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Lovely Daze / Memory Lane - Jim Jones



     
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Lovely Daze / Memory Lane Lyrics


Okay, okay
(Hey)
Yeah, we back in this bitch, I hate it
(Lovely Daze like this, like this)
Jim Jones nigga
(You know)
Capo Status
(Coofie smacka)
Aka Jim Caso
(Lovely painter)
And I jus' love it man
(Lovely daze like this)
I love paintin' these pictures for the hood, you dig
(That's where I'm at Eastside)
It's Dip-Set, Eastside, let's ride
(Come on)
They got me livin' like
(What)

I ain't worried 'bout my well bein'
I used to hurry up and sell fee
(2 for 5)
Like I ain't worried for the jail scene
(Fuck cops)
'Til I got knocked, yeah, observed in my cell C
(Ya honor)
I was young and was restless
Run around wit' my gun and my vestes
Yeah, I'm hungry and reckless
(What)
But no one better test us
(No way)
'Cause I got nuttin' to lose, suttin' to prove
I'm screamin' Eastside
(Eastside)
While I dump on you dudes
(Dip-Set)
And what we live by
(Yeah)
What we gon' die by
(Dip-Set)
So these rules I abide by
I'm duckin' shots on a drive by, finger the cops
Yeah, when they ride by
(Byrdgang)
Squally, is what they scream, fuck it
As I polly wit my team, puff it, we on the scene rugged
Yeah, we get our green thuggin'
Fuck it, I scream out, yo, I'm, uh, G, fuck it
(Fuck it)
Lovely daze like this, I miss, I miss
(Lovely daze man, when I say)
(Lovely daze I'm talkin' 'bout)
Lovely daze like this, I miss, I miss
(Fresh in high School, fresh with that freedom)
(You know explorin' the streets nigga)
Lovely daze like this, I miss, I miss
(You know, takin' no prisoners man)
(Ready to do whatever whenever)
Lovely daze like this, I miss, I miss
(Fuck, what they talkin' 'bout man)
(You jus' doin, you man, find yaself)
You know how kids scheme
(How they scheme?)
We had big dreams
(Yeah)
Of coppin' them Benzez up on big scene
(Bling, bling)
All glittered in jewels just like Liberraci
(Mmm)
Look at my dipped posse
(Yeah)
Look how this shit done, got me
(Crazy)
I'm some paranoid shit
(Yop)
It's kinda scary I carry the 4 fifth
(Who want it)
It's kinda brazy that it be like that
It ain't no play me and you be right back
You better blaze me if it be like that
(Get me nigga)
They got some issues with views I got
(Uh huh)
I carry pistols when I cruise my block
(Let's ride)
It's a issue, if I cruise ya block
My dogs, 'ill get you, know the rules or not
(What up, now fool)
Uh, yeah, we will cruise ya parameters
(Where they at?)
You caught slippin' no rules or parameters
(Where they at?)
Yeah fuck the crews, fuck the cameras
(Fuck police)
I tell you now, ain't no dudes that can handle us
(Bull that)
Lovely daze like this, I miss, I miss
(Okay, now it done got lovlier, you know)
(We done did the hustlin' thing)
Lovely daze like this, I miss, I miss
(We done had fun on the streets)
(Now we entered the game and we gettin' millions)
Lovely daze like this, I miss I miss
(What's more lovlier than that? I'm tellin' you)
(I'm lovin' this shit. It ain't no takin' me back man)
Lovely daze like this, I miss
(I'm tellin' you man, it's lovely daze)
(From here on end, you hear me)
Can't forget about my born pos'
(Nope)
Can't forget about my night gangs
Get it all to the dice game
(Yeah)
Bet, I brawl wit' my light frame
(Fo' sho)
I get it on like I'm Tysane
(Let's brawl)
And every year more niggaz deceased
(R.I.P.)
I shed a tear and pour liquor on streets
(Jus' fo' you)
And burn a fear to raw spliffs of the leaf
(And get high)
And say a prayer, Lord, where's the relief?
(My dudes)
I'm burnin' purple jus' watchin' my ghetto birds
(Okay)
And peep the circle I'll tell you its several birds
(Peep game)
We gettin' guac, we hustlin' peddle birds
(That yae)
And fuck the cops, we bustin' our metal birds
(Desert Eag'z)
We from the block, we love our Stiletto birds
(Hey baby)
That's why we hustle and grind so we can pluck us a dime
And feed her some game and fuck up her mind
And she give me brain, I'm puffin' my lime, so lovely
(Dip-Set)
Lovely daze like this
Wit my Dips, with my Dips
Fuckin' wit my Dips
Wit my Dips, gettin' chips
Fuckin' wit my Dips
My Dips, buyin' whips
Jus' fuckin' wit my Dips, my Dips
Yeah, it's lovely daze man
(That's right)
Jim Jones, fuck it shit, Capo Status
What's fuckin' wit that man?
(Coofie smacka)
For my Dip-Set, from hear on end, it's lovely daze
That's what this song is about
(That's it, that's it)
For my riders, ride out, fireman

Enjoy the lyrics !!!
DO NOT redirect Rev. Jim Jones here.

There are two artists by this name:

1) Jim Jones is the stage name of American hip hop artist and director Joseph Guillermo Jones II.

2) Jim Jones was a producer and experimental music artist best known as the guitarist for Pere Ubu.


