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Forgive - Jim Jones



     
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Forgive Lyrics


I tell ‘em welcome to the main attraction
Where these niggas let these bitches be their main distraction
I’ve been known to make these white girls wet
And I could show you how these white girls stretch
No bit cramp, sunlight heated yoga
Just a stove in a pot and I need some soda
There’s a party in my watch, I don’t need promoters
Got the transparent hood, you could see the motor
Huh, apparently she’s a deep-throater
And they tell me watch my language cuz I speak vulgar
In a cold so hot it’s hard to come up
Tried hard to make the room before the girl left at sun up
I swear to god, all the cars like I hunt up
They got the game now and gets us like 1 up
The game even, it ain’t easy
I’ve seen niggas still lose the chip to San Seezy
Get on my knees and pray (knees and pray) day and night
I move on, I make it right

The success don’t come over night
We’re vampires, we own the night
I came from nothing, now my money right
Turned up into something, now my niggas tight
This for my niggas, they never see the light
Just keep your head up, they here if something bright
It break my heart to see my man working 9 to 5
He was the man, you got the grams from a ‘95
As I recall, in my brand new 95’s
‘Nore the sweats, tryna get my hands on the pie
I cut the grams like a samurai
Had to know if was taking flicks like I’m camera shy
I used to make love to a Gemini
A couple friends of mine, they are now my frenemies
Want to see the enemy, I guess they are my enemies
Shit, but it’s like a distant memory
Cuz, it’s mazel tov in the world dog
In all the simplest problems you get hold off
Have your plans and the dogs get cocked off
Used to dribble through the night like a ball court
So I pay the lidder slight, bitch my own course
So I pay the lidder slight, bitch my own course
Get on my knees and pray (knees and pray) day and night
I move on, I make it right
The success don’t come over night
We’re vampires, we own the night
I came from nothing, now my money right
Turned up into something, now my niggas tight
This for my niggas, they never see the light
Just keep your head up, they here if something bright
Rune fast clear as the air that is blue
Took ‘er to the roof with the aerial view
That’s when she showed her venereal view
While I’m smoking loud like the stereo bloom
It’s the glamorous life
Where we roll around with the hammers in sight
Cuz most niggas ain’t seen a hundred grand in their sight
Pop bottles in the club at a credit scammer’s price
A gutter nigga made mills and burned ‘em
Still got a couple mills burning
Iowa west told me 8 mill would turn him
So I burn another blunt, in my Ferrari wheels turnin’
I love a pretty bitch and some platforms
In the back of the back with the back drawn
Peter C’s got ‘er back warm
Hot Nelly CD, repeat action
I was just in the lobby with the Mag drawn
Having nightmares a nigga comin’ back for ‘im
But they say that’s not like me though
Just like they said I’m not likely to blow

Enjoy the lyrics !!!
DO NOT redirect Rev. Jim Jones here.

There are two artists by this name:

1) Jim Jones is the stage name of American hip hop artist and director Joseph Guillermo Jones II.

2) Jim Jones was a producer and experimental music artist best known as the guitarist for Pere Ubu.


1) Fortitude, ambition and creative business tactics are at the forefront of Jim Jones’ career. The enigmatic Diplomat CEO and entrepreneur spent the past decade designing an empire that will solidify his place in Hip Hop history and beyond.

After continued success with his Dipset crew and his Diplomat Record label, Jim’s solo album, On My Way To Church, debuted at #18 on Billboard Top 200 in August 2004, and has sold over 200,000 copies independently to date. The videos for the first single, “Certified Gangsta”, and second single, “Crunk Musik”, have received consistent airplay on both BET and MTV. Jim Jones is also exceedingly popular in the fast-paced world of mix-tape releases.

Building upon successes from his record label to his new alcohol brand, Sizzurp, Jim Jones is preparing to release a new Documentary Film, currently titled THE JIM JONES PROJECT, which presents a candidly-told cautionary tale of a “gangsta” rapper in transition. A purposeful message in the documentary is intended to act as a deterrent for the self-destructive behaviors of at-risk youth who have taken the bravado of “gangsta” rap to heart.

