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Girls Way - Beenie Man



     
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Girls Way Lyrics


Who Lordy, Lordy, Lordy, Lordy, Lordy
Who nah na nah na nigh stabba
Da ba nigh, fi di gal dem me cry
Why, woh nah na nah na nigh stabba
Da ba nigh nah na na nigh anywayI'm moving on di gal dem way
(Gal dem way)
Don't yuh tek man fi gay
(Man a nuh gay)Ge mi suzan and fay every day
A wan yu hear wa mi say
(Yeah)
Moving on di gal dem way
(Gal dem way)Don't yuh tek man fi gay
(Man a nuh gay)
Gimme suzan and fay
(Night or day)
Oonu fi hear weh me say
(Well)Gal di way yuh hot yuh have mi body under pressure
Yuh have yuh mi have mi gal, so I nuh really matter

Gal di way yuh under mi skin a juk mi like macka
Gal dem want di pressure gal dem want washerGal dem want di man fi give dem wuk, 'cause I'm di doctor
Gal dem want di steam fish & di ockra in a dem structure
Way di gal dem love mi want fi be mi baby mother
Gal dem want fi hold mi, gal dem all a grab miGal dem see mi out a road a call walking beauty
Gal dem say mi ease, gal dem say mi irie
Why di gal dem love mi, mi nuh have nuh itsy bitsy
So, tru yuh see mi beenie, true yuh see mi teenie
Gal want come undress mi but anywayI'm moving on di gal dem way
(Gal dem way)
Don't yuh tek man fi gay
(Man a nuh gay)Ge mi suzan and fay every day
A wan yu hear wa mi say
(Yeah)
Moving on di gal dem way
(Gal dem way)Don't yuh tek man fi gay
(Man a nuh gay)
Gimme suzan and fay
(Night or day)
Oonu fi hear weh me say
(Well)Just di other day mi spend a small hiloday
Down a suzette land & mi go land buff bay
Mi reach a flatbush mi walk di africans way
When mi reach di round a bout dem gi mi di right a wayGal dem want di hoter, gal dem want di pepper
Gal dem want di man fi set dem body pon fire
Gal dem want a lover, dem nuh want nuh nyamer
Dem nuh want nuh man fi come & treat dem like nuh buyerGal dem want a worker, gal want a driver
Gal dem want a man fi work dem like a car tyre
Gal dem want fi land, gal dem want mi hand
Gal dem want a man fi mek dem spin like a fan
Cho dem want di long mawga man but anywayI'm moving on di gal dem way
(Gal dem way)
Don't yuh tek man fi gay
(Man a nuh gay)Ge mi suzan and fay every day
A wan yu hear wa mi say
(Yeah)
Moving on di gal dem way
(Gal dem way)Don't yuh tek man fi gay
(Man a nuh gay)
Gimme suzan and fay
(Night or day)
Oonu fi hear weh me say
(Well)Gal di way yuh tall mi want fi have yuh like mi sword
Upper mixing lab yuh like mi mixing board
Gal mi nuh affi punch yuh, gal mi nuh affi patch yuh
Gal yuh good a ready so mi really nuh affi fix yuhGal mi just a rub yuh down a kiss & all caress yuh
Gal mi want fi strip yuh mi wifey nuh affi know yuh
Me ready fi go funish d apartment gi yuh
Gal mi a di bass & yuh a di drum hear di punch line comeI'm moving on di gal dem way
(Gal dem way)
Don't yuh tek man fi gay
(Man a nuh gay)Ge mi suzan and fay every day
A wan yu hear wa mi say
(Yeah)
Moving on di gal dem way
(Gal dem way)Don't yuh tek man fi gay
(Man a nuh gay)
Gimme suzan and fay
(Night or day)
Oonu fi hear weh me say
(Well)Who Lordy, Lordy, Lordy, Lordy, Lordy
Who nah na nah na nigh stabba
Da ba nigh, fi di gal dem me cry
Why, woh nah na nah na nigh stabba
Da ba nigh nah na na nigh anyway

Enjoy the lyrics !!!
Anthony Moses Davis (born August 22, 1973 in Kingston, Jamaica), better known by the stage name Beenie Man, is a well established reggae artist and DJ. He was involved in the music industry from a young age when he won the Tastee Talent contest in 1981. Only one year later, when he was eight years old, he recorded a single, "Too Fancy", with record producer "Junjo" Lawes. By 1983, Beenie Man was recording with heavyweight DJs, such as Dillinger and Fathead and released his debut album, The Invincible Beenie Man: The Ten Year Old DJ Wonder and the single "Over the Sea".

He was booed off stage at a show celebrating the visit of Nelson Mandela. In 1993 at the very popular show Sting he accused fellow deejay Bounty Killer that the elder artist had stolen his catchphrase, "people dead". This triggered a lyrical battle which continued on the air with each artist counteracting the other's songs. Finally, in 1995, Beenie Man and Bounty Killer settled their differences on the air by actually signing a peace treaty and the two recorded an album together, Guns Out. This was followed by a single, "No Mama No Cry", a rehash of the Bob Marley classic "No Woman No Cry", speaking out against violence and inspired by the murder of Pan Head, another popular Deejay.

Partially as a result of prodding from his producers, Sly and Robbie, Beenie Man soon converted to the Rastafari movement.

In 1994, he was signed by Island Records and released the critically acclaimed album Blessed.

In 1995, Beenie Man released a remix of Barrington Levy's "Under Mi Sensi" in the United Kingdom, and collaborated with Dennis Brown and Triston Palma to release Three Against War and Lt. Stitchie on Mad Cobra Meets Lt. Stitchie & Beenie Man. He took another step up the ladder in 1996, releasing the seminal Maestro, produced by Patrick Roberts and shot him to UK fame. During the period from the mid to late '90s, Beenie Man dominated the Jamaican charts to the extent that he perhaps had a good claim to the crown of "Dancehall King", a title only bestowed previously on Yellowman in the early 1980s.

In 1998, Beenie Man signed to Virgin Records to release albums in the United States. His first American offering was The Doctor (1998). In 2000, Beenie Man teamed up with Arturo Sandoval and Wyclef Jean (The Fugees) to release The Art & Life. During the late 1990s, Beenie Man began his conquest of America with the hits, "Romie", "Who Am I" and "Girls Dem Sugar", which featured American R&B singer, Mya.

In 2002, he had a sizeable hit with a duet with Janet Jackson called "Feel It Boy", but his biggest break in America came in early 2004 with the release of a remix of "Dude", featuring guest vocals by fellow Jamaican Ms. Thing, as well as rhymes by Shawnna.

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Beenie Man