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Don't Push Me Away - Jim Jones



     
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Don't Push Me Away Lyrics


Now don't push me away 'cause when the first time I met you
Girl, you shook me in ways
You know the life of a nigga's cookin' up yay
And because you knew the pitfalls and the tumbles of the gameYou've seen the spotlight watch niggas fallin' to the fame
And all the time you tried to tell me to stay hungry and maintain
When I was like let's go half on a baby
And if not then lets go half on a 'cedesDrop top coup while we pumpin' sweet sadie
Flyin' up Lennox, doin' us, pushin' 80
The road trips, the late nights got you pissed
The road trips, the late nights got us richThe clothes that we wear, the place that we piss
Run and get shot, we ain't what we sit
So if I don't get a chance to tell you
Now too often lately girl how your hand so helpfulIn this cold world girl every man needs help too
So baby, I'ma ride and no plans to fail youPlease, baby, don't push me away
I want you
Please, baby don't push me away
I need youI had enough of the shucking and jiving, duckin' and hidin'
I'm tryin' to get to conversation and ridin'

'Cause I'm feelin' your essence your presence
Is just enough to let me know that it's destinedAnd since the day that I found you, there's something about you
That makes me want to lose it and pounce ya
But it's not just your body, it's your mind
Your spirit, everything combinedAnd while I got a chance, take my hand
And let me show you something real, that love you can feelPlease, baby, don't push me away
I want you
Please, baby don't push me away
I need youUh, now two years done passed, few cheers, few laughs
Coppin' Vs, shoppin' sprees gears in the bags
And who cares who's near 'cause most of the bitches
Would just say you was there for the cashAnd I ain't scared of your past, I prepare for the future
The one thing I ask is just don't tear a nigga coup up
You brang the bail when I was caged up
And back and forth the court to the lawyer now we case shutYou found the numbers in my phone, you was my face but
You know what they say the break ups to make ups
And I admit I'm getting better with the flirtin'
You know you dead sexy when you yellin' and you cursin'You such a hell of a person
So when I get home I'm gonnna tell you in person
Face to face, I'ma run base to base
And then I'ma slide home safe till I make yo body shakeYou tell me every night that life comes with a twist
That I'm in the spotlight and I'm runnin' the risk
Hey, you always say love don't come with a kiss
It's hard soakin' up game when it's comin' from a bitchBut where's my manners, never take you for granted?
Never take you advantage, most people don't understand it
Is you happy? Look inside humor
When you and I together what the fuck they gonna do wit us?Say ya prayer 'cause we destined for glory
And when the credits roll it's Harlem's West Side StoryMy vision of the lovin' is close
That's how I want us to be when we doin' our thing
Kissin' ya, lickin' ya, touchin' ya, rubbin' ya
Tell me how you want me to bring it?Because I know he got limits
But baby I don't, and my feelin's they won't
Let you get away from me, come stay with me
Baby, baby, please, baby, don't push me awayWhen the sunshine turn to rain
Baby, I can take away your pain
Just call me up when you need some time
I'll take you out, break you off like daddy come onYou don't have to settle for less
And baby, I can give you what you want
Just call me up when you need some time
And you can get it from me just like daddy come onShit, so don't push me away

Enjoy the lyrics !!!
DO NOT redirect Rev. Jim Jones here.

There are two artists by this name:

1) Jim Jones is the stage name of American hip hop artist and director Joseph Guillermo Jones II.

2) Jim Jones was a producer and experimental music artist best known as the guitarist for Pere Ubu.


1) Fortitude, ambition and creative business tactics are at the forefront of Jim Jones’ career. The enigmatic Diplomat CEO and entrepreneur spent the past decade designing an empire that will solidify his place in Hip Hop history and beyond.

After continued success with his Dipset crew and his Diplomat Record label, Jim’s solo album, On My Way To Church, debuted at #18 on Billboard Top 200 in August 2004, and has sold over 200,000 copies independently to date. The videos for the first single, “Certified Gangsta”, and second single, “Crunk Musik”, have received consistent airplay on both BET and MTV. Jim Jones is also exceedingly popular in the fast-paced world of mix-tape releases.

Building upon successes from his record label to his new alcohol brand, Sizzurp, Jim Jones is preparing to release a new Documentary Film, currently titled THE JIM JONES PROJECT, which presents a candidly-told cautionary tale of a “gangsta” rapper in transition. A purposeful message in the documentary is intended to act as a deterrent for the self-destructive behaviors of at-risk youth who have taken the bravado of “gangsta” rap to heart.