Bronx-born-but Harlem raised, Jim Jones knew all to well at a very early age what the streets had to offer. While he experienced his share of trouble growing up in Harlem, he was fortunate enough to escape anything that would cause him to wind up as another statistic in the concrete jungle.

In addition to his many ventures, Jim Jones is also gaining respect for his role as a music video director winning several music award nominations. He created the vision behind several videos for Dipset emcee Cam’ron including “Oh Boy”, “Hey Ma” and “Get Em Girl/Killa Cam”, State Property’s “When You Hear That”, as well as his own popular “Certified Gangsta” and “How G Is This” videos.

Jim takes his ability to influence the world at large very serious, he continues to search for new ways to find social and political growth while progressing within the Hip Hop culture. Currently, Jim is an active participator in Russell Simmons’ Hip Hop Summit, The Andre Neal Foundation as well as the South East Queens Action Network for Public Schools, all which focus on building and strengthening the community through it’s youth, educating them on politics and teaching them how influential their voice is.

Even his pursuit to bring the ideals of gangsta rap to the world with his Documentary Film, Jim makes it clear that he is no way advocating a movement toward it. “My advice for younger people is: Please don’t try this shit at home. There’s a difference between a gangsta and a gangbanger - a gangbanger is very ambitious, he has a fiery heart. When he knows how smart he is, he’ll turn into a gangsta. A gangsta becomes a businessman, because with power you gotta show restraint - you only show that power when your back is against the wall and people force you to come out swinging.” - Bio courtesy of Tygereye Entertainment

Along with fellow Harlem-based player Cam'ron, Jim Jones founded the Diplomat label, home to the Diplomats/Dipset and many of that crew's prolific solo activities. Though more of a businessman and behind-the-scenes figure than an MC (he was also named a director of AR at Warner Music Group in early 2005), Jones released solo albums in 2004 (On My Way to Church, which hit the Top 20 upon its August release) and 2005 (Diary of a Summer). Andy Kellman, All Music Guide

2) Jim Jones (born James E. Jones, 1950 in Cleveland, Ohio. Died of a heart attack Feb 18 2008) graduated from Mayfield High School in 1968. He played baritone sax in the MHS Marching Band, alto sax in the concert band, and discovered an affinity for tape manipulation while in charge of the high school language lab. Jim attempted two quarters at Cuyahoga Community College in '69, but his interest in music won out. He formed the short-lived band, Lazarus, and worked as a clerk/buyer for Leo Mintz's Record Rendezvous retail chain for the next fifteen years. Jim started his own record shop, Platter-Puss Records, in '84. He sold the business in '87 after joining Pere Ubu. Jim got his first guitar in 1965, and taught himself to play in a self-devised open tuning. He was/is profoundly moved by music in nearly all forms, especially Indian music (thanks to George Harrison), 20th century classical & experimental, 50's thru 60's pop and mood music, and of course "rock" in it's many forms. Jim joined local "underground" band, Mirrors, in '74 as bass player. Mirrors shared gigs with Rocket From The Tombs and The Electric Eels (whom he later recorded with), and later transformed into The Styrenes. In '77 Jim quit The Styrenes and took some time off from work to become a member of the Pere Ubu road crew, doing the infamous Co-Ed Jail Tours of the US & Europe in support of The Modern Dance lp. Back from the tours Jim and fellow roadie, Pat Ryan, started a two-man experimental rock band called Foreign Bodies, which released a single. The next few years saw Jim honing his skills as a studio producer for a number of local Cleveland artists and bands, recording his own music, and composing electronic pieces for local theatre and dance companies. In 1980 Jim formed the raucous Easter Monkeys, and concomitantly became a member of Scott Krauss And Tony Maimone's project, Home & Garden. Gigs were played and recordings were released by both bands. Having worked with David Thomas and the Pedestrians On The Variations On A Theme album in '84, Jim was asked to join David's latest project, The Wooden Birds, in 1986. A year later that group (with the addition of Scott Krauss) became the revived Pere Ubu. Jim has recorded with the band since that time, but no longer tours. He currently appears and records with local bands Speaker\Cranker, Noble Rot, and KNG NXN as mainly a keyboardist. Jim has overseen operations of the US arm of Ubutique in Cleveland since 1990.

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Jim Jones