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Diced Pineapples (Feat. Trey Songz & Cassie) - Fabolous



     
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Diced Pineapples (Feat. Trey Songz & Cassie) Lyrics


Hello?
What you doin' tonight?
Oh shitShawty so cold, pussy winter fresh
Reservations to eat and you my dinner guest
Shawty clean up nice, never been a mess
Could take a little pain, I see them tattoos in her flesh
But I ain't try to hurt her, 'cause I've always been the best
At making my shawty feel it till she feel it in her chest
Sex excellent, get a hundred when I test
I'm a fan of her talent, so I've always been impressed
Sex in the city on my black satin sheets
Wet as Hurricane Sandy on the Manhattan streets
Lit a few candles like my power hadn't reached
Then I took you places that her last nigga hadn't reached
Bitch so bad know her parents went through hell
Smart mouth when we argue, you would swear she went to Yale
I wanna touch her, not using my hands
Make her dance without using the bandsCall me crazy, shit at least you call me

Feels better when you let it out, don't it, boy?
Know its easy to get caught up in the moment
When you say it 'cause you're mad and you take it all back
Then we fuck all night till things get right
Then we fuck all night till things get rightThe club popping but she ain't trying go there
Her friends know where she going every time she tell them "nowhere"
I'm the only one that get up in that VIP
My money grown, baby, ain't no need to see id
Slide her somethin' just to come through, host money
At least niggas know you're getting to the most money
Club my place, you wear what you wanna wear
But you're overdressed if you're wearing underwear
Now turn up, couple J's to burn up
Couple spots to hide out, now let that playlist ride out
Where I live on Sunday, your place Monday
Her hand in my pants, call that Al Bundy
Pull it out like a pistol yo, kissin' on the balls like the dick a mistletoe
Tell her do the thing I like, best she listen, yo
Bad bitch good girl around the Christmas, though (Nice)Call me crazy, shit at least you call me
Feels better when you let it out, don't it, boy?
Know its easy to get caught up in the moment
When you say it 'cause you're mad and you take it all back
Then we fuck all night till things get right
Then we fuck all night till things get rightPussy sweeter than some fresh fruit
She gushin' I drink the best juice
I'm drinking till nothing left too
And she playing with herself, too
I been thinking about her all day
She perform like it's Broadway
Yeah, we hop in the range, she off top with the brain
Got the windows down, broad day
Just look at her, spectacular
Throw her on the stove, flip her like a spatula
Other niggas want her, but you see them niggas whack to her
Side bitch tripping 'cause I don't ever get back to her
My bitch like bitches, but none of my bitches bad to her
She's a trigger, I never seen her with a bad bitch
Unless she's meeting on these other bitches average
Hundred percent real all these bitches is plastic
Moroccan goddess, she walk like she need her ass kissed
Walk like she need her ass kissed
Diced pineapples, super fine at you
If she's giving head, She's throwing her mind at you
Fuck these other bitches, nigga, she don't mind that you do
Might just wanna watch, I ain't taking time at you, dudes
Never faking, why they hella front?
Keep it real with her, yeah, that's all she ever wants
Somethin' bout the alchemy, she don't ever disappoint
London on the balcony, we 'bout to smoke another joint
Miami on the yacht, she pulling on my pistol saying how she love my cock
Metaphoric bliss, shawty, you the shit
Couple days with her, man, that's all I ever get
Yeah she got a little sister, that's all she ever with
Game like a nigga, man, that's wall she ever spit
Montreal was our first time, swear pussy just like the first lines
Scars on my back, she don' left couple there
spent a couple stacks, I don' put a couple pair
Try to bag mine, my nigga I double dare
Never retract statements, nigga, I'm never scared
Niggas be switching up, but nigga, I'm never weird
Back on another leer
I leave niggas here, all in another year
All in another lane, all in another gear
All of you niggas lame, all of your niggas here
Listen up, bitch niggas bitching up
I guess you're doing what you're supposed to
Let a real nigga hold you
Back to my baby girl, though, I just need you in my world, yoCall me crazy, shit at least you call me
Feels better when you let it out, don't it, boy?
Know its easy to get caught up in the moment
When you say it 'cause you're mad and you take it all back
Then we fuck all night till things get right
Then we fuck all night till things get right
Songwriters
Ross, Rick / Graham, Aubrey / Mccormick, Carl / Akintimehin, OlubowalePublished by
Lyrics © EMI Music Publishing, Warner/Chappell Music, Inc., Kobalt Music Publishing Ltd., Universal Music Publishing Group Song Discussions is protected by U.S. Patent 9401941. Other patents pending.

