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Mo Brooklyn, Mo Harlem, Mo Southside - Fabolous



     
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Mo Brooklyn, Mo Harlem, Mo Southside Lyrics


[Fabolous]Check my resume, look back at my past to this present day
Always been a pirate who been tryna find what treasure lay
Castle on the hill, far from where the peasants stay
Steel in sock drawer, my dresser is where the desert lay
Put the Audemar away, today feel like a present day
Raindows in my diamonds, you would think my bezels gay
Passion, Pain, Pleasure, Trey knocking in the Escalade
Ii be in the drivers seat, my passenger name is Desirae
36 24 40 what her measure say
Here today, gone tomorrow and I just met her yesterday
We already eating yall tryna make reservae
We making movies while yall sit on couches pressing play
Mmoney aint on your mind, what you thinking doesn't count
Ii did sneaker boxes , now I does accounts
Sstill keep it hood aint no half way shit
Can do a suit with a fitted on some draft day shit
Aand maybe I'm too busy to hear what the talent blind say
In the club buying roses like its valentines day bitch

They find them niggas in a meat locker soon
Have their mommas crying like they in the heats locker room wassup !
[Chorus]Mo Brooklyn, Mo Harlem, Mo Southside
Yyou catch that body nigga better have that alibi
You never know it might just be your time to that ride
Tto them pearly white gates watch that suicide
[Vado]Who am I? nudy fly with a cutie pie
Burning pot, turtle top watching cooley high
Shoot high, one in your calf like the boobie got
Suit and tie then comit suicide like he knew to die
Haaa, Bright lights I vision
House full of birds I'm like Mike Tys' with pigeons
Wwhite mics religion if not ice and linen
You gave me your word then that right price was giving
Trend setters, Hamptons live better
In the mansions lamping, plaid pants a thin sweater
Top floor gusevoir see me with bench pressers
Slimes that push weight but aint hit the gym never
Like quarters got red orders
Bags over bags stash house look like horters
Avon home tell marlo these my corners
Matress tight walls we snatching wife daughters
Only dimes keep on my time sheet
Catch a jukes hit with the biscuit for that 9 piece
Already marketing plan it never my minds sleeps
Lime green headphones, Jimmy I need some Slime Beats
[Chorus][Lloyd Banks]Moneys the focus, ashtray's to the top a hundred roaches
Pretty head on hotel sofas in this town of dreams and hopers
Dont approach us, watch the common stretchers lead to comas
Sold out shows and Louie shoulders, way I rap I need a bonus
Who can hold us? the OG rollers New York city's coldest
Sour diesel, weed aromas, numb of casualties of soldiers
My position, remains the same while niggas change and switching
Politics from famous living, heavy chains and brainless women
Place to swim in, 22 spinning leather grace the linen
If you find a space forgive em, gangstas cant erase the sinning
Ducking po po, the 2k winners Banks, Vado, and Loso
Brooklyn, Queens, to Harlem 44 slip around here you'll be promo
I'm fresh, designer down to sweats prolly grip the thousand x
My style whats next, booshe hound next to the housing jets
Life reflects from big diamonds domino with calmer flow
Feel like I'm popping shit, rounding homicide everytime I go
Thousand dollar tipping, Impala whipping recline and go
Pounding out ya sister then give her pound, time to roll
[Chorus]

Enjoy the lyrics !!!
John David Jackson (born November 18, 1977 in Brooklyn, New York), better known by his stage name Fabolous, is a Grammy award nominated American rapper, actor and designer signed to Def Jam Records. He released his debut album, Ghetto Fabolous in 2001 and has since released 2003's Street Dreams, 2004's Real Talk and 2007's From Nothin' To Somethin', all of which have collectively sold over four million copies in the United States. His fourth studio album, Loso's Way, was released in July of 2009 and debuted at #1 on the Billboard 200 chart.

