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I'm OK - Beenie Man



     
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I'm OK Lyrics


I couldn't catch my breath
and you hadn't seen me yet
I turn to hide
I caught your eye
Your face had that telling look
reading me like a book
A rare mystery
Blown in the breeze
And my face smiles
but inside Im a mess
and I can't find the words
I'm OK
I'm OK
Just as long as you stay
far away from me baby
we so yesterday

So don't say that you'll love me tomorrow
If you don't today
The sound of your voice, too soon
opens my deepest wound
as you move toward me
beneath October leaves
I know just what you'll say
and your still ten feet away
We've been here before
walked through this door
and with every footstep
I feel your love pull me in
I'm OK
I'm OK
Just as long as you stay
far away from me baby
we so yesterday
So don't say that you'll love me tomorrow
If you don't today
Oh, Just when I think that
I'm alright
I dig deep inside for the strength
to say right to your face
I'm OK
I'm OK
Just as long as you stay
far away from me baby
we so yesterday
So don't say that you'll love me tomorrow
If you don't today
So don't say, So don't say
don't you dare play this game
you can turn right around
and keep walking away
don't tell me you'll love me tomorrow
if you don't today
if you don't today
if you don't today
---

Enjoy the lyrics !!!
Anthony Moses Davis (born August 22, 1973 in Kingston, Jamaica), better known by the stage name Beenie Man, is a well established reggae artist and DJ. He was involved in the music industry from a young age when he won the Tastee Talent contest in 1981. Only one year later, when he was eight years old, he recorded a single, "Too Fancy", with record producer "Junjo" Lawes. By 1983, Beenie Man was recording with heavyweight DJs, such as Dillinger and Fathead and released his debut album, The Invincible Beenie Man: The Ten Year Old DJ Wonder and the single "Over the Sea".

He was booed off stage at a show celebrating the visit of Nelson Mandela. In 1993 at the very popular show Sting he accused fellow deejay Bounty Killer that the elder artist had stolen his catchphrase, "people dead". This triggered a lyrical battle which continued on the air with each artist counteracting the other's songs. Finally, in 1995, Beenie Man and Bounty Killer settled their differences on the air by actually signing a peace treaty and the two recorded an album together, Guns Out. This was followed by a single, "No Mama No Cry", a rehash of the Bob Marley classic "No Woman No Cry", speaking out against violence and inspired by the murder of Pan Head, another popular Deejay.

Partially as a result of prodding from his producers, Sly and Robbie, Beenie Man soon converted to the Rastafari movement.

In 1994, he was signed by Island Records and released the critically acclaimed album Blessed.

In 1995, Beenie Man released a remix of Barrington Levy's "Under Mi Sensi" in the United Kingdom, and collaborated with Dennis Brown and Triston Palma to release Three Against War and Lt. Stitchie on Mad Cobra Meets Lt. Stitchie & Beenie Man. He took another step up the ladder in 1996, releasing the seminal Maestro, produced by Patrick Roberts and shot him to UK fame. During the period from the mid to late '90s, Beenie Man dominated the Jamaican charts to the extent that he perhaps had a good claim to the crown of "Dancehall King", a title only bestowed previously on Yellowman in the early 1980s.

In 1998, Beenie Man signed to Virgin Records to release albums in the United States. His first American offering was The Doctor (1998). In 2000, Beenie Man teamed up with Arturo Sandoval and Wyclef Jean (The Fugees) to release The Art & Life. During the late 1990s, Beenie Man began his conquest of America with the hits, "Romie", "Who Am I" and "Girls Dem Sugar", which featured American R&B singer, Mya.

In 2002, he had a sizeable hit with a duet with Janet Jackson called "Feel It Boy", but his biggest break in America came in early 2004 with the release of a remix of "Dude", featuring guest vocals by fellow Jamaican Ms. Thing, as well as rhymes by Shawnna.

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Beenie Man