DamnLyrics - The center provides all the lyrics

Pop Champagne (Feat. Ron Brownz & Juelz Santana) - Jim Jones



     
Page format: Left Center Right
Direct link:
BB code:
Embed:

Pop Champagne (Feat. Ron Brownz & Juelz Santana) Lyrics


Ether boy! Hey!How we ball in the club I know you hate it
Mami dancing on the floor all like she naked
When she lay down with you I know she fake it
All the girls give it to me I ain't gotta take it
Oh! Pop champagne!
Oh! Pop champagne!
Oh! We pop champagne!
Oh! We pop champagne!We need more bottles tell ma hurry up
Tell 'em Ron Browz here hottest in America
Gimme sixteen bars and you know I tear it up
Know it's me when you see this fur in your area
And she call me all night cause you can get it up
On my neck on my wrist everything is litted up
Drinking bottles of that Clique 'till I spit it up
Only get one life so you gotta live it up
(Hey!) If you in the things I'm in
Shorty we can be friends, shorty we can be friends
Right now, I wanna see you dance, see you dance

I wanna see you dance, see you dance
I wanna see you dance, see you dance
I wanna see you dance, see you danceWhen I go to the dealer you know I cop that (What's that?)
Brand new 'rarri and the roof drop back (The 60)
Came through Harlem like the Rooftop back
Money in the bank man you know don't stop that (Stop that stop that stop that!)
(Oh!) Now we trying to get up in the club
(Oh!) Try to tell me no cause I'm rolling with the thugs
(We got money bitch!) Until I flash a couple of dollars (Yep!)
Tell 'em we only want tables and we buying out the bottles
(Oh!) Y'all know the order
Tell 'em ten Rose's and a few cold waters (Right!)
Only Petron and a couple of lemons (Let's go)
Ten thousand dollars stuffed up in the denims (What else)
We standing on couches, a couple of women (Hey baby)
We was balling hard it was just the ninth inning (Early)
He told shorty we could be friends (Yep)
And your friends could meet with my friends (What else)
And we could do this on the weekend or on the weekday
We could do this on the freeway and get in the freak way
Shit! We could get in on three way (Oh)
Blackberry two way, souped up cars on the thruway (Yep)
We superstars no Lupe, we could do this like a duet
But y'all be the singers on the mic, wait let me dim the lights
This was in the car while I was stopping at the lightHow we ball in the club I know you hate it
Mami dancing on the floor all like she naked
When she lay down with you I know she fake it
All the girls give it to me I ain't gotta take it
Oh! Pop champagne!
Oh! Pop champagne!
Oh! We pop champagne!
Oh! We pop champagne!Baby I wanna see you work (Go) See you dance (Go)
Without no shirt, without those pants
Pop champagne ain't a damn thing change
Spray it in the air make it champagne rain
Buckets of ice keep the champagne cool
Mami got a body see that damn thing move
It's no sex in the champagne room
Says who? Baby I'll break all rules
Bring it here and I'll break off you
She see me in V.I.P. and wanna break on through
When she with you she lyin' but she fake it
When she with me she like it she never fake itI wanna see you dance, see you dance
I wanna see you dance, see you dance
I wanna see you dance, see you dance
I wanna see you dance, see you danceHow we ball in the club I know you hate it
Mami dancing on the floor all like she naked
When she lay down with you I know she fake it
All the girls give it to me I ain't gotta take it
Oh! Pop champagne!
Oh! Pop champagne!
Oh! We pop champagne!
Oh! We pop champagne!
Songwriters
RONDELL EDWIN TURNER, LARON L. JAMES, JOSEPH JONESPublished by
Lyrics © Sony/ATV Music Publishing LLC, Universal Music Publishing Group, BMG RIGHTS MANAGEMENT US, LLC Song Discussions is protected by U.S. Patent 9401941. Other patents pending.

Enjoy the lyrics !!!
DO NOT redirect Rev. Jim Jones here.

There are two artists by this name:

1) Jim Jones is the stage name of American hip hop artist and director Joseph Guillermo Jones II.

2) Jim Jones was a producer and experimental music artist best known as the guitarist for Pere Ubu.


1) Fortitude, ambition and creative business tactics are at the forefront of Jim Jones’ career. The enigmatic Diplomat CEO and entrepreneur spent the past decade designing an empire that will solidify his place in Hip Hop history and beyond.

After continued success with his Dipset crew and his Diplomat Record label, Jim’s solo album, On My Way To Church, debuted at #18 on Billboard Top 200 in August 2004, and has sold over 200,000 copies independently to date. The videos for the first single, “Certified Gangsta”, and second single, “Crunk Musik”, have received consistent airplay on both BET and MTV. Jim Jones is also exceedingly popular in the fast-paced world of mix-tape releases.

