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I Got You Lyrics


What kind of song do you want to sing for me?
Is it slow or is it rock and roll?
What kind of day do you want to bring to me?
Rain or shine, well, I will be just fine
'Cause I've got everything you need
Yeah, I got everything, well, I got everything
And I got you and you're putting it all together
Well, it doesn't get any better as far as I can tell
I got you, right now and ever after
And it doesn't even really matter
That I've got nothing else 'cause I got you
Where do I go when I want to know the truth?
It isn't me, well, it's only you
When will I know what you have for me to do?
Well, is it now or is it coming soon?
'Cause I've got everything you need
Yeah, I got everything, yeah, I got everything
I got you and you're putting it all together

Well, it doesn't get any better as far as I can tell
I got you, right now and ever after
And it doesn't even really matter
That I've got nothing else 'cause I got
Be it pleasure, be it pain
I'm ready for whatever, whatever life may bring
'Cause I know that in the end
Everything works together
For the good of those who love him
'Cause I got you and you're putting it all together
It doesn't get much better as far as I can tell
I got you, right now and ever after
And it doesn't even really matter
That I've got nothing else
Well, I got you and you're putting it all together
Well, it doesn't get any better as far as I can tell
Well, I got you, right now and ever after
And it doesn't even really matter
That I've got nothing else 'cause I got
Come on, come on, come on now baby

Enjoy the lyrics !!!
Before 2012 Duke Dumont was known as a ‘producer’s producer’. He was the name on a 12” record the DJ knew to reach for when he wanted to please the crowd, without them knowing who had constructed the mesmerising sonic confection they were dancing to.

In 2012, two EPs on Tiga’s Turbo Recordings (with whom Duke has had a long standing relationship) changed all that. ‘For Club Play Vol. 1 & 2’ offered up sweet ecstatic deep house & UK bass cuts that have united people across the spectrum of music, from early club adopters like Annie Mac, Erol Alkan, Diplo, Martyn and Jackmaster to Fearne Cotton on daytime Radio 1, Trevor Nelson on 1xtra and even podcasts by Tiesto and Avicci. On some nights in Duke’s beloved Fabric London, you would hear the anthemic ‘The Giver’ being played in all three rooms at the same time.

Duke’s early career was mentored by Switch (last sighted producing for Beyoncé) and he made his name as the ‘go-to’ man to remake a pop song for the dance floor (Lily Allen and Bat For Lashes were notable clients). In 2011, he moved out of London to the countryside (Hertfordshire, where his studio overlooks a forest) to focus on his original material.

Synthesizing his influences from techno to UK garage and house he brought back goodies from this zen-like exile. ‘For Club Play Only Vol. 1’ was released in April 2012 on Turbo. With ‘Street Walker’ and ‘Thunderclap’ on there, it alerted the heads to the Duke movement and received support from the likes of Jamie Jones and Simian Mobile Disco.

Remixes for AlunaGeorge and Santigold quickly followed, then in August ‘For Club Play Only Vol.2’ featuring ‘No Money Blues’ and ‘The Giver’ made Duke the man to watch. ‘The producer’s producer’ had become the ‘people’s producer’.

‘Need U (100%)’ features 17 year-old starlet A*M*Eon singing duties. With a chunky low-end, funky stabs and silky vocals this is like an early 90s house classic couched in 2013 techno techniques. In 1988 Inner City would have been jealous of this one.

Co-written by teenage wonder-kid MNEK (who recently sung on Rudimental’s ‘Spoons’ with [artistSyron[/artist]) the Duke released ‘Need U (100%)’ in March 2013 on his newly minted Blasé Boys Club label, where it topped the UK charts for two weeks.



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Duke Dumont feat. Jax Jones