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Only One Way Up - Jim Jones



     
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Only One Way Up Lyrics


Uh yeah Jones, uh
Now we set them presidents, to get them presidents
Over the ones that are dead, we'll put guns to your head
Put dots on your loaf like you was wonder the bread
Sheek, Zeke, hell rell and I got some in the feds
I contradict what ever the government says
For them boys on my back wit them bugs by my bed
They still thinkin' that we coppin' sellin raw
Tryin' to put us through them Rico and them Rockefeller' laws
I'm in L.A. the top down the pedals floored
Wit a hot stiletto whore, suck my cock tell the law
And for you fagots I see past all your cheap stares
Nowadays I see my past from a beach chair, yeah
And I the fellin' so relaxed and refreshin' when chillin'
A total change from movin' crack off the steps of the building's
Rollin' wit gangs in the back of the jects where the killin'
In Park Ave where young Chris body found
A number is all to add to task body count

Watch it boy they'll show you how that shorty bounce, bounce
Bounce, bounce, bounce, bounce, bounce, bounce
I'm the most incredible, to ever do what you cats'll never do, or be able to
I'm ahead of you, 'cause I spit like I never ate
And if I did then I'm just never full
Stop the hoe jokes, I'm not a homo, better believe I'll cock the 4-4
I ain't Mexican, but I'll stretch your man, yes I am a fuckin' vato loco
I went from the pot with cocoa to the block with cocoa
To gettin' locked, catchin' a charge dealin' wit the cops with cocoa
Now I'm just hot like cocoa
You can catch me on the block, being watched, in a drop
The same color as chocolate cocoa
I don't walked in the street, with so much raw in my sneaks
God dam, got home and had corns on my feet
I see the Lord when I sleep and often He speaks
He says Juelz you better than all of these creeps
So I got all my shit light, got on my shit right
Not a lot of thems this nice, but the games funny so I gotta do shit right
So to the ball drop and the world blow up, I'm a twirl shit up
Until my peeps come home, Zeke come home
Better believe I'm a keep on beastin' on
Where should I began our pompous, a thousand wins accomplished
Known throughout the atlas, honest been accomplished
You'll be abolished, men, women, children astonished
The don is the one, jewelry way beyond it
Chunky blessed on the chest, funky S when I dress
Thunder storm damn, monkey wrenching' her fresh
But I cope wit the rain, mad I can't float with my dame
Down to the coastal wit Caine, Maine, my boat is a plane
I land on the water, here I go boastin' again
I keep toast, give a toast, inhale smoke for the pain
Girls gone wild, nope, they goin' insane
All doped off the fame, jump rope with my chain
Now thats off the chain, ma take off your chain
I'm 40 will off your brain, kids will be lost and claimed
'Cause of Walton James, now in the orphan game
Whether adoption or foster it's all the same
Jim's the rider of riders, J R's the writer of writers
Juelz you know him well, hell he the fire of fire
I'm the supplier, baffled that's the hustler
Trifle got a knife for that apple inside your jugular
The big apple, I tackle all the customers
Put it on the apple at the castle, come and fuck with us
And further more, got the birds of raw, I deserve a tour
Hey, hey holla' back, swallow that, thats murda' whore
In a Persian turban, swervin', that suburban mergein'
Curvin', herb in the air, yeah, yeah I'm hurtin' y'all
See I crash and cop it, mash and mop it, blast a rocket
Natural born hustler, yeah crack I stocked it
Now my drugs are legal, so just pass the profit
Three months alone sizzurp will smash the notic
We them B boys in one year a quarter billion
Here come the clothin' line, I got your order children
And thats more than illin', long as the Lord is willin'
I'm a pour in millions, so applaud a villain, killa

Enjoy the lyrics !!!
DO NOT redirect Rev. Jim Jones here.

There are two artists by this name:

1) Jim Jones is the stage name of American hip hop artist and director Joseph Guillermo Jones II.

2) Jim Jones was a producer and experimental music artist best known as the guitarist for Pere Ubu.


1) Fortitude, ambition and creative business tactics are at the forefront of Jim Jones’ career. The enigmatic Diplomat CEO and entrepreneur spent the past decade designing an empire that will solidify his place in Hip Hop history and beyond.

After continued success with his Dipset crew and his Diplomat Record label, Jim’s solo album, On My Way To Church, debuted at #18 on Billboard Top 200 in August 2004, and has sold over 200,000 copies independently to date. The videos for the first single, “Certified Gangsta”, and second single, “Crunk Musik”, have received consistent airplay on both BET and MTV. Jim Jones is also exceedingly popular in the fast-paced world of mix-tape releases.