Building upon successes from his record label to his new alcohol brand, Sizzurp, Jim Jones is preparing to release a new Documentary Film, currently titled THE JIM JONES PROJECT, which presents a candidly-told cautionary tale of a “gangsta” rapper in transition. A purposeful message in the documentary is intended to act as a deterrent for the self-destructive behaviors of at-risk youth who have taken the bravado of “gangsta” rap to heart.

Bronx-born-but Harlem raised, Jim Jones knew all to well at a very early age what the streets had to offer. While he experienced his share of trouble growing up in Harlem, he was fortunate enough to escape anything that would cause him to wind up as another statistic in the concrete jungle.

In addition to his many ventures, Jim Jones is also gaining respect for his role as a music video director winning several music award nominations. He created the vision behind several videos for Dipset emcee Cam’ron including “Oh Boy”, “Hey Ma” and “Get Em Girl/Killa Cam”, State Property’s “When You Hear That”, as well as his own popular “Certified Gangsta” and “How G Is This” videos.

Jim takes his ability to influence the world at large very serious, he continues to search for new ways to find social and political growth while progressing within the Hip Hop culture. Currently, Jim is an active participator in Russell Simmons’ Hip Hop Summit, The Andre Neal Foundation as well as the South East Queens Action Network for Public Schools, all which focus on building and strengthening the community through it’s youth, educating them on politics and teaching them how influential their voice is.

Even his pursuit to bring the ideals of gangsta rap to the world with his Documentary Film, Jim makes it clear that he is no way advocating a movement toward it. “My advice for younger people is: Please don’t try this shit at home. There’s a difference between a gangsta and a gangbanger - a gangbanger is very ambitious, he has a fiery heart. When he knows how smart he is, he’ll turn into a gangsta. A gangsta becomes a businessman, because with power you gotta show restraint - you only show that power when your back is against the wall and people force you to come out swinging.” - Bio courtesy of Tygereye Entertainment

Along with fellow Harlem-based player Cam'ron, Jim Jones founded the Diplomat label, home to the Diplomats/Dipset and many of that crew's prolific solo activities. Though more of a businessman and behind-the-scenes figure than an MC (he was also named a director of AR at Warner Music Group in early 2005), Jones released solo albums in 2004 (On My Way to Church, which hit the Top 20 upon its August release) and 2005 (Diary of a Summer). Andy Kellman, All Music Guide

2) Jim Jones (born James E. Jones, 1950 in Cleveland, Ohio. Died of a heart attack Feb 18 2008) graduated from Mayfield High School in 1968. He played baritone sax in the MHS Marching Band, alto sax in the concert band, and discovered an affinity for tape manipulation while in charge of the high school language lab. Jim attempted two quarters at Cuyahoga Community College in '69, but his interest in music won out. He formed the short-lived band, Lazarus, and worked as a clerk/buyer for Leo Mintz's Record Rendezvous retail chain for the next fifteen years. Jim started his own record shop, Platter-Puss Records, in '84. He sold the business in '87 after joining Pere Ubu. Jim got his first guitar in 1965, and taught himself to play in a self-devised open tuning. He was/is profoundly moved by music in nearly all forms, especially Indian music (thanks to George Harrison), 20th century classical & experimental, 50's thru 60's pop and mood music, and of course "rock" in it's many forms. Jim joined local "underground" band, Mirrors, in '74 as bass player. Mirrors shared gigs with Rocket From The Tombs and The Electric Eels (whom he later recorded with), and later transformed into The Styrenes. In '77 Jim quit The Styrenes and took some time off from work to become a member of the Pere Ubu road crew, doing the infamous Co-Ed Jail Tours of the US & Europe in support of The Modern Dance lp. Back from the tours Jim and fellow roadie, Pat Ryan, started a two-man experimental rock band called Foreign Bodies, which released a single. The next few years saw Jim honing his skills as a studio producer for a number of local Cleveland artists and bands, recording his own music, and composing electronic pieces for local theatre and dance companies. In 1980 Jim formed the raucous Easter Monkeys, and concomitantly became a member of Scott Krauss And Tony Maimone's project, Home & Garden. Gigs were played and recordings were released by both bands. Having worked with David Thomas and the Pedestrians On The Variations On A Theme album in '84, Jim was asked to join David's latest project, The Wooden Birds, in 1986. A year later that group (with the addition of Scott Krauss) became the revived Pere Ubu. Jim has recorded with the band since that time, but no longer tours. He currently appears and records with local bands Speaker\Cranker, Noble Rot, and KNG NXN as mainly a keyboardist. Jim has overseen operations of the US arm of Ubutique in Cleveland since 1990.

User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.

View All

Jim Jones