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Emotionless (Feat. Juelz Santana) - Jim Jones



     
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Emotionless (Feat. Juelz Santana) Lyrics


Lemme two-twelve wit' you for second, holla at you
True storyCold sweats (sweaty sheets)
From bad dreams (nightmares)
I hope the Feds don't grab the team
'Cause we been labeled as the trouble makers (Dipset)
We sell whole pies so you ain't got to cut the cake up
Tell no lies, so the Lord come and take us (solemnly swear)
Praise to Allah, hope the Lord He forsake us (pray for me)
And outlaws is what it made us
We live the fast life, and so we ball out major (ballin')
Until I see a ribbon in the sky
Cop plush cars put ribbons on the ride (full speed ahead)
Due to my political ties
I can't roll around without the drip in the ride (East Side)
And if my gun boys ain't heard of ya
You're lightweight I get the young boys to murder ya
You're looking at a cracker's worst nightmare
Young, black, rich and with a fresh pair Nikes

Boy you talk about my life here
Fuck wit' OGs that put dice in the mirror
And they tell me that life's but a gamble
The media will turn your whole life into a scandalPut my emotions aside (why?)
'Cause they can never take me alive (no)
I'mma ride (I'mma ride)
And don't cry (don't cry)
'Cause Momma raised hell of a thug (I'm a thug)
And if I'm standing in front of the judge (Guess what?)
He can never take me alive (no)
I'mma ride (I'mma ride)
And don't cry (don't cry)
'Cause Momma raised hell of a thug (I'm a thug)
And if I'm standing in front of the judgePoured off Bentley
Looking like steroids
Jetson car, I'm looking like Elroy
Maserati lookin' like a shark on land
Neiman Marcus edition, contraband
Neiman Marcus I'm in it, shopping and
Five thousand spent on pants, man (man)
Bitches love it, nigga's want it
So bad they wanna take it, but I kill 'em for it (huh)
Believe it, I'm like a bear that ain't get his porridge
You better stay out the forest, warning
It's Santana you fucks,
Money man, make you do a handstand for the bucks
I see you clear, my antennas is up
And that hand-scale is still in my pocket
What you want? (What you want?)
Dough boys in the trap, where ya at? (where ya at?)
Coke dealer's in the hood, what's good? (what's good?)
Boys getting them bricks with the stamp on the shit
Well come meet the man that's stamping them bricks (us)
Fly wit' the Byrds, or lie wit' the dirt
Your corpse, flies will emergePut my emotions aside (why?)
'Cause they can never take me alive (no)
I'mma ride (I'mma ride)
And don't cry (don't cry)
'Cause Momma raised hell of a thug (I'm a thug)
And if I'm standing in front of the judge (Guess what?)
He can never take me alive (no)
I'mma ride (I'mma ride)
And don't cry (don't cry)
'Cause Momma raised hell of a thug (I'm a thug)
And if I'm standing in front of the judgeThey say your enemies is close, your friends even closer
Listening to 'Pac up ten in the roaster (speeding)
Now, do you wanna ride or die?
Blowin' smoke in the air, getting high as the sky (that purple)
I'm drunk staring B
I need therapy
The paranoia got me thinking conspiracy
Paper on the brain, the brain on the yayo
I make it off the plane I'm a land to a payroll
My right hand to God, put my right hand in the jar (that mixture)
And it all come back, like grams of the hard
You heard of us, the murderers, the most shady (DipSet)
Been on the low lately, the Feds hate me (Jones)
They try to put cuffs on me and my assailants
When I push fees through the streets, they be tailing (speeding)
They try to catch me out of bounds
They know I got pistols if you catch me outta town (loaded)
A thug changes, and love changes
And since 9/11, the price of the drugs changes
(Changes, changes, changes, changes, changes, changes)Put my emotions aside (why?)
'Cause they can never take me alive (no)
I'mma ride (I'mma ride)
And don't cry (don't cry)
'Cause Momma raised hell of a thug (I'm a thug)
And if I'm standing in front of the judge (Guess what?)
He can never take me alive (no)
I'mma ride (I'mma ride)
And don't cry (don't cry)
'Cause Momma raised hell of a thug (I'm a thug)
And if I'm standing in front of the judge
Songwriters
JOSEPH JONES, LARON L. JAMES, ANDRE S. PARKER, BRANDON ANTHONY PARROTTPublished by
Lyrics © Sony/ATV Music Publishing LLC, Universal Music Publishing Group Song Discussions is protected by U.S. Patent 9401941. Other patents pending.

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DO NOT redirect Rev. Jim Jones here.

There are two artists by this name:

1) Jim Jones is the stage name of American hip hop artist and director Joseph Guillermo Jones II.

2) Jim Jones was a producer and experimental music artist best known as the guitarist for Pere Ubu.


1) Fortitude, ambition and creative business tactics are at the forefront of Jim Jones’ career. The enigmatic Diplomat CEO and entrepreneur spent the past decade designing an empire that will solidify his place in Hip Hop history and beyond.

