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Maestro - Beenie Man



     
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Maestro Lyrics


Well this is the maestro
I have the doctorate for all things
It's just another one pleaseMi nuh want nuh idle jubbie
Fi come hackle my body I say
The gal dem all a-run mi dung
The gal dem all a-hunt mi dung
The gal dem all a-draw mi dungThrough dem waan suck out mi tongue
Dem say jump spread out, jump spread out
Gal jump spread out and wineA mi sey gal yuh a di wife
Man a treat yuh rite
Han up inna di air yuh naw mek no fight
Yuh a di wife, man a treat yuh rite
Hand up inna di air yuh naw mek no fightBut mi sey, gal from yuh wine Paul Man lone yuh bad
Man dem out a road dem see yuh body all a mad
Gal yuh know yuh cute, yes, dat a di truth
Man dem out a road, dem waan fi pick yuh like fruitGal yuh body bright dim all mi light
But mi naw go lef yuh 'cause yuh have di slam right
Wifey haffi vex 'cause mi gal a pest

As Mawga as mi be, a mi di gal dem a requestA mi sey gal yuh a di wife
Man a treat yuh rite
Han up inna di air yuh naw mek no fight
Yuh a di wife, man a treat yuh rite
Hand up inna di air yuh naw mek no fightWell excuse mi, boy
After di gal dem mi cry
Wine Suzy wine
Wey dem a call vulgarity a exercise
Wine Angie wine a di Jamaican gal
Dem yuh waan criticiseWine, baby, wine
The more remarks them pass
The more yuh bun them eyes
When yuh wine Patsy wine
A whey mi say
Face an' the shape an di body whey yuh have
Bare as yuh dare x-rated an madAll a gal a push up, tell a gal sey she hot
Three is a crowd an yuh naw carry no bag
Wifey batter try get rid of the luggage
Matey out a road tek you husband fi carriage
She all a use allum fi try encourage
One night with him yuh wife inna worries waitMi nuh want nuh idle jubbie
Fi come hackle my body I say
The gal dem all a-run mi dung
The gal dem all a-hunt mi dung
The gal dem all a-draw mi dungThrough dem waan suck out mi tongue
Dem say jump spred out, jump spread out
Gal jump spread out and wineA mi sey gal yuh a di wife
Man a treat yuh rite
Han up inna di air yuh naw mek no fight
Yuh a di wife, man a treat yuh rite
Hand up inna di air yuh naw mek no fightBut mi sey, gal from yuh wine Paul Man lone yuh bad
Man dem out a road dem see yuh body all a mad
Gal yuh know yuh cute, yes, dat a di truth
Man dem out a road, dem waan fi pick yuh like fruitGal yuh body bright dim all mi light
But mi naw go lef yuh 'cause yuh have di slam right
Wifey haffi vex 'cause mi gal a pest
As Mawga as mi be, a mi di gal dem a requestA mi sey gal yuh a di wife
Man a treat yuh rite
Han up inna di air yuh naw mek no fight
Yuh a di wife, man a treat yuh rite
Hand up inna di air yuh naw mek no fightA mi sey gal yuh a di wife
Man a treat yuh rite
Han up inna di air yuh naw mek no fight
Yuh a di wife, man a treat yuh rite
Hand up inna di air yuh naw mek no fightA mi sey gal yuh a di wife
Man a treat yuh rite
Han up inna di air yuh naw mek no fight
Yuh a di wife, man a treat yuh rite
Hand up inna di air yuh naw mek no fightA mi sey gal yuh a di wife
Man a treat yuh rite
Han up inna di air yuh naw mek no fight
Yuh a di wife, man a treat yuh rite
Hand up inna di air yuh naw mek no fight

Enjoy the lyrics !!!
Anthony Moses Davis (born August 22, 1973 in Kingston, Jamaica), better known by the stage name Beenie Man, is a well established reggae artist and DJ. He was involved in the music industry from a young age when he won the Tastee Talent contest in 1981. Only one year later, when he was eight years old, he recorded a single, "Too Fancy", with record producer "Junjo" Lawes. By 1983, Beenie Man was recording with heavyweight DJs, such as Dillinger and Fathead and released his debut album, The Invincible Beenie Man: The Ten Year Old DJ Wonder and the single "Over the Sea".

He was booed off stage at a show celebrating the visit of Nelson Mandela. In 1993 at the very popular show Sting he accused fellow deejay Bounty Killer that the elder artist had stolen his catchphrase, "people dead". This triggered a lyrical battle which continued on the air with each artist counteracting the other's songs. Finally, in 1995, Beenie Man and Bounty Killer settled their differences on the air by actually signing a peace treaty and the two recorded an album together, Guns Out. This was followed by a single, "No Mama No Cry", a rehash of the Bob Marley classic "No Woman No Cry", speaking out against violence and inspired by the murder of Pan Head, another popular Deejay.

Partially as a result of prodding from his producers, Sly and Robbie, Beenie Man soon converted to the Rastafari movement.

In 1994, he was signed by Island Records and released the critically acclaimed album Blessed.

In 1995, Beenie Man released a remix of Barrington Levy's "Under Mi Sensi" in the United Kingdom, and collaborated with Dennis Brown and Triston Palma to release Three Against War and Lt. Stitchie on Mad Cobra Meets Lt. Stitchie & Beenie Man. He took another step up the ladder in 1996, releasing the seminal Maestro, produced by Patrick Roberts and shot him to UK fame. During the period from the mid to late '90s, Beenie Man dominated the Jamaican charts to the extent that he perhaps had a good claim to the crown of "Dancehall King", a title only bestowed previously on Yellowman in the early 1980s.

In 1998, Beenie Man signed to Virgin Records to release albums in the United States. His first American offering was The Doctor (1998). In 2000, Beenie Man teamed up with Arturo Sandoval and Wyclef Jean (The Fugees) to release The Art & Life. During the late 1990s, Beenie Man began his conquest of America with the hits, "Romie", "Who Am I" and "Girls Dem Sugar", which featured American R&B singer, Mya.

In 2002, he had a sizeable hit with a duet with Janet Jackson called "Feel It Boy", but his biggest break in America came in early 2004 with the release of a remix of "Dude", featuring guest vocals by fellow Jamaican Ms. Thing, as well as rhymes by Shawnna.

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Beenie Man