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More We Want - Beenie Man



     
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More We Want Lyrics


Introducing virgin recording artist Beenie Man
'Longside Tanto Metro and Devonte
Holla
Yes, she got me in the mood
Yes, she got me in the mood
Yes, she got me in the mood
Got the singer, sing it
Long time man a wait 'pon a gal like this
The way she walk you know me can't resist
Long time gal a wait 'pon a man like this
You see
You a hear me shorty, tickle me naughty
It's for real the way you touch my body
Oh Ladi-Dadi, head for the party, here is the deal
Go and get the Bacardi
'Cause I'm a Yardie, man a Gonie, it's not for me
I love Nuff Punani
Tell Tishani to call Tasani and bring Denise

'Cause I'm feelin' horny
Doo doop doo doop doo doop dah
More gal we a request a more we want
Doo doop doo doop doo doop dah
And Beenie Man, me a de girl dem sugar pot
Doo doop doo doop doo doop dah
More gal we a request a more we want
Doo doop doo doop doo doop dah
All my ladies
Hot hot hot like a lava
Young girl you got me burning up
Man a make pay
But you still not turning up
Independent woman
You money you been earning up
Lesson you been learnin' up
Nah twist and wormin' up
You no sell a market
So they can't feel feelie up
You no licky-licky
So them can't meal mealie up
You no turn tables
So them can't wheel wheelie up
Contract you want
Me will sign and seal yuh up
Doo doop doo doop doo doop dah
More gal we a request a more we want
Doo doop doo doop doo doop dah
And Beenie Man, me a de girl dem sugar pot
Doo doop doo doop doo doop dah
More gal we a request a more we want
Doo doop doo doop doo doop dah
[Incomprehensible]Oh, oh, oh, oh, how, oh, oh, oh how
Long time man a wait

Enjoy the lyrics !!!
Anthony Moses Davis (born August 22, 1973 in Kingston, Jamaica), better known by the stage name Beenie Man, is a well established reggae artist and DJ. He was involved in the music industry from a young age when he won the Tastee Talent contest in 1981. Only one year later, when he was eight years old, he recorded a single, "Too Fancy", with record producer "Junjo" Lawes. By 1983, Beenie Man was recording with heavyweight DJs, such as Dillinger and Fathead and released his debut album, The Invincible Beenie Man: The Ten Year Old DJ Wonder and the single "Over the Sea".

He was booed off stage at a show celebrating the visit of Nelson Mandela. In 1993 at the very popular show Sting he accused fellow deejay Bounty Killer that the elder artist had stolen his catchphrase, "people dead". This triggered a lyrical battle which continued on the air with each artist counteracting the other's songs. Finally, in 1995, Beenie Man and Bounty Killer settled their differences on the air by actually signing a peace treaty and the two recorded an album together, Guns Out. This was followed by a single, "No Mama No Cry", a rehash of the Bob Marley classic "No Woman No Cry", speaking out against violence and inspired by the murder of Pan Head, another popular Deejay.

Partially as a result of prodding from his producers, Sly and Robbie, Beenie Man soon converted to the Rastafari movement.

In 1994, he was signed by Island Records and released the critically acclaimed album Blessed.

In 1995, Beenie Man released a remix of Barrington Levy's "Under Mi Sensi" in the United Kingdom, and collaborated with Dennis Brown and Triston Palma to release Three Against War and Lt. Stitchie on Mad Cobra Meets Lt. Stitchie & Beenie Man. He took another step up the ladder in 1996, releasing the seminal Maestro, produced by Patrick Roberts and shot him to UK fame. During the period from the mid to late '90s, Beenie Man dominated the Jamaican charts to the extent that he perhaps had a good claim to the crown of "Dancehall King", a title only bestowed previously on Yellowman in the early 1980s.

In 1998, Beenie Man signed to Virgin Records to release albums in the United States. His first American offering was The Doctor (1998). In 2000, Beenie Man teamed up with Arturo Sandoval and Wyclef Jean (The Fugees) to release The Art & Life. During the late 1990s, Beenie Man began his conquest of America with the hits, "Romie", "Who Am I" and "Girls Dem Sugar", which featured American R&B singer, Mya.

In 2002, he had a sizeable hit with a duet with Janet Jackson called "Feel It Boy", but his biggest break in America came in early 2004 with the release of a remix of "Dude", featuring guest vocals by fellow Jamaican Ms. Thing, as well as rhymes by Shawnna.

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Beenie Man