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I Got U Lyrics


[Girl:]Doctor, I have a pain
All over my body
And oh doctor, I heard you were the best
Can you help me? Oh doctor, can you heal me?
Do you think I can be cured?
Doctor can you heal me? I hear you're the best
[Robin Thicke:]Oh, hello...
I'm glad you can make it
Can I offer you a, cocktail? Some roses or champagne perhaps?
We have some chocolate covered strawberries, if you like
Whatever you want, whatever you need
I got you, I got you, I got you... I got you baby
I got you, and you got... me too
Well I will play, we'll always text each other
XXX, we'll always be together
Come with me, fuck with me... please?
And when I tell you, I got you
You know that I'm in it babe (I got you babe)

So just put on your dress, put on your heels
Let's get away (let's get away, get away, get away)
[Robin Thicke:]Okay, why don't you tell me what's troubling you?
[Girl:]
My man don't take me nowhere
[Robin Thicke:]Oh, I have just the thing for that
[Girl:]Please hold for the doctor...
My doctor will be right with you...
(Ooohh) the doctor will see you now...
I got you, I got you, I got you... I got you baby
I got you, and you got... me too
The diamonds, the parties, the trips around the world
Your XXX, you'll always be my girl
Just come with me, fuck with me... please?
And when I tell you, I got you
You know that I'm in it babe (oh, I got you)
So just put on your dress, put on your heels
Let's get away
Baby I got you
And when I tell you, I got you
You know that I'm in it babe (I got you)
So just put on your dress, put on your heels
Let's get away (let's get away, get away, get away)
[Robin Thicke:]Isn't this nice?
Perfect...

Enjoy the lyrics !!!
Before 2012 Duke Dumont was known as a ‘producer’s producer’. He was the name on a 12” record the DJ knew to reach for when he wanted to please the crowd, without them knowing who had constructed the mesmerising sonic confection they were dancing to.

In 2012, two EPs on Tiga’s Turbo Recordings (with whom Duke has had a long standing relationship) changed all that. ‘For Club Play Vol. 1 & 2’ offered up sweet ecstatic deep house & UK bass cuts that have united people across the spectrum of music, from early club adopters like Annie Mac, Erol Alkan, Diplo, Martyn and Jackmaster to Fearne Cotton on daytime Radio 1, Trevor Nelson on 1xtra and even podcasts by Tiesto and Avicci. On some nights in Duke’s beloved Fabric London, you would hear the anthemic ‘The Giver’ being played in all three rooms at the same time.

Duke’s early career was mentored by Switch (last sighted producing for Beyoncé) and he made his name as the ‘go-to’ man to remake a pop song for the dance floor (Lily Allen and Bat For Lashes were notable clients). In 2011, he moved out of London to the countryside (Hertfordshire, where his studio overlooks a forest) to focus on his original material.

Synthesizing his influences from techno to UK garage and house he brought back goodies from this zen-like exile. ‘For Club Play Only Vol. 1’ was released in April 2012 on Turbo. With ‘Street Walker’ and ‘Thunderclap’ on there, it alerted the heads to the Duke movement and received support from the likes of Jamie Jones and Simian Mobile Disco.

Remixes for AlunaGeorge and Santigold quickly followed, then in August ‘For Club Play Only Vol.2’ featuring ‘No Money Blues’ and ‘The Giver’ made Duke the man to watch. ‘The producer’s producer’ had become the ‘people’s producer’.

‘Need U (100%)’ features 17 year-old starlet A*M*Eon singing duties. With a chunky low-end, funky stabs and silky vocals this is like an early 90s house classic couched in 2013 techno techniques. In 1988 Inner City would have been jealous of this one.

Co-written by teenage wonder-kid MNEK (who recently sung on Rudimental’s ‘Spoons’ with [artistSyron[/artist]) the Duke released ‘Need U (100%)’ in March 2013 on his newly minted Blasé Boys Club label, where it topped the UK charts for two weeks.



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Duke Dumont feat. Jax Jones