It takes talent to make the struggle to succeed seem effortless, but that is the gift that separates artists like Brooklyn's John Jackson, aka Fabolous, from the everyday MC. While most rappers spend more and more time convincing the masses of their "hustle," Fabolous lets his work speak for his effort. With two platinum albums (2001's Ghetto Fabolous and 2003's Street Dreams) and one Gold (2004's Real Talk) to his credit, the veteran hitmaker still exudes a rookie-of-the year swagger. After recording for both Elektra and Atlantic Records, Fab is enjoying a home coming with the legendary Def Jam label. His first recorded song was "If They Want It" from DJ Clue's The Professional, which was released by Roc-A-Fella/Def Jam in 1998.

"I had people in my corner already over there," Fab says of DJ Clue and A&R Skane, the Desert Storm duo who discovered Fabolous. "So it wasn't like I was coming to a new neighborhood."

While he doesn't site any one reason for his move, Fabolous has learned a lot from his time in the industry and is eager to capitalize on his experience. "I haven't peaked yet," he explains. "I was happy with the past records, but I have some adversity to learn off of for the future."

It's appropriate that Fabolous is getting a fresh start for his latest release because he wants From Nothin' to Somethin' to be a rebirth for his fans old and new. "Everybody is trying to take what they have and make something more," says Fabolous, explaining the album's title. "It's a new year, everybody's on their hustle, back in the gym and I'm trying to give them some inspiration. This is music to chase your money too, work out--motivation music.

The first single "Make Me Better" is produced by Grammy Award winning producer Timbaland and finds Fabolous doing what he does best; blending radio ready sound beds with clever and memorable lyrics. Rapping that he needs "a Corretta Scott to make me King" Fab picks up with his female fans where "Baby" left off. "It's a great feel good record, it's got a lot of style to it," he says. "I wanted a record that could show that I could touch different people with my music."

Already recognized for his hit-making ability, Fabolous is eager to show the diversity of his technique while staying true to his blueprint for success. On the cocky "Make Money" he cleverly borrows Notorious B.I.G's trademark chuckle to comment on the laugh-ability of his competition: "these dudes is stand up rappers, hip-hop comedians, I start laughin as soon as I put your CD in." His wit and wordplay is not something he gets enough credit for, but the MC is confident people will come around. "Certain people recognize it," he says, "but its like they'll sing it in the shower, but they won't sing it outside. It's all good though. One of them days you gonna get drunk and start singing that song."

Enlisting a whose-who list of guests that includes Akon, Young Jeezy, Ne-Yo and Junior Reed, Fabolous plays to a variety of audiences on this disc, but there is no mistaking that it's his show from beginning to end. The anthemic "Brooklyn" features a yet to be disclosed surprise guest and "Change Up" pairs Fab with singer, producer extraodinaire Akon helping him reflect on his life and career.

"Anytime you become a successful person, people may look at you and say you changed," explains Fabolous, who references the October 2006 shooting that took place outside of Justin's restaurant in the lyrics of the song. "That record just talks about people changing as a person for money, how they carry themselves and treat other people. For me, I might have changed where I live or my number, but I haven't changed as a person…I slid a line or two about what happened in October but I'm not coming out with a bullet proof vest or anything."

The playful "Foggin Up The Windows," produced by Miami's The Runners, features R. Kelly's chopped and screwed vocals from his hit "Ignition" to prop up Fabolous' ode to parkin' lot pimpin' of the more carnal kind.

"I just took it back to trying to get some in the car," he says with a laugh. "Everyone's either done it or tried to get some in the car. It may not have been the place of choice but everybody's had a hotel on wheels."

Other rewind worthy tracks like "Real Playa" featuring Lloyd, "Diamonds" featuring Young Jeezy and the Just Blaze produced "Back To School" round out an impressive collection that makes From Nothin' to Somethin' worth the two-year wait. In his absence no artist has come close to matching his boyish charm, wit and unassuming cool both on and off the mic. With a new team and a pop of his collar Fabolous is indeed "fresh to Def."

"I'm trying to bring good music back to the game," he says confidently. "And anybody that's bringing good music, the hype is gonna follow them."

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