Enjoy the lyrics !!!
John David Jackson (born November 18, 1977 in Brooklyn, New York), better known by his stage name Fabolous, is a Grammy award nominated American rapper, actor and designer signed to Def Jam Records. He released his debut album, Ghetto Fabolous in 2001 and has since released 2003's Street Dreams, 2004's Real Talk and 2007's From Nothin' To Somethin', all of which have collectively sold over four million copies in the United States. His fourth studio album, Loso's Way, was released in July of 2009 and debuted at #1 on the Billboard 200 chart.

It takes talent to make the struggle to succeed seem effortless, but that is the gift that separates artists like Brooklyn's John Jackson, aka Fabolous, from the everyday MC. While most rappers spend more and more time convincing the masses of their "hustle," Fabolous lets his work speak for his effort. With two platinum albums (2001's Ghetto Fabolous and 2003's Street Dreams) and one Gold (2004's Real Talk) to his credit, the veteran hitmaker still exudes a rookie-of-the year swagger. After recording for both Elektra and Atlantic Records, Fab is enjoying a home coming with the legendary Def Jam label. His first recorded song was "If They Want It" from DJ Clue's The Professional, which was released by Roc-A-Fella/Def Jam in 1998.

"I had people in my corner already over there," Fab says of DJ Clue and A&R Skane, the Desert Storm duo who discovered Fabolous. "So it wasn't like I was coming to a new neighborhood."

While he doesn't site any one reason for his move, Fabolous has learned a lot from his time in the industry and is eager to capitalize on his experience. "I haven't peaked yet," he explains. "I was happy with the past records, but I have some adversity to learn off of for the future."

It's appropriate that Fabolous is getting a fresh start for his latest release because he wants From Nothin' to Somethin' to be a rebirth for his fans old and new. "Everybody is trying to take what they have and make something more," says Fabolous, explaining the album's title. "It's a new year, everybody's on their hustle, back in the gym and I'm trying to give them some inspiration. This is music to chase your money too, work out--motivation music.

The first single "Make Me Better" is produced by Grammy Award winning producer Timbaland and finds Fabolous doing what he does best; blending radio ready sound beds with clever and memorable lyrics. Rapping that he needs "a Corretta Scott to make me King" Fab picks up with his female fans where "Baby" left off. "It's a great feel good record, it's got a lot of style to it," he says. "I wanted a record that could show that I could touch different people with my music."

Already recognized for his hit-making ability, Fabolous is eager to show the diversity of his technique while staying true to his blueprint for success. On the cocky "Make Money" he cleverly borrows Notorious B.I.G's trademark chuckle to comment on the laugh-ability of his competition: "these dudes is stand up rappers, hip-hop comedians, I start laughin as soon as I put your CD in." His wit and wordplay is not something he gets enough credit for, but the MC is confident people will come around. "Certain people recognize it," he says, "but its like they'll sing it in the shower, but they won't sing it outside. It's all good though. One of them days you gonna get drunk and start singing that song."

Enlisting a whose-who list of guests that includes Akon, Young Jeezy, Ne-Yo and Junior Reed, Fabolous plays to a variety of audiences on this disc, but there is no mistaking that it's his show from beginning to end. The anthemic "Brooklyn" features a yet to be disclosed surprise guest and "Change Up" pairs Fab with singer, producer extraodinaire Akon helping him reflect on his life and career.

"Anytime you become a successful person, people may look at you and say you changed," explains Fabolous, who references the October 2006 shooting that took place outside of Justin's restaurant in the lyrics of the song. "That record just talks about people changing as a person for money, how they carry themselves and treat other people. For me, I might have changed where I live or my number, but I haven't changed as a person…I slid a line or two about what happened in October but I'm not coming out with a bullet proof vest or anything."

The playful "Foggin Up The Windows," produced by Miami's The Runners, features R. Kelly's chopped and screwed vocals from his hit "Ignition" to prop up Fabolous' ode to parkin' lot pimpin' of the more carnal kind.

"I just took it back to trying to get some in the car," he says with a laugh. "Everyone's either done it or tried to get some in the car. It may not have been the place of choice but everybody's had a hotel on wheels."

Other rewind worthy tracks like "Real Playa" featuring Lloyd, "Diamonds" featuring Young Jeezy and the Just Blaze produced "Back To School" round out an impressive collection that makes From Nothin' to Somethin' worth the two-year wait. In his absence no artist has come close to matching his boyish charm, wit and unassuming cool both on and off the mic. With a new team and a pop of his collar Fabolous is indeed "fresh to Def."

"I'm trying to bring good music back to the game," he says confidently. "And anybody that's bringing good music, the hype is gonna follow them."

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