DamnLyrics - The center provides all the lyrics

Pop Champagne - Jim Jones



     
Page format: Left Center Right
Direct link:
BB code:
Embed:

Pop Champagne Lyrics


Ether boy
Hey, how we ball in the club I know u hate it
Mami dancin' on the floor I like she naked
When she layed up wit chu I know she fake it
All the girls give it to me
I ain't gotta take it
Oh, pop champagne
Ohh, pop champagne
Ohh, we pop champagne
Ohh, we pop champagne
We need more bottles tell ma hurry up
Tell 'em Ron Browz here, hottest in America
Gimme 16 bars and u know I'll tear it up
Know it's me when u see the spur in ya area
And she call me all night cause u can't get it up
On my neck, on my wrist
Everything is blitted up
Drinkin' bottles of that Clique till I spit it up

Only gettin' one life so u gotta live it up
If you in the things I'm in
Shawty we can be friends, hey
Shawty we can be friends, hey
But right now
I wanna see u dance see u dance
I wanna see u dance see u dance
I wanna see u dance see u dance
I wanna see u dance see u dance
When I go to the deala you know I cop that
Brand new Rolly and the roof drop back
Came thru Harlem like the roof top back
Money in the bank man u know I stop that, stop that stop that
Now we trya get up in the club
Tryna tell me no cus we rollin' wit the thugs, got money bitch
So I flash a couple a dollars
Tell 'em we only want tables and we buyin' out da bottles
But cha'll know the order
Tell 'em 10 roses and a few cold waters, right
Trolly trone and a couple of lemons, let's go
Ten thousand dollas stuffed up in my denims, what else?
Standin' on couches
Couple of womens, ay baby
We was ballin' hard
It was just the 9th innin', it's early
I told shawty we could be friends, yup
And your friends could meet my friends, what else?
We could do this on a weekend, on a weekday
We could do this on the freeway
Get it in the freak way
Shit, we could get it on three way s
Blackberry two ways
Souped up cars on the thru way, yup
We superstars, no Lupe
We could do this like a duet
Ya'll be the singers I'm the mic
Let me deal it nice
This was in the car
While I was stoppin' at the light
How we ball in the club I know u hate it
Mami dancin' on the floor I like she naked
When she layed up wit chu I know she fake it
All the girls give it to me
I ain't gotta take it
Oh, pop champagne
Ohh, pop champagne
Ohh, we pop champagne
Ohh, we pop champagne
Baby I wanna see you work
See you dance
Without no shirt, no
Without those pants
Pop champagne
Ain't a damn thing change
Spray it in the air
Make it champagne rain, ha
Buckets of ice
Keep the champagne cool, cool
Mommy got a body
See that damn thing move
But, it's no sex in the champagne room
Says who?
Baby I brake all rules, yea
Bring it here
And I brake off you
She see me in VIP
I wanna brake on crew
(Face it)
When she wit you she lyin'
You bet she fake it
When she wit me
She like it
She never fake it
I wanna see you dance, see you dance
I wanna see you dance, see you dance
I wanna see you dance, see you dance
I wanna see you dance, see you dance
How we ball in the club I know u hate it
Mami dancin' on the floor I like she naked
When she layed up wit chu I know she fake it
All the girls give it to me
I ain't gotta take it
Oh, pop champagne
Ohh, pop champagne
Ohh, we pop champagne
Ohh, we pop champagne

Enjoy the lyrics !!!
DO NOT redirect Rev. Jim Jones here.

There are two artists by this name:

1) Jim Jones is the stage name of American hip hop artist and director Joseph Guillermo Jones II.

2) Jim Jones was a producer and experimental music artist best known as the guitarist for Pere Ubu.


1) Fortitude, ambition and creative business tactics are at the forefront of Jim Jones’ career. The enigmatic Diplomat CEO and entrepreneur spent the past decade designing an empire that will solidify his place in Hip Hop history and beyond.

After continued success with his Dipset crew and his Diplomat Record label, Jim’s solo album, On My Way To Church, debuted at #18 on Billboard Top 200 in August 2004, and has sold over 200,000 copies independently to date. The videos for the first single, “Certified Gangsta”, and second single, “Crunk Musik”, have received consistent airplay on both BET and MTV. Jim Jones is also exceedingly popular in the fast-paced world of mix-tape releases.