1) Fortitude, ambition and creative business tactics are at the forefront of Jim Jones’ career. The enigmatic Diplomat CEO and entrepreneur spent the past decade designing an empire that will solidify his place in Hip Hop history and beyond.

After continued success with his Dipset crew and his Diplomat Record label, Jim’s solo album, On My Way To Church, debuted at #18 on Billboard Top 200 in August 2004, and has sold over 200,000 copies independently to date. The videos for the first single, “Certified Gangsta”, and second single, “Crunk Musik”, have received consistent airplay on both BET and MTV. Jim Jones is also exceedingly popular in the fast-paced world of mix-tape releases.

Building upon successes from his record label to his new alcohol brand, Sizzurp, Jim Jones is preparing to release a new Documentary Film, currently titled THE JIM JONES PROJECT, which presents a candidly-told cautionary tale of a “gangsta” rapper in transition. A purposeful message in the documentary is intended to act as a deterrent for the self-destructive behaviors of at-risk youth who have taken the bravado of “gangsta” rap to heart.

Bronx-born-but Harlem raised, Jim Jones knew all to well at a very early age what the streets had to offer. While he experienced his share of trouble growing up in Harlem, he was fortunate enough to escape anything that would cause him to wind up as another statistic in the concrete jungle.

In addition to his many ventures, Jim Jones is also gaining respect for his role as a music video director winning several music award nominations. He created the vision behind several videos for Dipset emcee Cam’ron including “Oh Boy”, “Hey Ma” and “Get Em Girl/Killa Cam”, State Property’s “When You Hear That”, as well as his own popular “Certified Gangsta” and “How G Is This” videos.

Jim takes his ability to influence the world at large very serious, he continues to search for new ways to find social and political growth while progressing within the Hip Hop culture. Currently, Jim is an active participator in Russell Simmons’ Hip Hop Summit, The Andre Neal Foundation as well as the South East Queens Action Network for Public Schools, all which focus on building and strengthening the community through it’s youth, educating them on politics and teaching them how influential their voice is.

Even his pursuit to bring the ideals of gangsta rap to the world with his Documentary Film, Jim makes it clear that he is no way advocating a movement toward it. “My advice for younger people is: Please don’t try this shit at home. There’s a difference between a gangsta and a gangbanger - a gangbanger is very ambitious, he has a fiery heart. When he knows how smart he is, he’ll turn into a gangsta. A gangsta becomes a businessman, because with power you gotta show restraint - you only show that power when your back is against the wall and people force you to come out swinging.” - Bio courtesy of Tygereye Entertainment

Along with fellow Harlem-based player Cam'ron, Jim Jones founded the Diplomat label, home to the Diplomats/Dipset and many of that crew's prolific solo activities. Though more of a businessman and behind-the-scenes figure than an MC (he was also named a director of AR at Warner Music Group in early 2005), Jones released solo albums in 2004 (On My Way to Church, which hit the Top 20 upon its August release) and 2005 (Diary of a Summer). Andy Kellman, All Music Guide

2) Jim Jones (born James E. Jones, 1950 in Cleveland, Ohio. Died of a heart attack Feb 18 2008) graduated from Mayfield High School in 1968. He played baritone sax in the MHS Marching Band, alto sax in the concert band, and discovered an affinity for tape manipulation while in charge of the high school language lab. Jim attempted two quarters at Cuyahoga Community College in '69, but his interest in music won out. He formed the short-lived band, Lazarus, and worked as a clerk/buyer for Leo Mintz's Record Rendezvous retail chain for the next fifteen years. Jim started his own record shop, Platter-Puss Records, in '84. He sold the business in '87 after joining Pere Ubu. Jim got his first guitar in 1965, and taught himself to play in a self-devised open tuning. He was/is profoundly moved by music in nearly all forms, especially Indian music (thanks to George Harrison), 20th century classical & experimental, 50's thru 60's pop and mood music, and of course "rock" in it's many forms. Jim joined local "underground" band, Mirrors, in '74 as bass player. Mirrors shared gigs with Rocket From The Tombs and The Electric Eels (whom he later recorded with), and later transformed into The Styrenes. In '77 Jim quit The Styrenes and took some time off from work to become a member of the Pere Ubu road crew, doing the infamous Co-Ed Jail Tours of the US & Europe in support of The Modern Dance lp. Back from the tours Jim and fellow roadie, Pat Ryan, started a two-man experimental rock band called Foreign Bodies, which released a single. The next few years saw Jim honing his skills as a studio producer for a number of local Cleveland artists and bands, recording his own music, and composing electronic pieces for local theatre and dance companies. In 1980 Jim formed the raucous Easter Monkeys, and concomitantly became a member of Scott Krauss And Tony Maimone's project, Home & Garden. Gigs were played and recordings were released by both bands. Having worked with David Thomas and the Pedestrians On The Variations On A Theme album in '84, Jim was asked to join David's latest project, The Wooden Birds, in 1986. A year later that group (with the addition of Scott Krauss) became the revived Pere Ubu. Jim has recorded with the band since that time, but no longer tours. He currently appears and records with local bands Speaker\Cranker, Noble Rot, and KNG NXN as mainly a keyboardist. Jim has overseen operations of the US arm of Ubutique in Cleveland since 1990.

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Jim Jones