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King Of The Dancehall - Beenie Man



     
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King Of The Dancehall Lyrics


Eeeh heh, zagga zow
Zagga now now now now now
Ziggy, yo, lets do this
Pon bed pon floor against wall
We sex dem all till dem call mi
Im di girls dem sugar dats all
Welcome di king of di dancehall
Pon bed pon floor against wall
We sex dem all till dem call mi
Im di girls dem sugar dats all
Welcome di king of di dancehall
(Hello meet buddy gal!) Play wid dem hair
(Catch it now gimme nuh hickey gal!)
Dont yuh dare
(Titty stiff eeeh?)
Remove yuh undawear
Waan mi fi ram it to stick it to jam it in widout
(Gal fi get sex though)

Who dat a ask mi why?
Gallis mi ask mi question nuh funky guy
(Whats up fattty?)
So how yuh act so shy
Mi nuh beg kitty but mi a like a bligh
Why, just so as yuh foot up high
Cause I, yes I believe yuh can, fly, straight to di sky
Betweenie mi name mi between yuh thighs
(Mi nuh Batman!)
Afta mi nuh Robin guy
If you and I ever knot to tie
Nuh shy, when mi stab it then yuh reply
(Woman Orgasm)
Bite yuh lips and cross yuh eyes, cause
Pon bed pon floor against wall
We sex dem all till dem call mi
Im di girls dem sugar dats all
Welcome di king of di dancehall
Pon bed pon floor against wall
We sex dem all till dem call mi
Im di girls dem sugar dats all
Welcome di king of di dancehall
(Woman Speaking)
(Come here pretty girl)
Yuh body shape so good
Let mi introduce yuh to a piece a wood
(*Beenie can I be your girl?)
I tink yuh should
But I, dont wanna be misundastood
(Nuh mistake!)
Mi nuh waan a gal widout di pretty face
Mi waan dem kickin in di waist and di body wid di shape
Pon di treble wid di bass and di sound and di place
Whetha I a pon di case see di murda pon yuh face
(This face!)
This is nuh sittin place
Mi stand up and dweet nuh bow dung and taste
Mi nuh run dung naany nuh chicken chase
She fi know di sex limits stop at sixty eight
(Mi deh a airport a wait!)
Twist some gal wid air freight
Cau di whole a dem di fish a run dung buddy bait
Natural body juice a nuh concentrate
Yuh neva know a so di love doctor great, come on
Pon bed pon floor against wall
We sex dem all till dem call mi
Im di girls dem sugar dats all
Welcome di king of di dancehall
Pon bed pon floor against wall
We sex dem all till dem call mi
Im di girls dem sugar dats all
Welcome di king of di dancehall
(Mi belly full a food)
Mi go pon a gal feast
Cau mi go deh so fi sex mi nuh go deh so fi eat
(Miss Know how fi dweet!)
Some people watch cheat
Dem inna car seat but she six inch deep
(When mi unleash)
And she see di one feet
(Yuh mean one foot!)
No mi mean one feet
Cool baby love yuh too hard to discrete
So she tell everybody how she tear up di sheet
(Yuh tink a toenail)
A di sittin weh go skeet
Sticky sticky skeet skeet skeet skeet skeet
(A weh mi start Beenie joke?!)
She tink I dont leave
Mi nuh deal wid dung so baby dont meet
Mi waan a gal wey petite nice and look sweet
When she see di third leg she run like chop meat
From mi know how fi dweet nah back nah retreat
Mi know dat song yah complete, so when mi go so
Pon bed pon floor against wall
We sex dem all till dem call mi
Im di girls dem sugar dats all
Welcome di king of di dancehall
Pon bed pon floor against wall
We sex dem all till dem call mi
Im di girls dem sugar dats all
Welcome di king of di dancehall
Pon bed pon floor against wall
We sex dem all till dem call mi
Im di girls dem sugar dats all
Welcome di king of di dancehall
Pon bed pon floor against wall
We sex dem all till dem call mi
Im di girls dem sugar dats all
Welcome di king of di dancehall

Enjoy the lyrics !!!
Anthony Moses Davis (born August 22, 1973 in Kingston, Jamaica), better known by the stage name Beenie Man, is a well established reggae artist and DJ. He was involved in the music industry from a young age when he won the Tastee Talent contest in 1981. Only one year later, when he was eight years old, he recorded a single, "Too Fancy", with record producer "Junjo" Lawes. By 1983, Beenie Man was recording with heavyweight DJs, such as Dillinger and Fathead and released his debut album, The Invincible Beenie Man: The Ten Year Old DJ Wonder and the single "Over the Sea".

He was booed off stage at a show celebrating the visit of Nelson Mandela. In 1993 at the very popular show Sting he accused fellow deejay Bounty Killer that the elder artist had stolen his catchphrase, "people dead". This triggered a lyrical battle which continued on the air with each artist counteracting the other's songs. Finally, in 1995, Beenie Man and Bounty Killer settled their differences on the air by actually signing a peace treaty and the two recorded an album together, Guns Out. This was followed by a single, "No Mama No Cry", a rehash of the Bob Marley classic "No Woman No Cry", speaking out against violence and inspired by the murder of Pan Head, another popular Deejay.

Partially as a result of prodding from his producers, Sly and Robbie, Beenie Man soon converted to the Rastafari movement.

In 1994, he was signed by Island Records and released the critically acclaimed album Blessed.

In 1995, Beenie Man released a remix of Barrington Levy's "Under Mi Sensi" in the United Kingdom, and collaborated with Dennis Brown and Triston Palma to release Three Against War and Lt. Stitchie on Mad Cobra Meets Lt. Stitchie & Beenie Man. He took another step up the ladder in 1996, releasing the seminal Maestro, produced by Patrick Roberts and shot him to UK fame. During the period from the mid to late '90s, Beenie Man dominated the Jamaican charts to the extent that he perhaps had a good claim to the crown of "Dancehall King", a title only bestowed previously on Yellowman in the early 1980s.

In 1998, Beenie Man signed to Virgin Records to release albums in the United States. His first American offering was The Doctor (1998). In 2000, Beenie Man teamed up with Arturo Sandoval and Wyclef Jean (The Fugees) to release The Art & Life. During the late 1990s, Beenie Man began his conquest of America with the hits, "Romie", "Who Am I" and "Girls Dem Sugar", which featured American R&B singer, Mya.

In 2002, he had a sizeable hit with a duet with Janet Jackson called "Feel It Boy", but his biggest break in America came in early 2004 with the release of a remix of "Dude", featuring guest vocals by fellow Jamaican Ms. Thing, as well as rhymes by Shawnna.

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Beenie Man