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Pop Off (feat. Mel Matrix & NOE) - Jim Jones



     
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Pop Off (feat. Mel Matrix & NOE) Lyrics


Give me a minute to get in it, give me a minute
With one of your main bitches, mental fitness I demonstrate
Right in front of your eyes
Watch your bitch elevate from a five to a nineConfidence booster all in her mind
And I'm checkin' every dollar and dime
(Come with me)
To the city where my committee chase titties and ass
(Are you ready? Come with me)
I'll show you where the check break fast and we bust heads fastIf a nigga not in single file
Run up on him single style
Let the thing break him down, you love my methods
Take a nigga off the earth if he on my shit list recklessThe key copper have to eat proper
Bitches lookin' for guidance, had to be proper
Tone Capone is the beat dropper
The jump off is jumpin' off proper and it's about to get hotter(Come with me)
'Til it pop off
And you better be ready for the jump off
(Come with me)

'Til it pop offAnd you better be ready for the jump off
(Come with me)
'Til it pop off
And you better be ready for the jump off
(Come with me)I still rep Walnut street in deep East Oakland
The 100 block where you can your whole shit broken
Like Mystikal 'Still Smokin''
The life [unverified] and rent freeI never let nothin' live on my mind
I gotta grind
(Grind)
Shine and fight for my grandma
And don't do nothin' stupid like Hammer'Til I go bankrupt, steady drinkin' 'til I finish my cup
Then bust ya head before I shoot up the gut
Fresh outta Folsom and proper beef injections
Chosen selections 'cause girl I ain't fuckin' without protectionI'm harder than erection
Teachers so you study your lessons
And advise for that viewer discretion
On a scale to 1 to 10, I get 11Give a toast to the pussy like Devin
And beat it up off Sprite and Seagram 7
I've plottin' on a way to get rich
And keep bread out that cockAnd all the folks in the hood aimin' for head
Shots of lead poppin', situation's crucial
And every nigga I'm wit is feelin' neutral
Fuck, takin' 10 paces and drawin' downThis ain't no Western movie
Roll a Swisher, pass it to Ric, sat the window wit the doobie
I'm lookin' at booty, onion ass on the strip
You fine but baby girl where your whip, it's jumpin' off(Come with me)
'Til it pop off
And you better be ready for the jump off
(Come with me)
'Til it pop offAnd you better be ready for the jump off
(Come with me)
'Til it pop off
And you better be ready for the jump off
(Come with me)While I'm outtie on the west, I got the best weed and the best hoes
I'm on the block at all times, dressed in the best clothes
My focus is money 'cause pussy come natural
I only fuck with those that can show me some collateralI deal 'em all off top
I ain't a child molester or a killer, I don't need y'all props
Shit, if she wit me, she know what it is
We hotellin' and you don't deserve to go to the cribIf yo patna wanna roll, she can roll, I ain't gotta touch
I like to smoke and watch you freaky hoes
And I could have my choice, enie meenie miney mo
Bust a nut, get the fuck, play it how it goMy main ho called and told me she made some money
I said, "Bitch you ain't never come gave it to me"
How many woman now done wanna get gangsta for me
Gotta be willin' to get down on your hands and stomach
(Are you ready?)(Come with me)
'Til it pop off
And you better be ready for the jump off
(Come with me)
'Til it pop offAnd you better be ready for the jump off
(Come with me)
'Til it pop off
And you better be ready for the jump off
(Come with me)

Enjoy the lyrics !!!
DO NOT redirect Rev. Jim Jones here.

There are two artists by this name:

1) Jim Jones is the stage name of American hip hop artist and director Joseph Guillermo Jones II.

2) Jim Jones was a producer and experimental music artist best known as the guitarist for Pere Ubu.


1) Fortitude, ambition and creative business tactics are at the forefront of Jim Jones’ career. The enigmatic Diplomat CEO and entrepreneur spent the past decade designing an empire that will solidify his place in Hip Hop history and beyond.

After continued success with his Dipset crew and his Diplomat Record label, Jim’s solo album, On My Way To Church, debuted at #18 on Billboard Top 200 in August 2004, and has sold over 200,000 copies independently to date. The videos for the first single, “Certified Gangsta”, and second single, “Crunk Musik”, have received consistent airplay on both BET and MTV. Jim Jones is also exceedingly popular in the fast-paced world of mix-tape releases.

