Good Woe - Beenie Man



     
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Good Woe Lyrics


Get mad gal, lose yuh face gal
Lose yuh head gal, nah nuh head gal
Wine yuh waist gal, lose yuh face gal
Lose yuh head gal, nah nuh head gal
Wine yuh waist gal, lose yuh face gal
Lose yuh waist gal, nah nuh head gal
Wine yuh waist gal, wine yuh waist gal
Get, get, get, get
Gal wid a good a oh God bless yuh
Dat's why nuh man caan leff yuh
Every man a make date seh dem
Waan to be by your side
(By your side)
Man a buy yuh a yacht fi go cruise yuh
Mek dem know a seh nuh man caan use yuh
Mek dem know a yuh nuh one night stand
And yuh nuh give wey free ride
A just di good ohh yuh have mek man want you so much

Anywhere that you go and you man waan fi touch
Some gal nah nuh good ohh, so they run out of luck
Dem cute face and shape just ain't enough
Get mad gal, yuh have di sexual healin'
(Gal)
Fi mek man reach to di ceilin'
(Gal)
Mornin', noon, or evenin'
(Gal)
A yuh gimme di right feelin'
(Gal)
So mi fix up yuh harnest
(Gal)
And stretch har fi yuh callin'
(Gal)
Whole night she been moanin'
(Gal)
Har ex-boyfriend have har yawnin'
A di good ohh yuh have mek man want you so much
Anywhere that you go and you man waan fi touch
Some gal nah nuh good ohh so they run out of luck
Dem cute face and shape just ain't enough
Let mi tell dem, mi see gal from London
Mi see gal from Birmingham
Mi see gal from Briton
None a dem, dem nuh fat like Jamaican
And mi door bell go ding dong
Gal inna G string thong
Mi mi she waan sing pon
And she mi swing pon har swing song
A di good ohh yuh have mek man want you so much
Anywhere that you go and you man waan fi touch
Some gal nah nuh good ohh so they run out of luck
Dem cute face and shape just ain't enough
Gal wid a good a oh God bless yuh
Dat's why nuh man caan leff yuh
Every man a make date seh dem
Waan to be by your side
(By your side)
Man a buy yuh a yacht fi go cruise yuh
Mek dem know a seh nuh man caan use yuh
Mek dem know a yuh nuh one night stand
And yuh nuh give wey free ride
A just di good ohh yuh have mek man want you so much
Anywhere that you go and you man waan fi touch
Some gal nah nuh good ohh so they run out of luck
Dem cute face and shape just ain't enough
A just di good ohh yuh have mek man want you so much
Anywhere that you go and you man waan fi touch
Some gal nah nuh good ohh so they run out of luck
Dem cute face and shape just ain't enough
Wine yuh waist gal, lose yuh face gal
Lose yuh head gal, nah nuh head gal
Wine yuh waist gal, lose yuh face gal
Lose yuh head gal, nah nuh head gal
Wine yuh waist gal, lose yuh face gal
Lose yuh waist gal, nah nuh head gal
Wine yuh waist gal, wine yuh waist gal
Wine yuh waist gal
A di good ohh yuh have mek man want you so much
Anywhere that you go and you man waan fi touch
Some gal nah nuh good ohh so they run out of luck
Dem cute face and shape just ain't enough
A just di good ohh yuh have mek man want you so much
Anywhere that you go and you man waan fi touch
Some gal nah nuh good ohh so they run out of luck
Dem cute face and shape just ain't enough

Enjoy the lyrics !!!
Anthony Moses Davis (born August 22, 1973 in Kingston, Jamaica), better known by the stage name Beenie Man, is a well established reggae artist and DJ. He was involved in the music industry from a young age when he won the Tastee Talent contest in 1981. Only one year later, when he was eight years old, he recorded a single, "Too Fancy", with record producer "Junjo" Lawes. By 1983, Beenie Man was recording with heavyweight DJs, such as Dillinger and Fathead and released his debut album, The Invincible Beenie Man: The Ten Year Old DJ Wonder and the single "Over the Sea".

He was booed off stage at a show celebrating the visit of Nelson Mandela. In 1993 at the very popular show Sting he accused fellow deejay Bounty Killer that the elder artist had stolen his catchphrase, "people dead". This triggered a lyrical battle which continued on the air with each artist counteracting the other's songs. Finally, in 1995, Beenie Man and Bounty Killer settled their differences on the air by actually signing a peace treaty and the two recorded an album together, Guns Out. This was followed by a single, "No Mama No Cry", a rehash of the Bob Marley classic "No Woman No Cry", speaking out against violence and inspired by the murder of Pan Head, another popular Deejay.

Partially as a result of prodding from his producers, Sly and Robbie, Beenie Man soon converted to the Rastafari movement.

In 1994, he was signed by Island Records and released the critically acclaimed album Blessed.

In 1995, Beenie Man released a remix of Barrington Levy's "Under Mi Sensi" in the United Kingdom, and collaborated with Dennis Brown and Triston Palma to release Three Against War and Lt. Stitchie on Mad Cobra Meets Lt. Stitchie & Beenie Man. He took another step up the ladder in 1996, releasing the seminal Maestro, produced by Patrick Roberts and shot him to UK fame. During the period from the mid to late '90s, Beenie Man dominated the Jamaican charts to the extent that he perhaps had a good claim to the crown of "Dancehall King", a title only bestowed previously on Yellowman in the early 1980s.

In 1998, Beenie Man signed to Virgin Records to release albums in the United States. His first American offering was The Doctor (1998). In 2000, Beenie Man teamed up with Arturo Sandoval and Wyclef Jean (The Fugees) to release The Art & Life. During the late 1990s, Beenie Man began his conquest of America with the hits, "Romie", "Who Am I" and "Girls Dem Sugar", which featured American R&B singer, Mya.

In 2002, he had a sizeable hit with a duet with Janet Jackson called "Feel It Boy", but his biggest break in America came in early 2004 with the release of a remix of "Dude", featuring guest vocals by fellow Jamaican Ms. Thing, as well as rhymes by Shawnna.

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Beenie Man