Building upon successes from his record label to his new alcohol brand, Sizzurp, Jim Jones is preparing to release a new Documentary Film, currently titled THE JIM JONES PROJECT, which presents a candidly-told cautionary tale of a “gangsta” rapper in transition. A purposeful message in the documentary is intended to act as a deterrent for the self-destructive behaviors of at-risk youth who have taken the bravado of “gangsta” rap to heart.

Bronx-born-but Harlem raised, Jim Jones knew all to well at a very early age what the streets had to offer. While he experienced his share of trouble growing up in Harlem, he was fortunate enough to escape anything that would cause him to wind up as another statistic in the concrete jungle.

In addition to his many ventures, Jim Jones is also gaining respect for his role as a music video director winning several music award nominations. He created the vision behind several videos for Dipset emcee Cam’ron including “Oh Boy”, “Hey Ma” and “Get Em Girl/Killa Cam”, State Property’s “When You Hear That”, as well as his own popular “Certified Gangsta” and “How G Is This” videos.

Jim takes his ability to influence the world at large very serious, he continues to search for new ways to find social and political growth while progressing within the Hip Hop culture. Currently, Jim is an active participator in Russell Simmons’ Hip Hop Summit, The Andre Neal Foundation as well as the South East Queens Action Network for Public Schools, all which focus on building and strengthening the community through it’s youth, educating them on politics and teaching them how influential their voice is.

Even his pursuit to bring the ideals of gangsta rap to the world with his Documentary Film, Jim makes it clear that he is no way advocating a movement toward it. “My advice for younger people is: Please don’t try this shit at home. There’s a difference between a gangsta and a gangbanger - a gangbanger is very ambitious, he has a fiery heart. When he knows how smart he is, he’ll turn into a gangsta. A gangsta becomes a businessman, because with power you gotta show restraint - you only show that power when your back is against the wall and people force you to come out swinging.” - Bio courtesy of Tygereye Entertainment

Along with fellow Harlem-based player Cam'ron, Jim Jones founded the Diplomat label, home to the Diplomats/Dipset and many of that crew's prolific solo activities. Though more of a businessman and behind-the-scenes figure than an MC (he was also named a director of AR at Warner Music Group in early 2005), Jones released solo albums in 2004 (On My Way to Church, which hit the Top 20 upon its August release) and 2005 (Diary of a Summer). Andy Kellman, All Music Guide

2) Jim Jones (born James E. Jones, 1950 in Cleveland, Ohio. Died of a heart attack Feb 18 2008) graduated from Mayfield High School in 1968. He played baritone sax in the MHS Marching Band, alto sax in the concert band, and discovered an affinity for tape manipulation while in charge of the high school language lab. Jim attempted two quarters at Cuyahoga Community College in '69, but his interest in music won out. He formed the short-lived band, Lazarus, and worked as a clerk/buyer for Leo Mintz's Record Rendezvous retail chain for the next fifteen years. Jim started his own record shop, Platter-Puss Records, in '84. He sold the business in '87 after joining Pere Ubu. Jim got his first guitar in 1965, and taught himself to play in a self-devised open tuning. He was/is profoundly moved by music in nearly all forms, especially Indian music (thanks to George Harrison), 20th century classical & experimental, 50's thru 60's pop and mood music, and of course "rock" in it's many forms. Jim joined local "underground" band, Mirrors, in '74 as bass player. Mirrors shared gigs with Rocket From The Tombs and The Electric Eels (whom he later recorded with), and later transformed into The Styrenes. In '77 Jim quit The Styrenes and took some time off from work to become a member of the Pere Ubu road crew, doing the infamous Co-Ed Jail Tours of the US & Europe in support of The Modern Dance lp. Back from the tours Jim and fellow roadie, Pat Ryan, started a two-man experimental rock band called Foreign Bodies, which released a single. The next few years saw Jim honing his skills as a studio producer for a number of local Cleveland artists and bands, recording his own music, and composing electronic pieces for local theatre and dance companies. In 1980 Jim formed the raucous Easter Monkeys, and concomitantly became a member of Scott Krauss And Tony Maimone's project, Home & Garden. Gigs were played and recordings were released by both bands. Having worked with David Thomas and the Pedestrians On The Variations On A Theme album in '84, Jim was asked to join David's latest project, The Wooden Birds, in 1986. A year later that group (with the addition of Scott Krauss) became the revived Pere Ubu. Jim has recorded with the band since that time, but no longer tours. He currently appears and records with local bands Speaker\Cranker, Noble Rot, and KNG NXN as mainly a keyboardist. Jim has overseen operations of the US arm of Ubutique in Cleveland since 1990.

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Jim Jones