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Pin The Tail - Jim Jones



     
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Pin The Tail Lyrics


Bird gang Club Banger
Tryin' to holla at you shorty
One focus, one focus only
Tryin' to hit that thang, let's goWe make hits in the studio nightly
We out trying to get this money
We take trips in the winter in jet planes
To climates where it's sunnyWe got mami on the dance floor
Grindin' to the beat, tipsy off the bubbly
But at the end of the day, we feelin' to play
I'm tryin' to pin the tail on the donkeyIt goes yes, yes yo, fresh to death balla
You can play hard, under pressure I'm stoned
We playin' tight D, I'm in the paint like a G
Some say they gangstas but they ain't like meCame from an environment, came I was firin'
Then hit the dealers see the range I was buyin'
Don't test drive like a whole whip like you should
Shoving up pies, a whole whip that you shouldThen take the proceeds, waist about four G's
Bottles in the club tryin' to get the home and skeez
I'm tryin' to get the dame to breeze

But she putting up a fight like Layla AliI told the lady I'll be doin' the turnpike 80 in the fly V
Middle name 40 on the wrist
Last name you can't afford me bitch
Get a camcorder bitchWe make hits in the studio nightly
We out trying to get this money
We take trips in the winter in jet planes
To climates where it's sunnyWe got mami on the dance floor
Grindin' to the beat, tipsy off the bubbly
But at the end of the day, we feelin' to play
I'm tryin' to pin the tail on the donkeyCases of pure, ros
Look like Picasso painted on the bottles
We throwin' money, we lookin' like lotto's
I could cover chicks with cheese like nachosFly out the cove, land in the heat where
New York to Miami bitch
Bitch, I'm in the life of a hood star, rock star without the guitar
Got em' all rubbin' they bitch braGot em' all shakin' their tush like
I'ma givin' 'em a taste of the good life
But I give 'em a taste of the good liquor, a taste of the good bud
Next thing you know she'll be tastin' my goodI get money be quiet, you talkin' to the jolly green giant
I see it, I like it, I buy it
Baby I'm flyer then a pilot
Flyin' at his highest, climb itWe make hits in the studio nightly
We out trying to get this money
We take trips in the winter in jet planes
To climates where it's sunnyWe got mami on the dance floor
Grindin' to the beat, tipsy off the bubbly
But at the end of the day, we feelin' to play
I'm tryin' to pin the tail on the donkeyWhere are my homies? Up to no good
Where are my homies? Yup I'm so hood
What up pimpin', pimpin', I'm exempt already
See my hoes are like my plates, temporaryAct nil you beat it, move on strategic
The marbles man, yup the floors are heated
Cam half pound a quart a kid better ask 'round
I'm sorta needed mack rounds you're deceitedIn the 90's, Z3, BB's
Now in the crib the TVs watch TVs
Killen Killen, mo killen and then a kitty purrs
Fuck furs, his and hers, Bentley spursGun talk, real talk, speak mack to mack
We like the Pistons, Bulls, you know back to back
Mazirattis back to back, come ride wit me
On 11 hundred, not the pipe, two five fiftiesWe make hits in the studio nightly
We out trying to get this money
We take trips in the winter in jet planes
To climates where it's sunnyWe got mami on the dance floor
Grindin' to the beat, tipsy off the bubbly
But at the end of the day, we feelin' to play
I'm tryin' to pin the tail on the donkey

Enjoy the lyrics !!!
DO NOT redirect Rev. Jim Jones here.

There are two artists by this name:

1) Jim Jones is the stage name of American hip hop artist and director Joseph Guillermo Jones II.

2) Jim Jones was a producer and experimental music artist best known as the guitarist for Pere Ubu.


1) Fortitude, ambition and creative business tactics are at the forefront of Jim Jones’ career. The enigmatic Diplomat CEO and entrepreneur spent the past decade designing an empire that will solidify his place in Hip Hop history and beyond.

After continued success with his Dipset crew and his Diplomat Record label, Jim’s solo album, On My Way To Church, debuted at #18 on Billboard Top 200 in August 2004, and has sold over 200,000 copies independently to date. The videos for the first single, “Certified Gangsta”, and second single, “Crunk Musik”, have received consistent airplay on both BET and MTV. Jim Jones is also exceedingly popular in the fast-paced world of mix-tape releases.

