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Livin Life As A Rider - Jim Jones



     
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Livin Life As A Rider Lyrics


There was no love for us
(Nope)
So we did what we did just to make a buck
Played around we're fucking nuts
(Crazy)
Hope them ho's pucker up tryna get them to slide
That's on our mind getting high all the time
(We tryna fuck)
We hustle hard, hope the fiends buy all the dimes
So we can scoop up and hit the party and scoop a bitch
(Get twisted)
You know the drill homie play the rules
And play the field but don't get killed homie
(Stay alive)
So where's the better days?
The have to get up days to chef up ya just to get us paid
(We hustle hard)
You see never it fails most of my homies either dead or jail

(Gone)
Don't fuck with phonies 'cause they get you killed
(Ah ah)
My testimony's every bitter real
(That's right)
Don't run up on me 'cause I'm gripping steel
(Bang, bang)
I'm kinda nervous and I'm quick on the blast
Due to the murders that I witnessed in town
Livin' the life with a rider seems
It's the only thing that I'm gonna run to
That's when you light and get high with me
Look what the ghetto's did to me
(Baby)
And when you finish running the streets
I'll be the only one that you gonna run to
Just getting paper and ducking police
Look what the ghetto did to me
(Uh, yeah, yeah)
There was no peace in sight
(Nope)
It was sleepless night
(Yup)
Hustling ya breaking day to see the light
(Money man)
Street squalie you see polices lights
(Squalie)
As I polie on this decent price
Got a causes that want some pies 23 a slice
Transactions by the building, uptown Harlem world
Manhattan where we kill them
(Taz)
Plus my project way of thinking spending most my days drinking
It's like I'm on my way to sexton
(Lock in)
But we do what we do thats survival
And we move how we move thats through the rivals
(Fuck them enemies)
It's been said we living suicidal
It's like rush at eleven placing bucks on your bet
Do your thang slang cane and get your bucks on your steps
(Watch)
Watch ya ass young man they want you under arrest
(That's them pigs)
And you ain't know, they getting stripes for that
They have you in your cell man serving life for that
Livin' the life with a rider seems
It's the only thing that I'm gonna run to
That's when you light and get high with me
Look what the ghetto's did to me
(Baby)
And when you finish running the streets
I'll be the only one that you gonna run to
Just getting paper and ducking police
Look what the ghetto did to me
(Uh, yeah, yeah)
Now for my project corners, go hard for warrants
(Fuck 'em)
Every night I make it, I pray to God for goners
(I pray to God)
We pour liquor on floors that's for the soldiers
That we lost in the mist of this war
(RIP Life)
For the ones on the grind and front line they got called by po nine
And now they prisoners of war they fight for appeal or a bill or a ball
'Cause they slipped and got nailed for a sale of a rob
(Zeek you know wassup)
Two shouts for O.B.C.C six main house of fame
When you come home come and see me
Stay cool I lay the rules on ya
Play the fool and they will move on ya
Young niggaz that keep them tools on ya
They quick to let them blickas blast
(Bang, bang)
So crazy the way we get this cash
(How we livin'?)
Real hot up on these murderous blocks
(Blaatat, blaatat)
Broad day bang bang I know you heard all them shots
Livin' the life with a rider
Seems it's the only thing that I'm gonna run to
That's when you light and get high with me
Look what the ghetto's did to me
(Baby)
And when you finish runnin' the streets
I'll be the only one that you gonna run to
Just getting paper and ducking police
Look what the ghetto did to me
(Yeah)
Look what the ghetto did to me
Look what the ghetto did to me
Look what the ghetto did to me
(Eh, eh, eh)
Look what the ghetto did to me
Look what the ghetto did to me
Look what the ghetto did to me
(Eh, eh, eh)

Enjoy the lyrics !!!
DO NOT redirect Rev. Jim Jones here.

There are two artists by this name:

1) Jim Jones is the stage name of American hip hop artist and director Joseph Guillermo Jones II.

2) Jim Jones was a producer and experimental music artist best known as the guitarist for Pere Ubu.


1) Fortitude, ambition and creative business tactics are at the forefront of Jim Jones’ career. The enigmatic Diplomat CEO and entrepreneur spent the past decade designing an empire that will solidify his place in Hip Hop history and beyond.

After continued success with his Dipset crew and his Diplomat Record label, Jim’s solo album, On My Way To Church, debuted at #18 on Billboard Top 200 in August 2004, and has sold over 200,000 copies independently to date. The videos for the first single, “Certified Gangsta”, and second single, “Crunk Musik”, have received consistent airplay on both BET and MTV. Jim Jones is also exceedingly popular in the fast-paced world of mix-tape releases.

