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Let's Go - Beenie Man



     
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Let's Go Lyrics


(Intro)
Ah! Oh! Yeah! Shawnna! Oooohhhh!
Just blaaaze!
(Chorus)
What'chu tricking pal
When I roll with a ball in light (come on!)
So you heard of my superstar..?
You wanna.. Call 'em like.. I!
Let's go..
(vers 1)
Ya'll knew who to break
When I put up to da club at 11 in my quarter to eight
Shutta!
They all wanted to break because more beats the purseor the shoes and the gun on my waist nudda!
Ya'll know what it is..When you see 'em lil' ex pills droppin' in a body with faith..OHH!
Let me goal you a shot
What'chu get at all hot yea' lick it if you know you are not - wooah!

Who keeps the party jumpin'
The ballers pumpin'
The buttons bumpin' ..?
Me!
Base bumpin' the bars all typ-es of guards will yall packer we damage come suppin' *tschi!*
Why you niggas gettin' cheap in da club
You see my girls gettin' deep in da club
Shall We go?
BAM! Bottles better two in da club
We 'bout to send them to ya crew in da club
jealous
OKAAAAAAY!
(Chorus)
What'chu tricking pal
When I roll with a ball in light (come on!)
So you heard of my superstar..?
You wanna.. Call 'em like.. I!
Let's go..
What'chu tricking pal
When I roll with a ball in light (come on!)
So you heard of my superstar..?
but if you try get it on then I gotta get it gone!
just do it..
(Vers 2)
I ain't really got a speak on it
Shawnna get up in the dawn
Make 'em wanna put a leash on it
Take it home put the beast on it
But if you wanna get it on
Then I gotta get a piece on it!
Young Breezi known for the cups full freezi
keep it shit
all for the heezi believe me
shut it won't know can u freak me?!
shut it won't note till u eat me ;
I'ma... Gangstas gangsta drop on a stream
you they wanna sceam any rule up in my jeans-side..
Take ya paper
dumb!
Put da beam
I ain't for the game nigga say u nut' what I mean why.. :
I keeps that party jumpin'
I feel like startin' something
Swills shoes and bottles dumbin'
what'chya don't like
where your money nigga?!
OKAAAAY!
(Chorus)
What'chu tricking pal
When I roll with a ball in light (come on!)
So you heard of my superstar..?
You wanna.. Call 'em like.. I!
Let's go..
What'chu tricking pal
When I roll with a ball in light (come on!)
So you heard of my superstar..?
but if you try get it on then I gotta get it gone!
(Pause)
My bitches run this motherfucker!
HEEEEELL YEEEAH!
So do my bitches run this motherfucker
HEEEELL YEEEEAH!!
So do my niggas run this motherfucker
NOOOT TOOONIIIGHT
So do my niggas run this motherfucker
NOOOOOT TOOONIIIGHT
LET'S GO!!!
(Vers 3)
Now u heard of my black star
I don't love a nigga like swear in jet squal
Big Jagga got earl in this black bar
Black furchinchilla perved on da left floor
Maybe you ain't never heard what I got (oh!)
U ain't never seen a girl with the chop ball
Big Jagga let 'em swear when I stop gore
Go get em got work in da black doll
And we slipping and make u sing in da club
with da snup (oh) see who' gone come home with me
And it mean got the bomb on fifty
When I trick we can slide dip nigga put your gun on ifty!
what'chu know about poppin the pearls
Ngga L six-teen in the freak-shit got me ideal
Got em out like 'Shawnna you' ill!'
We ain't had a real bitch on the team since fox fisdile
OKAAAAY!
(Chorus 2 times)
What'chu tricking pal
When I roll with a ball in light (come on!)
So you heard of my superstar..?
You wanna.. Call 'em like.. I!
Let's go..
What'chu tricking pal
When I roll with a ball in light (come on!)
So you heard of my superstar..?
but if you try get it on then I gotta get it gone!

Enjoy the lyrics !!!
Anthony Moses Davis (born August 22, 1973 in Kingston, Jamaica), better known by the stage name Beenie Man, is a well established reggae artist and DJ. He was involved in the music industry from a young age when he won the Tastee Talent contest in 1981. Only one year later, when he was eight years old, he recorded a single, "Too Fancy", with record producer "Junjo" Lawes. By 1983, Beenie Man was recording with heavyweight DJs, such as Dillinger and Fathead and released his debut album, The Invincible Beenie Man: The Ten Year Old DJ Wonder and the single "Over the Sea".

He was booed off stage at a show celebrating the visit of Nelson Mandela. In 1993 at the very popular show Sting he accused fellow deejay Bounty Killer that the elder artist had stolen his catchphrase, "people dead". This triggered a lyrical battle which continued on the air with each artist counteracting the other's songs. Finally, in 1995, Beenie Man and Bounty Killer settled their differences on the air by actually signing a peace treaty and the two recorded an album together, Guns Out. This was followed by a single, "No Mama No Cry", a rehash of the Bob Marley classic "No Woman No Cry", speaking out against violence and inspired by the murder of Pan Head, another popular Deejay.

Partially as a result of prodding from his producers, Sly and Robbie, Beenie Man soon converted to the Rastafari movement.

In 1994, he was signed by Island Records and released the critically acclaimed album Blessed.

In 1995, Beenie Man released a remix of Barrington Levy's "Under Mi Sensi" in the United Kingdom, and collaborated with Dennis Brown and Triston Palma to release Three Against War and Lt. Stitchie on Mad Cobra Meets Lt. Stitchie & Beenie Man. He took another step up the ladder in 1996, releasing the seminal Maestro, produced by Patrick Roberts and shot him to UK fame. During the period from the mid to late '90s, Beenie Man dominated the Jamaican charts to the extent that he perhaps had a good claim to the crown of "Dancehall King", a title only bestowed previously on Yellowman in the early 1980s.

In 1998, Beenie Man signed to Virgin Records to release albums in the United States. His first American offering was The Doctor (1998). In 2000, Beenie Man teamed up with Arturo Sandoval and Wyclef Jean (The Fugees) to release The Art & Life. During the late 1990s, Beenie Man began his conquest of America with the hits, "Romie", "Who Am I" and "Girls Dem Sugar", which featured American R&B singer, Mya.

In 2002, he had a sizeable hit with a duet with Janet Jackson called "Feel It Boy", but his biggest break in America came in early 2004 with the release of a remix of "Dude", featuring guest vocals by fellow Jamaican Ms. Thing, as well as rhymes by Shawnna.

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Beenie Man