Building upon successes from his record label to his new alcohol brand, Sizzurp, Jim Jones is preparing to release a new Documentary Film, currently titled THE JIM JONES PROJECT, which presents a candidly-told cautionary tale of a “gangsta” rapper in transition. A purposeful message in the documentary is intended to act as a deterrent for the self-destructive behaviors of at-risk youth who have taken the bravado of “gangsta” rap to heart.

Bronx-born-but Harlem raised, Jim Jones knew all to well at a very early age what the streets had to offer. While he experienced his share of trouble growing up in Harlem, he was fortunate enough to escape anything that would cause him to wind up as another statistic in the concrete jungle.

In addition to his many ventures, Jim Jones is also gaining respect for his role as a music video director winning several music award nominations. He created the vision behind several videos for Dipset emcee Cam’ron including “Oh Boy”, “Hey Ma” and “Get Em Girl/Killa Cam”, State Property’s “When You Hear That”, as well as his own popular “Certified Gangsta” and “How G Is This” videos.

Jim takes his ability to influence the world at large very serious, he continues to search for new ways to find social and political growth while progressing within the Hip Hop culture. Currently, Jim is an active participator in Russell Simmons’ Hip Hop Summit, The Andre Neal Foundation as well as the South East Queens Action Network for Public Schools, all which focus on building and strengthening the community through it’s youth, educating them on politics and teaching them how influential their voice is.

Even his pursuit to bring the ideals of gangsta rap to the world with his Documentary Film, Jim makes it clear that he is no way advocating a movement toward it. “My advice for younger people is: Please don’t try this shit at home. There’s a difference between a gangsta and a gangbanger - a gangbanger is very ambitious, he has a fiery heart. When he knows how smart he is, he’ll turn into a gangsta. A gangsta becomes a businessman, because with power you gotta show restraint - you only show that power when your back is against the wall and people force you to come out swinging.” - Bio courtesy of Tygereye Entertainment

Along with fellow Harlem-based player Cam'ron, Jim Jones founded the Diplomat label, home to the Diplomats/Dipset and many of that crew's prolific solo activities. Though more of a businessman and behind-the-scenes figure than an MC (he was also named a director of AR at Warner Music Group in early 2005), Jones released solo albums in 2004 (On My Way to Church, which hit the Top 20 upon its August release) and 2005 (Diary of a Summer). Andy Kellman, All Music Guide

2) Jim Jones (born James E. Jones, 1950 in Cleveland, Ohio. Died of a heart attack Feb 18 2008) graduated from Mayfield High School in 1968. He played baritone sax in the MHS Marching Band, alto sax in the concert band, and discovered an affinity for tape manipulation while in charge of the high school language lab. Jim attempted two quarters at Cuyahoga Community College in '69, but his interest in music won out. He formed the short-lived band, Lazarus, and worked as a clerk/buyer for Leo Mintz's Record Rendezvous retail chain for the next fifteen years. Jim started his own record shop, Platter-Puss Records, in '84. He sold the business in '87 after joining Pere Ubu. Jim got his first guitar in 1965, and taught himself to play in a self-devised open tuning. He was/is profoundly moved by music in nearly all forms, especially Indian music (thanks to George Harrison), 20th century classical & experimental, 50's thru 60's pop and mood music, and of course "rock" in it's many forms. Jim joined local "underground" band, Mirrors, in '74 as bass player. Mirrors shared gigs with Rocket From The Tombs and The Electric Eels (whom he later recorded with), and later transformed into The Styrenes. In '77 Jim quit The Styrenes and took some time off from work to become a member of the Pere Ubu road crew, doing the infamous Co-Ed Jail Tours of the US & Europe in support of The Modern Dance lp. Back from the tours Jim and fellow roadie, Pat Ryan, started a two-man experimental rock band called Foreign Bodies, which released a single. The next few years saw Jim honing his skills as a studio producer for a number of local Cleveland artists and bands, recording his own music, and composing electronic pieces for local theatre and dance companies. In 1980 Jim formed the raucous Easter Monkeys, and concomitantly became a member of Scott Krauss And Tony Maimone's project, Home & Garden. Gigs were played and recordings were released by both bands. Having worked with David Thomas and the Pedestrians On The Variations On A Theme album in '84, Jim was asked to join David's latest project, The Wooden Birds, in 1986. A year later that group (with the addition of Scott Krauss) became the revived Pere Ubu. Jim has recorded with the band since that time, but no longer tours. He currently appears and records with local bands Speaker\Cranker, Noble Rot, and KNG NXN as mainly a keyboardist. Jim has overseen operations of the US arm of Ubutique in Cleveland since 1990.

User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.

View All

Jim Jones