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In The Morning - Fabolous



     
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In The Morning Lyrics


[Fabolous]
shawty you autumn time cool
but they dont see your beauty f-ck all them blind fools
body so mean that its border line cruel
work 8 to 3, then from 4 to 9 school
Dominican girl who knows more than mongul
she say lets stay in the room and order Dom Cruz
it sounds like a plan
'cause girl once I got you by your limbs
that guy who spot you at the gym cant put it down like I can
I wanna take you places further than where your feet walk
why scream when your voice is better for sweet talk
a little accent, cute ass lisp
first a toast is said then a flute glass kiss
I like it when you whip yo hair, but thats Willow fault
I speak body language, f-ck pillow talk
we can wake up 'round noon on a saturday
and make a f-ckin movie, now thats a matinee

but on the weekdays I wanna be yo' wake up call
kiss yo' face before you put that make up all over it
you go from gettin' ready at the bathroom sink to gettin' bent over it
then its over with
now you rushin' to work, iPod touchin' yo purse
Ima let you go but not without touchin' it first
when you think 'bout it later you blush and you smirk
your co-workers thinkin' you got a crush on the clerk
you always talk about yo boss, about how much of a jerk he is
but tell me baby does he touch you and flirt?
'cause thats how such and such get hurt
and lame ass n-ggas start bringin' crutches to work
I know you got it girl, I trust in your work
ladies is pimps too, go 'head brush off the dirt
I be here when you get off with dutches and purp
I want you after dinner, your such a dessert
the night is lookin' sweet the only thing Im tryna bite is yo physique
and in most cases with you
only thing I wanna fight is gettin sleep 'cause I eat and go to sleep
you know I is in the sheets, niceeeee
dont touch it, let my eyes do the undressin'
play Usher and take ya back to confessions
I wanna crush ya' nevermind the tongue wrestlin'
wont rush ya, one question[Hook]
Can I Hit it in the mornin'
Can I Hit it in the mornin'
Can I Hit it in the mornin'
sun risin' while you yawnin'
shawty, can I Hit it in the mornin'
shawty, can I Hit it in the mornin'
shawty, can I Hit it in the mornin'
shawty sun risin' while you yawnin'
Song Discussions is protected by U.S. Patent 9401941. Other patents pending.

Enjoy the lyrics !!!
John David Jackson (born November 18, 1977 in Brooklyn, New York), better known by his stage name Fabolous, is a Grammy award nominated American rapper, actor and designer signed to Def Jam Records. He released his debut album, Ghetto Fabolous in 2001 and has since released 2003's Street Dreams, 2004's Real Talk and 2007's From Nothin' To Somethin', all of which have collectively sold over four million copies in the United States. His fourth studio album, Loso's Way, was released in July of 2009 and debuted at #1 on the Billboard 200 chart.

It takes talent to make the struggle to succeed seem effortless, but that is the gift that separates artists like Brooklyn's John Jackson, aka Fabolous, from the everyday MC. While most rappers spend more and more time convincing the masses of their "hustle," Fabolous lets his work speak for his effort. With two platinum albums (2001's Ghetto Fabolous and 2003's Street Dreams) and one Gold (2004's Real Talk) to his credit, the veteran hitmaker still exudes a rookie-of-the year swagger. After recording for both Elektra and Atlantic Records, Fab is enjoying a home coming with the legendary Def Jam label. His first recorded song was "If They Want It" from DJ Clue's The Professional, which was released by Roc-A-Fella/Def Jam in 1998.

"I had people in my corner already over there," Fab says of DJ Clue and A&R Skane, the Desert Storm duo who discovered Fabolous. "So it wasn't like I was coming to a new neighborhood."

While he doesn't site any one reason for his move, Fabolous has learned a lot from his time in the industry and is eager to capitalize on his experience. "I haven't peaked yet," he explains. "I was happy with the past records, but I have some adversity to learn off of for the future."

It's appropriate that Fabolous is getting a fresh start for his latest release because he wants From Nothin' to Somethin' to be a rebirth for his fans old and new. "Everybody is trying to take what they have and make something more," says Fabolous, explaining the album's title. "It's a new year, everybody's on their hustle, back in the gym and I'm trying to give them some inspiration. This is music to chase your money too, work out--motivation music.

The first single "Make Me Better" is produced by Grammy Award winning producer Timbaland and finds Fabolous doing what he does best; blending radio ready sound beds with clever and memorable lyrics. Rapping that he needs "a Corretta Scott to make me King" Fab picks up with his female fans where "Baby" left off. "It's a great feel good record, it's got a lot of style to it," he says. "I wanted a record that could show that I could touch different people with my music."

Already recognized for his hit-making ability, Fabolous is eager to show the diversity of his technique while staying true to his blueprint for success. On the cocky "Make Money" he cleverly borrows Notorious B.I.G's trademark chuckle to comment on the laugh-ability of his competition: "these dudes is stand up rappers, hip-hop comedians, I start laughin as soon as I put your CD in." His wit and wordplay is not something he gets enough credit for, but the MC is confident people will come around. "Certain people recognize it," he says, "but its like they'll sing it in the shower, but they won't sing it outside. It's all good though. One of them days you gonna get drunk and start singing that song."

Enlisting a whose-who list of guests that includes Akon, Young Jeezy, Ne-Yo and Junior Reed, Fabolous plays to a variety of audiences on this disc, but there is no mistaking that it's his show from beginning to end. The anthemic "Brooklyn" features a yet to be disclosed surprise guest and "Change Up" pairs Fab with singer, producer extraodinaire Akon helping him reflect on his life and career.

"Anytime you become a successful person, people may look at you and say you changed," explains Fabolous, who references the October 2006 shooting that took place outside of Justin's restaurant in the lyrics of the song. "That record just talks about people changing as a person for money, how they carry themselves and treat other people. For me, I might have changed where I live or my number, but I haven't changed as a person…I slid a line or two about what happened in October but I'm not coming out with a bullet proof vest or anything."

The playful "Foggin Up The Windows," produced by Miami's The Runners, features R. Kelly's chopped and screwed vocals from his hit "Ignition" to prop up Fabolous' ode to parkin' lot pimpin' of the more carnal kind.

"I just took it back to trying to get some in the car," he says with a laugh. "Everyone's either done it or tried to get some in the car. It may not have been the place of choice but everybody's had a hotel on wheels."

Other rewind worthy tracks like "Real Playa" featuring Lloyd, "Diamonds" featuring Young Jeezy and the Just Blaze produced "Back To School" round out an impressive collection that makes From Nothin' to Somethin' worth the two-year wait. In his absence no artist has come close to matching his boyish charm, wit and unassuming cool both on and off the mic. With a new team and a pop of his collar Fabolous is indeed "fresh to Def."

"I'm trying to bring good music back to the game," he says confidently. "And anybody that's bringing good music, the hype is gonna follow them."

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