Building upon successes from his record label to his new alcohol brand, Sizzurp, Jim Jones is preparing to release a new Documentary Film, currently titled THE JIM JONES PROJECT, which presents a candidly-told cautionary tale of a “gangsta” rapper in transition. A purposeful message in the documentary is intended to act as a deterrent for the self-destructive behaviors of at-risk youth who have taken the bravado of “gangsta” rap to heart.

Bronx-born-but Harlem raised, Jim Jones knew all to well at a very early age what the streets had to offer. While he experienced his share of trouble growing up in Harlem, he was fortunate enough to escape anything that would cause him to wind up as another statistic in the concrete jungle.

In addition to his many ventures, Jim Jones is also gaining respect for his role as a music video director winning several music award nominations. He created the vision behind several videos for Dipset emcee Cam’ron including “Oh Boy”, “Hey Ma” and “Get Em Girl/Killa Cam”, State Property’s “When You Hear That”, as well as his own popular “Certified Gangsta” and “How G Is This” videos.

Jim takes his ability to influence the world at large very serious, he continues to search for new ways to find social and political growth while progressing within the Hip Hop culture. Currently, Jim is an active participator in Russell Simmons’ Hip Hop Summit, The Andre Neal Foundation as well as the South East Queens Action Network for Public Schools, all which focus on building and strengthening the community through it’s youth, educating them on politics and teaching them how influential their voice is.

Even his pursuit to bring the ideals of gangsta rap to the world with his Documentary Film, Jim makes it clear that he is no way advocating a movement toward it. “My advice for younger people is: Please don’t try this shit at home. There’s a difference between a gangsta and a gangbanger - a gangbanger is very ambitious, he has a fiery heart. When he knows how smart he is, he’ll turn into a gangsta. A gangsta becomes a businessman, because with power you gotta show restraint - you only show that power when your back is against the wall and people force you to come out swinging.” - Bio courtesy of Tygereye Entertainment

Along with fellow Harlem-based player Cam'ron, Jim Jones founded the Diplomat label, home to the Diplomats/Dipset and many of that crew's prolific solo activities. Though more of a businessman and behind-the-scenes figure than an MC (he was also named a director of AR at Warner Music Group in early 2005), Jones released solo albums in 2004 (On My Way to Church, which hit the Top 20 upon its August release) and 2005 (Diary of a Summer). Andy Kellman, All Music Guide

2) Jim Jones (born James E. Jones, 1950 in Cleveland, Ohio. Died of a heart attack Feb 18 2008) graduated from Mayfield High School in 1968. He played baritone sax in the MHS Marching Band, alto sax in the concert band, and discovered an affinity for tape manipulation while in charge of the high school language lab. Jim attempted two quarters at Cuyahoga Community College in '69, but his interest in music won out. He formed the short-lived band, Lazarus, and worked as a clerk/buyer for Leo Mintz's Record Rendezvous retail chain for the next fifteen years. Jim started his own record shop, Platter-Puss Records, in '84. He sold the business in '87 after joining Pere Ubu. Jim got his first guitar in 1965, and taught himself to play in a self-devised open tuning. He was/is profoundly moved by music in nearly all forms, especially Indian music (thanks to George Harrison), 20th century classical & experimental, 50's thru 60's pop and mood music, and of course "rock" in it's many forms. Jim joined local "underground" band, Mirrors, in '74 as bass player. Mirrors shared gigs with Rocket From The Tombs and The Electric Eels (whom he later recorded with), and later transformed into The Styrenes. In '77 Jim quit The Styrenes and took some time off from work to become a member of the Pere Ubu road crew, doing the infamous Co-Ed Jail Tours of the US & Europe in support of The Modern Dance lp. Back from the tours Jim and fellow roadie, Pat Ryan, started a two-man experimental rock band called Foreign Bodies, which released a single. The next few years saw Jim honing his skills as a studio producer for a number of local Cleveland artists and bands, recording his own music, and composing electronic pieces for local theatre and dance companies. In 1980 Jim formed the raucous Easter Monkeys, and concomitantly became a member of Scott Krauss And Tony Maimone's project, Home & Garden. Gigs were played and recordings were released by both bands. Having worked with David Thomas and the Pedestrians On The Variations On A Theme album in '84, Jim was asked to join David's latest project, The Wooden Birds, in 1986. A year later that group (with the addition of Scott Krauss) became the revived Pere Ubu. Jim has recorded with the band since that time, but no longer tours. He currently appears and records with local bands Speaker\Cranker, Noble Rot, and KNG NXN as mainly a keyboardist. Jim has overseen operations of the US arm of Ubutique in Cleveland since 1990.

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Jim Jones