Bronx-born-but Harlem raised, Jim Jones knew all to well at a very early age what the streets had to offer. While he experienced his share of trouble growing up in Harlem, he was fortunate enough to escape anything that would cause him to wind up as another statistic in the concrete jungle.

In addition to his many ventures, Jim Jones is also gaining respect for his role as a music video director winning several music award nominations. He created the vision behind several videos for Dipset emcee Cam’ron including “Oh Boy”, “Hey Ma” and “Get Em Girl/Killa Cam”, State Property’s “When You Hear That”, as well as his own popular “Certified Gangsta” and “How G Is This” videos.

Jim takes his ability to influence the world at large very serious, he continues to search for new ways to find social and political growth while progressing within the Hip Hop culture. Currently, Jim is an active participator in Russell Simmons’ Hip Hop Summit, The Andre Neal Foundation as well as the South East Queens Action Network for Public Schools, all which focus on building and strengthening the community through it’s youth, educating them on politics and teaching them how influential their voice is.

Even his pursuit to bring the ideals of gangsta rap to the world with his Documentary Film, Jim makes it clear that he is no way advocating a movement toward it. “My advice for younger people is: Please don’t try this shit at home. There’s a difference between a gangsta and a gangbanger - a gangbanger is very ambitious, he has a fiery heart. When he knows how smart he is, he’ll turn into a gangsta. A gangsta becomes a businessman, because with power you gotta show restraint - you only show that power when your back is against the wall and people force you to come out swinging.” - Bio courtesy of Tygereye Entertainment

Along with fellow Harlem-based player Cam'ron, Jim Jones founded the Diplomat label, home to the Diplomats/Dipset and many of that crew's prolific solo activities. Though more of a businessman and behind-the-scenes figure than an MC (he was also named a director of AR at Warner Music Group in early 2005), Jones released solo albums in 2004 (On My Way to Church, which hit the Top 20 upon its August release) and 2005 (Diary of a Summer). Andy Kellman, All Music Guide

2) Jim Jones (born James E. Jones, 1950 in Cleveland, Ohio. Died of a heart attack Feb 18 2008) graduated from Mayfield High School in 1968. He played baritone sax in the MHS Marching Band, alto sax in the concert band, and discovered an affinity for tape manipulation while in charge of the high school language lab. Jim attempted two quarters at Cuyahoga Community College in '69, but his interest in music won out. He formed the short-lived band, Lazarus, and worked as a clerk/buyer for Leo Mintz's Record Rendezvous retail chain for the next fifteen years. Jim started his own record shop, Platter-Puss Records, in '84. He sold the business in '87 after joining Pere Ubu. Jim got his first guitar in 1965, and taught himself to play in a self-devised open tuning. He was/is profoundly moved by music in nearly all forms, especially Indian music (thanks to George Harrison), 20th century classical & experimental, 50's thru 60's pop and mood music, and of course "rock" in it's many forms. Jim joined local "underground" band, Mirrors, in '74 as bass player. Mirrors shared gigs with Rocket From The Tombs and The Electric Eels (whom he later recorded with), and later transformed into The Styrenes. In '77 Jim quit The Styrenes and took some time off from work to become a member of the Pere Ubu road crew, doing the infamous Co-Ed Jail Tours of the US & Europe in support of The Modern Dance lp. Back from the tours Jim and fellow roadie, Pat Ryan, started a two-man experimental rock band called Foreign Bodies, which released a single. The next few years saw Jim honing his skills as a studio producer for a number of local Cleveland artists and bands, recording his own music, and composing electronic pieces for local theatre and dance companies. In 1980 Jim formed the raucous Easter Monkeys, and concomitantly became a member of Scott Krauss And Tony Maimone's project, Home & Garden. Gigs were played and recordings were released by both bands. Having worked with David Thomas and the Pedestrians On The Variations On A Theme album in '84, Jim was asked to join David's latest project, The Wooden Birds, in 1986. A year later that group (with the addition of Scott Krauss) became the revived Pere Ubu. Jim has recorded with the band since that time, but no longer tours. He currently appears and records with local bands Speaker\Cranker, Noble Rot, and KNG NXN as mainly a keyboardist. Jim has overseen operations of the US arm of Ubutique in Cleveland since 1990.

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Jim Jones