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Hold You Down - Jim Jones



     
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Hold You Down Lyrics


[hook]ooh, i want it, yeah
whenever you need my help
i'll hold you down, oh
ooh, you want it, yeah
motherfuck these niggas
tryin' to hold me down, oh
yeah, uh
why in the fuck these niggas try and hold me down, ohh
[verse 1]you such a fuckin' lame
it's what they used to yell back in seventh grade
my momma said she'd get me that new jacket when the cost go down
hit the office, stole some tommy hill from lost and found
not bad for a family of foster child
lookin' fly man, i'm flossin' now
but them niggas saw through me
are you serious? what is this?
took the jacket off third period, ellipsis
listening to "sky is the limit" on my walkman

thinking if biggie can make it through it, man then i can
dope-boy swag
i always wanted that
but my persona was always more of that arthur ash
but no love for the son of a commuter
who was a radio head and okay at them computers
at the post office
it's funny how you smoke niggas then you start coffins
all my people need throat lozenge
my fear is dead
ambition drove the hearse
but niggas got my feelin' i ain't black enough to go to church
culture shock at barber shops cause i ain't hood enough
we all look the same to the cops, ain't that good enough?
the black experience is blackened serious
cause being black, my experience, is no one hearin' us
white kids get to wear whatever hat they want
when it comes to black kids one size fits all
[hook][break]we the baddest nigga, we the baddest nigga
you hear me?
we the baddest nigga, we the baddest nigga
we the baddest nigga, we the baddest
[verse 2]the reason that they say i'm nothin' what they seen or heard's
the same reason will smith always opposite latino girls
they only see you how they wanna see you
'til you make them see you in some other way
i'm trippin' off the other day
cause god knows what these white kids sayin'
dude you're not not racist cause the wire's in your netflix cue
subtle racism
it's hard to pin it cause you'd only understand
if you were me for just a minute
this one kid said somethin' that was really bad
he said i wasn't really black because i had a dad
i think that's kinda sad
mostly cause a lot of black kids think they should agree with that
if you're a father, you should stick around if you could
cause even if you're bad at it, you get tiger woods
mj
we warriors, we all need senseis
change everything that we've done so far
i don't mean makin' b.e.t. t.e.r
i mean just the way that we see each other
i won't stop until they say, "james franco is the white donald glover"
yeah, these niggas wanted cookie but instead i gave 'em loch ness
sick boi for life, my swag is in a hospice
aimin' for the throne, jay and ye said to watch that
they ask me what i'm doin', i say i'm stealin' rock back
nigga
[hook x2]

Enjoy the lyrics !!!
DO NOT redirect Rev. Jim Jones here.

There are two artists by this name:

1) Jim Jones is the stage name of American hip hop artist and director Joseph Guillermo Jones II.

2) Jim Jones was a producer and experimental music artist best known as the guitarist for Pere Ubu.


1) Fortitude, ambition and creative business tactics are at the forefront of Jim Jones’ career. The enigmatic Diplomat CEO and entrepreneur spent the past decade designing an empire that will solidify his place in Hip Hop history and beyond.

After continued success with his Dipset crew and his Diplomat Record label, Jim’s solo album, On My Way To Church, debuted at #18 on Billboard Top 200 in August 2004, and has sold over 200,000 copies independently to date. The videos for the first single, “Certified Gangsta”, and second single, “Crunk Musik”, have received consistent airplay on both BET and MTV. Jim Jones is also exceedingly popular in the fast-paced world of mix-tape releases.

Building upon successes from his record label to his new alcohol brand, Sizzurp, Jim Jones is preparing to release a new Documentary Film, currently titled THE JIM JONES PROJECT, which presents a candidly-told cautionary tale of a “gangsta” rapper in transition. A purposeful message in the documentary is intended to act as a deterrent for the self-destructive behaviors of at-risk youth who have taken the bravado of “gangsta” rap to heart.

Bronx-born-but Harlem raised, Jim Jones knew all to well at a very early age what the streets had to offer. While he experienced his share of trouble growing up in Harlem, he was fortunate enough to escape anything that would cause him to wind up as another statistic in the concrete jungle.