After continued success with his Dipset crew and his Diplomat Record label, Jim’s solo album, On My Way To Church, debuted at #18 on Billboard Top 200 in August 2004, and has sold over 200,000 copies independently to date. The videos for the first single, “Certified Gangsta”, and second single, “Crunk Musik”, have received consistent airplay on both BET and MTV. Jim Jones is also exceedingly popular in the fast-paced world of mix-tape releases.

Building upon successes from his record label to his new alcohol brand, Sizzurp, Jim Jones is preparing to release a new Documentary Film, currently titled THE JIM JONES PROJECT, which presents a candidly-told cautionary tale of a “gangsta” rapper in transition. A purposeful message in the documentary is intended to act as a deterrent for the self-destructive behaviors of at-risk youth who have taken the bravado of “gangsta” rap to heart.

Bronx-born-but Harlem raised, Jim Jones knew all to well at a very early age what the streets had to offer. While he experienced his share of trouble growing up in Harlem, he was fortunate enough to escape anything that would cause him to wind up as another statistic in the concrete jungle.

In addition to his many ventures, Jim Jones is also gaining respect for his role as a music video director winning several music award nominations. He created the vision behind several videos for Dipset emcee Cam’ron including “Oh Boy”, “Hey Ma” and “Get Em Girl/Killa Cam”, State Property’s “When You Hear That”, as well as his own popular “Certified Gangsta” and “How G Is This” videos.

Jim takes his ability to influence the world at large very serious, he continues to search for new ways to find social and political growth while progressing within the Hip Hop culture. Currently, Jim is an active participator in Russell Simmons’ Hip Hop Summit, The Andre Neal Foundation as well as the South East Queens Action Network for Public Schools, all which focus on building and strengthening the community through it’s youth, educating them on politics and teaching them how influential their voice is.

Even his pursuit to bring the ideals of gangsta rap to the world with his Documentary Film, Jim makes it clear that he is no way advocating a movement toward it. “My advice for younger people is: Please don’t try this shit at home. There’s a difference between a gangsta and a gangbanger - a gangbanger is very ambitious, he has a fiery heart. When he knows how smart he is, he’ll turn into a gangsta. A gangsta becomes a businessman, because with power you gotta show restraint - you only show that power when your back is against the wall and people force you to come out swinging.” - Bio courtesy of Tygereye Entertainment

Along with fellow Harlem-based player Cam'ron, Jim Jones founded the Diplomat label, home to the Diplomats/Dipset and many of that crew's prolific solo activities. Though more of a businessman and behind-the-scenes figure than an MC (he was also named a director of AR at Warner Music Group in early 2005), Jones released solo albums in 2004 (On My Way to Church, which hit the Top 20 upon its August release) and 2005 (Diary of a Summer). Andy Kellman, All Music Guide

2) Jim Jones (born James E. Jones, 1950 in Cleveland, Ohio. Died of a heart attack Feb 18 2008) graduated from Mayfield High School in 1968. He played baritone sax in the MHS Marching Band, alto sax in the concert band, and discovered an affinity for tape manipulation while in charge of the high school language lab. Jim attempted two quarters at Cuyahoga Community College in '69, but his interest in music won out. He formed the short-lived band, Lazarus, and worked as a clerk/buyer for Leo Mintz's Record Rendezvous retail chain for the next fifteen years. Jim started his own record shop, Platter-Puss Records, in '84. He sold the business in '87 after joining Pere Ubu. Jim got his first guitar in 1965, and taught himself to play in a self-devised open tuning. He was/is profoundly moved by music in nearly all forms, especially Indian music (thanks to George Harrison), 20th century classical & experimental, 50's thru 60's pop and mood music, and of course "rock" in it's many forms. Jim joined local "underground" band, Mirrors, in '74 as bass player. Mirrors shared gigs with Rocket From The Tombs and The Electric Eels (whom he later recorded with), and later transformed into The Styrenes. In '77 Jim quit The Styrenes and took some time off from work to become a member of the Pere Ubu road crew, doing the infamous Co-Ed Jail Tours of the US & Europe in support of The Modern Dance lp. Back from the tours Jim and fellow roadie, Pat Ryan, started a two-man experimental rock band called Foreign Bodies, which released a single. The next few years saw Jim honing his skills as a studio producer for a number of local Cleveland artists and bands, recording his own music, and composing electronic pieces for local theatre and dance companies. In 1980 Jim formed the raucous Easter Monkeys, and concomitantly became a member of Scott Krauss And Tony Maimone's project, Home & Garden. Gigs were played and recordings were released by both bands. Having worked with David Thomas and the Pedestrians On The Variations On A Theme album in '84, Jim was asked to join David's latest project, The Wooden Birds, in 1986. A year later that group (with the addition of Scott Krauss) became the revived Pere Ubu. Jim has recorded with the band since that time, but no longer tours. He currently appears and records with local bands Speaker\Cranker, Noble Rot, and KNG NXN as mainly a keyboardist. Jim has overseen operations of the US arm of Ubutique in Cleveland since 1990.

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Jim Jones