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Haters and Fools - Beenie Man



     
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Haters and Fools Lyrics


Tell mi when niggas will stop sending other niggas to the pen
Bitches will stop hating other bitches for their men
People player hating other people will it end
Listen to the blend, tell them come againFake ass niggas they can never be my friends
Back stabbing fools I think it's time you comprehend
We making crazy money so stop watching what we spend
We multiply by ten, selassie fly the gateI trample all my enemies 'cause man a hold the faith
Mi naw go call no name mi friend, but nuff a dem nuh straight
We busy making money nuff a dem a player hate
Dem fassy deh a bait, well Beenie Man yuh greatSurvival of the fittest and the vibe I generate
And people give me money for the style that I create
Even to this date, nuff a dem nuh rate
The works that I perform and all the good I instigateSo yuh want to run the place? Well yuh better wait
'Cause nuff a unno want fi box the food outta mi plate
You old pirateHaters and fools, treating me cruel
Putting me down, don't want them around
Sons acting crazy, for money and cars
Fools wanna see, me go behind barsThey want to see me die, they wanna see me die no doubt

Beenie Man shining and they all wanna get me out
Know that they don't like me from the day I came about
Fassys are behind my back running up their
We be rolling twenty deep and niggas got cloutBig up my colleagues who making money down south
Sailing the Caribbean in million dollar boats
In winter we'll be wearing fur coats
Unfortunately, me and the fassy them at war
Judging from my jewellery you can tell I am a starNo ordinary fool can't push a fifty-G car
Nuff a dem a suffer and we all know who they are
Lot a them don't like us cause their money fits in jars
We making fat bank account and living like Tzars
Snitches are working for me to be behind bars
This time they went a little too far
Songwriters
KELLY, DAVEPublished by
Lyrics © EMI Music Publishing Song Discussions is protected by U.S. Patent 9401941. Other patents pending.

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Anthony Moses Davis (born August 22, 1973 in Kingston, Jamaica), better known by the stage name Beenie Man, is a well established reggae artist and DJ. He was involved in the music industry from a young age when he won the Tastee Talent contest in 1981. Only one year later, when he was eight years old, he recorded a single, "Too Fancy", with record producer "Junjo" Lawes. By 1983, Beenie Man was recording with heavyweight DJs, such as Dillinger and Fathead and released his debut album, The Invincible Beenie Man: The Ten Year Old DJ Wonder and the single "Over the Sea".

He was booed off stage at a show celebrating the visit of Nelson Mandela. In 1993 at the very popular show Sting he accused fellow deejay Bounty Killer that the elder artist had stolen his catchphrase, "people dead". This triggered a lyrical battle which continued on the air with each artist counteracting the other's songs. Finally, in 1995, Beenie Man and Bounty Killer settled their differences on the air by actually signing a peace treaty and the two recorded an album together, Guns Out. This was followed by a single, "No Mama No Cry", a rehash of the Bob Marley classic "No Woman No Cry", speaking out against violence and inspired by the murder of Pan Head, another popular Deejay.

Partially as a result of prodding from his producers, Sly and Robbie, Beenie Man soon converted to the Rastafari movement.

In 1994, he was signed by Island Records and released the critically acclaimed album Blessed.

In 1995, Beenie Man released a remix of Barrington Levy's "Under Mi Sensi" in the United Kingdom, and collaborated with Dennis Brown and Triston Palma to release Three Against War and Lt. Stitchie on Mad Cobra Meets Lt. Stitchie & Beenie Man. He took another step up the ladder in 1996, releasing the seminal Maestro, produced by Patrick Roberts and shot him to UK fame. During the period from the mid to late '90s, Beenie Man dominated the Jamaican charts to the extent that he perhaps had a good claim to the crown of "Dancehall King", a title only bestowed previously on Yellowman in the early 1980s.

In 1998, Beenie Man signed to Virgin Records to release albums in the United States. His first American offering was The Doctor (1998). In 2000, Beenie Man teamed up with Arturo Sandoval and Wyclef Jean (The Fugees) to release The Art & Life. During the late 1990s, Beenie Man began his conquest of America with the hits, "Romie", "Who Am I" and "Girls Dem Sugar", which featured American R&B singer, Mya.

In 2002, he had a sizeable hit with a duet with Janet Jackson called "Feel It Boy", but his biggest break in America came in early 2004 with the release of a remix of "Dude", featuring guest vocals by fellow Jamaican Ms. Thing, as well as rhymes by Shawnna.

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Beenie Man