Building upon successes from his record label to his new alcohol brand, Sizzurp, Jim Jones is preparing to release a new Documentary Film, currently titled THE JIM JONES PROJECT, which presents a candidly-told cautionary tale of a “gangsta” rapper in transition. A purposeful message in the documentary is intended to act as a deterrent for the self-destructive behaviors of at-risk youth who have taken the bravado of “gangsta” rap to heart.

Bronx-born-but Harlem raised, Jim Jones knew all to well at a very early age what the streets had to offer. While he experienced his share of trouble growing up in Harlem, he was fortunate enough to escape anything that would cause him to wind up as another statistic in the concrete jungle.

In addition to his many ventures, Jim Jones is also gaining respect for his role as a music video director winning several music award nominations. He created the vision behind several videos for Dipset emcee Cam’ron including “Oh Boy”, “Hey Ma” and “Get Em Girl/Killa Cam”, State Property’s “When You Hear That”, as well as his own popular “Certified Gangsta” and “How G Is This” videos.

Jim takes his ability to influence the world at large very serious, he continues to search for new ways to find social and political growth while progressing within the Hip Hop culture. Currently, Jim is an active participator in Russell Simmons’ Hip Hop Summit, The Andre Neal Foundation as well as the South East Queens Action Network for Public Schools, all which focus on building and strengthening the community through it’s youth, educating them on politics and teaching them how influential their voice is.

Even his pursuit to bring the ideals of gangsta rap to the world with his Documentary Film, Jim makes it clear that he is no way advocating a movement toward it. “My advice for younger people is: Please don’t try this shit at home. There’s a difference between a gangsta and a gangbanger - a gangbanger is very ambitious, he has a fiery heart. When he knows how smart he is, he’ll turn into a gangsta. A gangsta becomes a businessman, because with power you gotta show restraint - you only show that power when your back is against the wall and people force you to come out swinging.” - Bio courtesy of Tygereye Entertainment

Along with fellow Harlem-based player Cam'ron, Jim Jones founded the Diplomat label, home to the Diplomats/Dipset and many of that crew's prolific solo activities. Though more of a businessman and behind-the-scenes figure than an MC (he was also named a director of AR at Warner Music Group in early 2005), Jones released solo albums in 2004 (On My Way to Church, which hit the Top 20 upon its August release) and 2005 (Diary of a Summer). Andy Kellman, All Music Guide

2) Jim Jones (born James E. Jones, 1950 in Cleveland, Ohio. Died of a heart attack Feb 18 2008) graduated from Mayfield High School in 1968. He played baritone sax in the MHS Marching Band, alto sax in the concert band, and discovered an affinity for tape manipulation while in charge of the high school language lab. Jim attempted two quarters at Cuyahoga Community College in '69, but his interest in music won out. He formed the short-lived band, Lazarus, and worked as a clerk/buyer for Leo Mintz's Record Rendezvous retail chain for the next fifteen years. Jim started his own record shop, Platter-Puss Records, in '84. He sold the business in '87 after joining Pere Ubu. Jim got his first guitar in 1965, and taught himself to play in a self-devised open tuning. He was/is profoundly moved by music in nearly all forms, especially Indian music (thanks to George Harrison), 20th century classical & experimental, 50's thru 60's pop and mood music, and of course "rock" in it's many forms. Jim joined local "underground" band, Mirrors, in '74 as bass player. Mirrors shared gigs with Rocket From The Tombs and The Electric Eels (whom he later recorded with), and later transformed into The Styrenes. In '77 Jim quit The Styrenes and took some time off from work to become a member of the Pere Ubu road crew, doing the infamous Co-Ed Jail Tours of the US & Europe in support of The Modern Dance lp. Back from the tours Jim and fellow roadie, Pat Ryan, started a two-man experimental rock band called Foreign Bodies, which released a single. The next few years saw Jim honing his skills as a studio producer for a number of local Cleveland artists and bands, recording his own music, and composing electronic pieces for local theatre and dance companies. In 1980 Jim formed the raucous Easter Monkeys, and concomitantly became a member of Scott Krauss And Tony Maimone's project, Home & Garden. Gigs were played and recordings were released by both bands. Having worked with David Thomas and the Pedestrians On The Variations On A Theme album in '84, Jim was asked to join David's latest project, The Wooden Birds, in 1986. A year later that group (with the addition of Scott Krauss) became the revived Pere Ubu. Jim has recorded with the band since that time, but no longer tours. He currently appears and records with local bands Speaker\Cranker, Noble Rot, and KNG NXN as mainly a keyboardist. Jim has overseen operations of the US arm of Ubutique in Cleveland since 1990.

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Jim Jones