In addition to his many ventures, Jim Jones is also gaining respect for his role as a music video director winning several music award nominations. He created the vision behind several videos for Dipset emcee Cam’ron including “Oh Boy”, “Hey Ma” and “Get Em Girl/Killa Cam”, State Property’s “When You Hear That”, as well as his own popular “Certified Gangsta” and “How G Is This” videos.

Jim takes his ability to influence the world at large very serious, he continues to search for new ways to find social and political growth while progressing within the Hip Hop culture. Currently, Jim is an active participator in Russell Simmons’ Hip Hop Summit, The Andre Neal Foundation as well as the South East Queens Action Network for Public Schools, all which focus on building and strengthening the community through it’s youth, educating them on politics and teaching them how influential their voice is.

Even his pursuit to bring the ideals of gangsta rap to the world with his Documentary Film, Jim makes it clear that he is no way advocating a movement toward it. “My advice for younger people is: Please don’t try this shit at home. There’s a difference between a gangsta and a gangbanger - a gangbanger is very ambitious, he has a fiery heart. When he knows how smart he is, he’ll turn into a gangsta. A gangsta becomes a businessman, because with power you gotta show restraint - you only show that power when your back is against the wall and people force you to come out swinging.” - Bio courtesy of Tygereye Entertainment

Along with fellow Harlem-based player Cam'ron, Jim Jones founded the Diplomat label, home to the Diplomats/Dipset and many of that crew's prolific solo activities. Though more of a businessman and behind-the-scenes figure than an MC (he was also named a director of AR at Warner Music Group in early 2005), Jones released solo albums in 2004 (On My Way to Church, which hit the Top 20 upon its August release) and 2005 (Diary of a Summer). Andy Kellman, All Music Guide

2) Jim Jones (born James E. Jones, 1950 in Cleveland, Ohio. Died of a heart attack Feb 18 2008) graduated from Mayfield High School in 1968. He played baritone sax in the MHS Marching Band, alto sax in the concert band, and discovered an affinity for tape manipulation while in charge of the high school language lab. Jim attempted two quarters at Cuyahoga Community College in '69, but his interest in music won out. He formed the short-lived band, Lazarus, and worked as a clerk/buyer for Leo Mintz's Record Rendezvous retail chain for the next fifteen years. Jim started his own record shop, Platter-Puss Records, in '84. He sold the business in '87 after joining Pere Ubu. Jim got his first guitar in 1965, and taught himself to play in a self-devised open tuning. He was/is profoundly moved by music in nearly all forms, especially Indian music (thanks to George Harrison), 20th century classical & experimental, 50's thru 60's pop and mood music, and of course "rock" in it's many forms. Jim joined local "underground" band, Mirrors, in '74 as bass player. Mirrors shared gigs with Rocket From The Tombs and The Electric Eels (whom he later recorded with), and later transformed into The Styrenes. In '77 Jim quit The Styrenes and took some time off from work to become a member of the Pere Ubu road crew, doing the infamous Co-Ed Jail Tours of the US & Europe in support of The Modern Dance lp. Back from the tours Jim and fellow roadie, Pat Ryan, started a two-man experimental rock band called Foreign Bodies, which released a single. The next few years saw Jim honing his skills as a studio producer for a number of local Cleveland artists and bands, recording his own music, and composing electronic pieces for local theatre and dance companies. In 1980 Jim formed the raucous Easter Monkeys, and concomitantly became a member of Scott Krauss And Tony Maimone's project, Home & Garden. Gigs were played and recordings were released by both bands. Having worked with David Thomas and the Pedestrians On The Variations On A Theme album in '84, Jim was asked to join David's latest project, The Wooden Birds, in 1986. A year later that group (with the addition of Scott Krauss) became the revived Pere Ubu. Jim has recorded with the band since that time, but no longer tours. He currently appears and records with local bands Speaker\Cranker, Noble Rot, and KNG NXN as mainly a keyboardist. Jim has overseen operations of the US arm of Ubutique in Cleveland since 1990.

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Jim Jones