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Party Vibes Nice - Beenie Man



     
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Party Vibes Nice Lyrics


The party vibes right again
From wa day yah mi know this yah man
Even if you step pon a man clarks
Nobody naw fight again
From down town, round town
A come out every night again
Flash up unuh night demCause the vibes it sweet, it sweet, it sweet
It sweet, it sweet
Mi white suit look neat, it neat, in neat
It neat, it neat
Sun haffi start shine before mi leave the street
Mi leave the street
Mi got bed but mi really need fi sleep
Nuh need fi sleepParty tun up, nobody nuh tan up
Pure gyal tun up when the music tun up
Every gyal from country deh come up
One million gyal deh, deh, when mi sum up
High grade a burn up

Liquor in a stomac
Gyal in a bikinis
The whole a dem cock up
Dj pon fire suh the whole place bomb up
Believe no shot naw buss up
Suh anytime unuh si mi in a the party
And mi a whine paw mi shorty
Unuh know mi a man over 40
Suh mi nuh toast, mi nuh in a no mackery
Mi money nuff for mi have gyal plenty
How much bottles a more than 20
Suh unuh know seh mi glass never empty
Worst me stand up right side a Bounty
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Anthony Moses Davis (born August 22, 1973 in Kingston, Jamaica), better known by the stage name Beenie Man, is a well established reggae artist and DJ. He was involved in the music industry from a young age when he won the Tastee Talent contest in 1981. Only one year later, when he was eight years old, he recorded a single, "Too Fancy", with record producer "Junjo" Lawes. By 1983, Beenie Man was recording with heavyweight DJs, such as Dillinger and Fathead and released his debut album, The Invincible Beenie Man: The Ten Year Old DJ Wonder and the single "Over the Sea".

He was booed off stage at a show celebrating the visit of Nelson Mandela. In 1993 at the very popular show Sting he accused fellow deejay Bounty Killer that the elder artist had stolen his catchphrase, "people dead". This triggered a lyrical battle which continued on the air with each artist counteracting the other's songs. Finally, in 1995, Beenie Man and Bounty Killer settled their differences on the air by actually signing a peace treaty and the two recorded an album together, Guns Out. This was followed by a single, "No Mama No Cry", a rehash of the Bob Marley classic "No Woman No Cry", speaking out against violence and inspired by the murder of Pan Head, another popular Deejay.

Partially as a result of prodding from his producers, Sly and Robbie, Beenie Man soon converted to the Rastafari movement.

In 1994, he was signed by Island Records and released the critically acclaimed album Blessed.

In 1995, Beenie Man released a remix of Barrington Levy's "Under Mi Sensi" in the United Kingdom, and collaborated with Dennis Brown and Triston Palma to release Three Against War and Lt. Stitchie on Mad Cobra Meets Lt. Stitchie & Beenie Man. He took another step up the ladder in 1996, releasing the seminal Maestro, produced by Patrick Roberts and shot him to UK fame. During the period from the mid to late '90s, Beenie Man dominated the Jamaican charts to the extent that he perhaps had a good claim to the crown of "Dancehall King", a title only bestowed previously on Yellowman in the early 1980s.

In 1998, Beenie Man signed to Virgin Records to release albums in the United States. His first American offering was The Doctor (1998). In 2000, Beenie Man teamed up with Arturo Sandoval and Wyclef Jean (The Fugees) to release The Art & Life. During the late 1990s, Beenie Man began his conquest of America with the hits, "Romie", "Who Am I" and "Girls Dem Sugar", which featured American R&B singer, Mya.

In 2002, he had a sizeable hit with a duet with Janet Jackson called "Feel It Boy", but his biggest break in America came in early 2004 with the release of a remix of "Dude", featuring guest vocals by fellow Jamaican Ms. Thing, as well as rhymes by Shawnna.

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Beenie Man