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Confront Ya Babe (feat. Max B & Cardan) - Jim Jones



     
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Confront Ya Babe (feat. Max B & Cardan) Lyrics


I gotta see how that thing sound but I got it
I'ma come right in wit it Dipset, uhIf there's a need to confront ya babe
I'll let the nina come punch ya babe, Dipset
Fur beavers, big blunts and things
Byrd gang, Byrd gang, owIf there's a need to confront ya babe
I'll let the nina come punch ya babe, Dipset
Fur beavers, big blunts and things
Byrd gang, Byrd gang, owNigga, I'll leave you bleedin' on ya door slot
Max B look like Derek Jeter on the short stop, uh
I'll put the heater to ya soft spot
Waive the nina and make ya Adidas do the short stop, uhYou don't want it with me B
Dickie under the snorkel heat and the mean V
Bend ya main bitches over, give 'em the wee wee
Big gun up close in ya face 3D, uhI'll put the thing near ya ear, let it bang near ya ear
Fivic grand crew haters linger in the air
Clothes fit right like the finger in ya beer
Last week hit anger in the rearJim came threw he gave me the chain
And couple of 'guettes in my ear

Now the bird swingin' off the thermo
Tre pound tucked, bitch, I don't give a fuck, bitchIf there's a need to confront ya babe
I'll let the nina come punch ya babe, Dipset
Fur beavers, big blunts and things
Byrd gang, Byrd gang, owIf there's a need to confront ya babe
I'll let the nina come punch ya babe, Dipset
Fur beavers, big blunts and things
Byrd gang, Byrd gang, owShit, I treats this game like it's '88
Nauti' sweats no socks hopped out the range with the paper plates
Hopped on the plane with the bathing apes
Hopped off the plane to see the hatian face so pound nigga, sa pa sayWe gangsta rappin', gettin' dough from this violence, east side
I'm talkin' G4's blowin' haze smoke from the piolet, purple
I chartered that flight 'cause it was lookin' kinda rainy
Now I'm known to bring the goons out
Like that nigga John Chaney, GooniesOr catch me up on the hill in the whip doing 80, dimelo
Till the police pulled me over and the whip smelled all hazy
What you know about that cash get you thrown up in the trash
I'll put a gun up in ya mouth and have you blow it out yo assBlunt up in my mouth blowin' out the grass
Show you how to stunt, pockets loaded with the cash
Show you how to dump, semi loaded ready to blast
I'll roll up on you chumps I got this whole shit in a smashIf there's a need to confront ya babe
I'll let the nina come punch ya babe, Dipset
Fur beavers, big blunts and things
Byrd gang, Byrd gang, owIf there's a need to confront ya babe
I'll let the nina come punch ya babe, Dipset
Fur beavers, big blunts and things
Byrd gang, Byrd gang, owYo now when I'm cruisin' through Harlem I get my bunky charn on
Gotta dunny dunk broad with a dunky dunk car
I get all that chronic straight from them honky tonk guys
You junior muthafuckas I'm donkey don kongI just left Jacob and he got me chunky on arm
Now I'm on my way to go smoke a dunky don bong
I brought da band out and I ain't talkin' Puffy Sean Combs
Dem drums turn into guns goin' brump ba bump, bumpNow ya mind out ya body
You wonder I got the nine in the party I was high in it prolly
Doggy, I put the kam in the kazi you need it pa
Holla I might go guide you, poppy it's the guyCall me cardan tho, been passed dem, bust, if, ain't
We ain't with the village fags nah, we on Lenox Ave.
You mad, go get ya dad, you fag, you fit for drag
And that nina'll bump you, or if it's a need I confront you, fuckerIf there's a need to confront ya babe
I'll let the nina come punch ya babe, Dipset
Fur beavers, big blunts and things
Byrd gang, Byrd gang, owIf there's a need to confront ya babe
I'll let the nina come punch ya babe, Dipset
Fur beavers, big blunts and things
Byrd gang, Byrd gang, owIf there's a need to confront ya babe
I'll let the nina come punch ya babe, Dipset
Fur beavers, big blunts and things
Byrd gang, Byrd gang, owIf there's a need to confront ya babe
I'll let the nina come punch ya babe, Dipset
Fur beavers, big blunts and things
Byrd gang, Byrd gang, ow
Songwriters
JONES, JOSEPH / CRUM, FRANKLIN / SERRANO, ERIBERIOPublished by
Lyrics © Universal Music Publishing Group

Enjoy the lyrics !!!
DO NOT redirect Rev. Jim Jones here.

There are two artists by this name:

1) Jim Jones is the stage name of American hip hop artist and director Joseph Guillermo Jones II.

2) Jim Jones was a producer and experimental music artist best known as the guitarist for Pere Ubu.


1) Fortitude, ambition and creative business tactics are at the forefront of Jim Jones’ career. The enigmatic Diplomat CEO and entrepreneur spent the past decade designing an empire that will solidify his place in Hip Hop history and beyond.