Building upon successes from his record label to his new alcohol brand, Sizzurp, Jim Jones is preparing to release a new Documentary Film, currently titled THE JIM JONES PROJECT, which presents a candidly-told cautionary tale of a “gangsta” rapper in transition. A purposeful message in the documentary is intended to act as a deterrent for the self-destructive behaviors of at-risk youth who have taken the bravado of “gangsta” rap to heart.

Bronx-born-but Harlem raised, Jim Jones knew all to well at a very early age what the streets had to offer. While he experienced his share of trouble growing up in Harlem, he was fortunate enough to escape anything that would cause him to wind up as another statistic in the concrete jungle.

In addition to his many ventures, Jim Jones is also gaining respect for his role as a music video director winning several music award nominations. He created the vision behind several videos for Dipset emcee Cam’ron including “Oh Boy”, “Hey Ma” and “Get Em Girl/Killa Cam”, State Property’s “When You Hear That”, as well as his own popular “Certified Gangsta” and “How G Is This” videos.

Jim takes his ability to influence the world at large very serious, he continues to search for new ways to find social and political growth while progressing within the Hip Hop culture. Currently, Jim is an active participator in Russell Simmons’ Hip Hop Summit, The Andre Neal Foundation as well as the South East Queens Action Network for Public Schools, all which focus on building and strengthening the community through it’s youth, educating them on politics and teaching them how influential their voice is.

Even his pursuit to bring the ideals of gangsta rap to the world with his Documentary Film, Jim makes it clear that he is no way advocating a movement toward it. “My advice for younger people is: Please don’t try this shit at home. There’s a difference between a gangsta and a gangbanger - a gangbanger is very ambitious, he has a fiery heart. When he knows how smart he is, he’ll turn into a gangsta. A gangsta becomes a businessman, because with power you gotta show restraint - you only show that power when your back is against the wall and people force you to come out swinging.” - Bio courtesy of Tygereye Entertainment

Along with fellow Harlem-based player Cam'ron, Jim Jones founded the Diplomat label, home to the Diplomats/Dipset and many of that crew's prolific solo activities. Though more of a businessman and behind-the-scenes figure than an MC (he was also named a director of AR at Warner Music Group in early 2005), Jones released solo albums in 2004 (On My Way to Church, which hit the Top 20 upon its August release) and 2005 (Diary of a Summer). Andy Kellman, All Music Guide

2) Jim Jones (born James E. Jones, 1950 in Cleveland, Ohio. Died of a heart attack Feb 18 2008) graduated from Mayfield High School in 1968. He played baritone sax in the MHS Marching Band, alto sax in the concert band, and discovered an affinity for tape manipulation while in charge of the high school language lab. Jim attempted two quarters at Cuyahoga Community College in '69, but his interest in music won out. He formed the short-lived band, Lazarus, and worked as a clerk/buyer for Leo Mintz's Record Rendezvous retail chain for the next fifteen years. Jim started his own record shop, Platter-Puss Records, in '84. He sold the business in '87 after joining Pere Ubu. Jim got his first guitar in 1965, and taught himself to play in a self-devised open tuning. He was/is profoundly moved by music in nearly all forms, especially Indian music (thanks to George Harrison), 20th century classical & experimental, 50's thru 60's pop and mood music, and of course "rock" in it's many forms. Jim joined local "underground" band, Mirrors, in '74 as bass player. Mirrors shared gigs with Rocket From The Tombs and The Electric Eels (whom he later recorded with), and later transformed into The Styrenes. In '77 Jim quit The Styrenes and took some time off from work to become a member of the Pere Ubu road crew, doing the infamous Co-Ed Jail Tours of the US & Europe in support of The Modern Dance lp. Back from the tours Jim and fellow roadie, Pat Ryan, started a two-man experimental rock band called Foreign Bodies, which released a single. The next few years saw Jim honing his skills as a studio producer for a number of local Cleveland artists and bands, recording his own music, and composing electronic pieces for local theatre and dance companies. In 1980 Jim formed the raucous Easter Monkeys, and concomitantly became a member of Scott Krauss And Tony Maimone's project, Home & Garden. Gigs were played and recordings were released by both bands. Having worked with David Thomas and the Pedestrians On The Variations On A Theme album in '84, Jim was asked to join David's latest project, The Wooden Birds, in 1986. A year later that group (with the addition of Scott Krauss) became the revived Pere Ubu. Jim has recorded with the band since that time, but no longer tours. He currently appears and records with local bands Speaker\Cranker, Noble Rot, and KNG NXN as mainly a keyboardist. Jim has overseen operations of the US arm of Ubutique in Cleveland since 1990.

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Jim Jones