it feel
Dem a bait and dem a fraud but mi real
Mi come again, fi rip it up and mash it up again
Mi come again, fi bun out all di informa dem
Mi come again, fi zagga zagga zow dem again
Mi come again, fi, oh God, dem again
Mi come again, fi rip it up and mash it up again
Mi come again, fi bun out all di informa dem
Mi come again, fi zagga zagga zow dem again
Mi come again, fi, oh God, dem again
Nah flip dem a flop dem a chit dem a chat
But a mi dem caan flop man a lyrical dat
Dem a yip dem a yap dem a hip dem a hop
Dem a dip dem a drop but mi fine like a rock
Punchline dem a chat pon a beat dem hot pon lyrics
But mi nuh bizniz dat
When di album drop I can chat don't flop
Di more we stock di money we got
Dung yard dem call mi di top a di top
PG crown mi di king a di crop
VMA's Ashanti a go play wid mi locks all
Hot 97 dem gimme di props
Some lie dem a ask why mi always chat
Dem a sue dem a flop some a do dem a dont
Some a sue to di cops dem a duck
Dem a dock fly wey when dat [unverified]
Mi come again, fi rip it up and mash it up again
Mi come again, fi bun out all di informa dem
Mi come again, fi zagga zagga zow dem again
Mi come again, fi, oh God, dem again
Mi come again, fi rip it up and mash it up again
Mi come again, fi bun out all di informa dem
Mi come again, fi zagga zagga zow dem again
Mi come again, fi, oh God, dem again

Enjoy the lyrics !!!
Anthony Moses Davis (born August 22, 1973 in Kingston, Jamaica), better known by the stage name Beenie Man, is a well established reggae artist and DJ. He was involved in the music industry from a young age when he won the Tastee Talent contest in 1981. Only one year later, when he was eight years old, he recorded a single, "Too Fancy", with record producer "Junjo" Lawes. By 1983, Beenie Man was recording with heavyweight DJs, such as Dillinger and Fathead and released his debut album, The Invincible Beenie Man: The Ten Year Old DJ Wonder and the single "Over the Sea".

He was booed off stage at a show celebrating the visit of Nelson Mandela. In 1993 at the very popular show Sting he accused fellow deejay Bounty Killer that the elder artist had stolen his catchphrase, "people dead". This triggered a lyrical battle which continued on the air with each artist counteracting the other's songs. Finally, in 1995, Beenie Man and Bounty Killer settled their differences on the air by actually signing a peace treaty and the two recorded an album together, Guns Out. This was followed by a single, "No Mama No Cry", a rehash of the Bob Marley classic "No Woman No Cry", speaking out against violence and inspired by the murder of Pan Head, another popular Deejay.

Partially as a result of prodding from his producers, Sly and Robbie, Beenie Man soon converted to the Rastafari movement.

In 1994, he was signed by Island Records and released the critically acclaimed album Blessed.

In 1995, Beenie Man released a remix of Barrington Levy's "Under Mi Sensi" in the United Kingdom, and collaborated with Dennis Brown and Triston Palma to release Three Against War and Lt. Stitchie on Mad Cobra Meets Lt. Stitchie & Beenie Man. He took another step up the ladder in 1996, releasing the seminal Maestro, produced by Patrick Roberts and shot him to UK fame. During the period from the mid to late '90s, Beenie Man dominated the Jamaican charts to the extent that he perhaps had a good claim to the crown of "Dancehall King", a title only bestowed previously on Yellowman in the early 1980s.

In 1998, Beenie Man signed to Virgin Records to release albums in the United States. His first American offering was The Doctor (1998). In 2000, Beenie Man teamed up with Arturo Sandoval and Wyclef Jean (The Fugees) to release The Art & Life. During the late 1990s, Beenie Man began his conquest of America with the hits, "Romie", "Who Am I" and "Girls Dem Sugar", which featured American R&B singer, Mya.

In 2002, he had a sizeable hit with a duet with Janet Jackson called "Feel It Boy", but his biggest break in America came in early 2004 with the release of a remix of "Dude", featuring guest vocals by fellow Jamaican Ms. Thing, as well as rhymes by Shawnna.

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Beenie Man