After continued success with his Dipset crew and his Diplomat Record label, Jim’s solo album, On My Way To Church, debuted at #18 on Billboard Top 200 in August 2004, and has sold over 200,000 copies independently to date. The videos for the first single, “Certified Gangsta”, and second single, “Crunk Musik”, have received consistent airplay on both BET and MTV. Jim Jones is also exceedingly popular in the fast-paced world of mix-tape releases.

Building upon successes from his record label to his new alcohol brand, Sizzurp, Jim Jones is preparing to release a new Documentary Film, currently titled THE JIM JONES PROJECT, which presents a candidly-told cautionary tale of a “gangsta” rapper in transition. A purposeful message in the documentary is intended to act as a deterrent for the self-destructive behaviors of at-risk youth who have taken the bravado of “gangsta” rap to heart.

Bronx-born-but Harlem raised, Jim Jones knew all to well at a very early age what the streets had to offer. While he experienced his share of trouble growing up in Harlem, he was fortunate enough to escape anything that would cause him to wind up as another statistic in the concrete jungle.

In addition to his many ventures, Jim Jones is also gaining respect for his role as a music video director winning several music award nominations. He created the vision behind several videos for Dipset emcee Cam’ron including “Oh Boy”, “Hey Ma” and “Get Em Girl/Killa Cam”, State Property’s “When You Hear That”, as well as his own popular “Certified Gangsta” and “How G Is This” videos.

Jim takes his ability to influence the world at large very serious, he continues to search for new ways to find social and political growth while progressing within the Hip Hop culture. Currently, Jim is an active participator in Russell Simmons’ Hip Hop Summit, The Andre Neal Foundation as well as the South East Queens Action Network for Public Schools, all which focus on building and strengthening the community through it’s youth, educating them on politics and teaching them how influential their voice is.

Even his pursuit to bring the ideals of gangsta rap to the world with his Documentary Film, Jim makes it clear that he is no way advocating a movement toward it. “My advice for younger people is: Please don’t try this shit at home. There’s a difference between a gangsta and a gangbanger - a gangbanger is very ambitious, he has a fiery heart. When he knows how smart he is, he’ll turn into a gangsta. A gangsta becomes a businessman, because with power you gotta show restraint - you only show that power when your back is against the wall and people force you to come out swinging.” - Bio courtesy of Tygereye Entertainment

Along with fellow Harlem-based player Cam'ron, Jim Jones founded the Diplomat label, home to the Diplomats/Dipset and many of that crew's prolific solo activities. Though more of a businessman and behind-the-scenes figure than an MC (he was also named a director of AR at Warner Music Group in early 2005), Jones released solo albums in 2004 (On My Way to Church, which hit the Top 20 upon its August release) and 2005 (Diary of a Summer). Andy Kellman, All Music Guide

2) Jim Jones (born James E. Jones, 1950 in Cleveland, Ohio. Died of a heart attack Feb 18 2008) graduated from Mayfield High School in 1968. He played baritone sax in the MHS Marching Band, alto sax in the concert band, and discovered an affinity for tape manipulation while in charge of the high school language lab. Jim attempted two quarters at Cuyahoga Community College in '69, but his interest in music won out. He formed the short-lived band, Lazarus, and worked as a clerk/buyer for Leo Mintz's Record Rendezvous retail chain for the next fifteen years. Jim started his own record shop, Platter-Puss Records, in '84. He sold the business in '87 after joining Pere Ubu. Jim got his first guitar in 1965, and taught himself to play in a self-devised open tuning. He was/is profoundly moved by music in nearly all forms, especially Indian music (thanks to George Harrison), 20th century classical & experimental, 50's thru 60's pop and mood music, and of course "rock" in it's many forms. Jim joined local "underground" band, Mirrors, in '74 as bass player. Mirrors shared gigs with Rocket From The Tombs and The Electric Eels (whom he later recorded with), and later transformed into The Styrenes. In '77 Jim quit The Styrenes and took some time off from work to become a member of the Pere Ubu road crew, doing the infamous Co-Ed Jail Tours of the US & Europe in support of The Modern Dance lp. Back from the tours Jim and fellow roadie, Pat Ryan, started a two-man experimental rock band called Foreign Bodies, which released a single. The next few years saw Jim honing his skills as a studio producer for a number of local Cleveland artists and bands, recording his own music, and composing electronic pieces for local theatre and dance companies. In 1980 Jim formed the raucous Easter Monkeys, and concomitantly became a member of Scott Krauss And Tony Maimone's project, Home & Garden. Gigs were played and recordings were released by both bands. Having worked with David Thomas and the Pedestrians On The Variations On A Theme album in '84, Jim was asked to join David's latest project, The Wooden Birds, in 1986. A year later that group (with the addition of Scott Krauss) became the revived Pere Ubu. Jim has recorded with the band since that time, but no longer tours. He currently appears and records with local bands Speaker\Cranker, Noble Rot, and KNG NXN as mainly a keyboardist. Jim has overseen operations of the US arm of Ubutique in Cleveland since 1990.

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