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Rap & Sex - Fabolous



     
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Rap & Sex Lyrics


Where you at?
You know I'm at the studio man, what you doing, you gon' come through?
Yeah I'mma come through. I might rock the mic too
Haha, I betI just got the crib with the studio
You could say I live at the studio
Shawty come and give at the studioAll I do is rap and sex
Niggas see how I was flowin' on my last cassette
(At the studio)Got a condo with nothin' but condoms in it
Same place where the rhymes were invented
So all I do is rap and sex, imagine how I stroke
See how I was flowin' on my last cassette
Shawty came through just to hear the mixtape (Soul Tape)
Ended up starring in a sex tape
With a player from New York no Nicks tape (swish)
Might need your bitch for my next day
I come upstairs then I come get them drawers
Come back downstairs then I come up with bars
Shit feels so good it might come out tomorrow

Beat that shit up, she might come out with scars
I do not lie, I been the truth
If I'm in her box, I say that I'm in the booth
Comin' up with the headlines
That's off the top of the head (whoa, whoa)
Heard she nasty on the mic
Go for the sloppiest head (whoa, whoa)
Then she gon' bust that thing wide
I'ma just let that thing ride (whoa, whoa)I just got the crib with the studio
You could say I live at the studio
Shawty come and give at the studioAll I do is rap and sex
Niggas see how I was flowin' on my last cassette
(At the studio)No slow jams just street nigga rap
Want R&B smooth, get an R&B dude
Got a Range and a Benz, I make R&B moves
But I can call Trey, you in an R&B mood?
And get him to the studio
Like "wassup this Fab
Got a bad bitch with me and she up for grabs"
Talkin' bout "ask him what's up with this collab?"
And she waitin' at the studio
Sign on the door that say "No hatin' at the studio"
And I always keep it playa at the studio
Every time she ask I say I'm at the studio
Layin' somethin' down
See how I was snappin' on my last shit
Hard start off with the soft flow
Then switch it up to some fat shit
(Feel me?)
Nigga don't make me go [?] your bitch
I love this shit but I don't love your bitchRap, sex (x2)
All I do is Rap & sex (x3)
Pussy got me screaming, Meek Mill flow (Ho!)
Spray it like Mase (aha), speak real slow
You with a boss one, Rick Ross grunt (Huh!)
Nasty like Nas, one mic [?] (all I need is one mic)
Best I ever had (Crazy), word to Drake
Bustin' off the grill [?] Chiraq, murder rate (Let's get it!)
Kiss on it (Heh), excuse my French (Haan)
Hit the studio, rap and sexI just got the crib with the studio
You could say I live at the studio
Shawty come and give at the studioAll I do is rap and sex
Niggas see how I was flowin' on my last cassette
(At the studio)
Songwriters
Charles Dumazer, John Jackson, Jonathan Burks, Shawn Carter, Timothy MosleyPublished by
Lyrics © Universal Music Publishing Group

Enjoy the lyrics !!!
John David Jackson (born November 18, 1977 in Brooklyn, New York), better known by his stage name Fabolous, is a Grammy award nominated American rapper, actor and designer signed to Def Jam Records. He released his debut album, Ghetto Fabolous in 2001 and has since released 2003's Street Dreams, 2004's Real Talk and 2007's From Nothin' To Somethin', all of which have collectively sold over four million copies in the United States. His fourth studio album, Loso's Way, was released in July of 2009 and debuted at #1 on the Billboard 200 chart.

It takes talent to make the struggle to succeed seem effortless, but that is the gift that separates artists like Brooklyn's John Jackson, aka Fabolous, from the everyday MC. While most rappers spend more and more time convincing the masses of their "hustle," Fabolous lets his work speak for his effort. With two platinum albums (2001's Ghetto Fabolous and 2003's Street Dreams) and one Gold (2004's Real Talk) to his credit, the veteran hitmaker still exudes a rookie-of-the year swagger. After recording for both Elektra and Atlantic Records, Fab is enjoying a home coming with the legendary Def Jam label. His first recorded song was "If They Want It" from DJ Clue's The Professional, which was released by Roc-A-Fella/Def Jam in 1998.

"I had people in my corner already over there," Fab says of DJ Clue and A&R Skane, the Desert Storm duo who discovered Fabolous. "So it wasn't like I was coming to a new neighborhood."

While he doesn't site any one reason for his move, Fabolous has learned a lot from his time in the industry and is eager to capitalize on his experience. "I haven't peaked yet," he explains. "I was happy with the past records, but I have some adversity to learn off of for the future."

It's appropriate that Fabolous is getting a fresh start for his latest release because he wants From Nothin' to Somethin' to be a rebirth for his fans old and new. "Everybody is trying to take what they have and make something more," says Fabolous, explaining the album's title. "It's a new year, everybody's on their hustle, back in the gym and I'm trying to give them some inspiration. This is music to chase your money too, work out--motivation music.

The first single "Make Me Better" is produced by Grammy Award winning producer Timbaland and finds Fabolous doing what he does best; blending radio ready sound beds with clever and memorable lyrics. Rapping that he needs "a Corretta Scott to make me King" Fab picks up with his female fans where "Baby" left off. "It's a great feel good record, it's got a lot of style to it," he says. "I wanted a record that could show that I could touch different people with my music."

Already recognized for his hit-making ability, Fabolous is eager to show the diversity of his technique while staying true to his blueprint for success. On the cocky "Make Money" he cleverly borrows Notorious B.I.G's trademark chuckle to comment on the laugh-ability of his competition: "these dudes is stand up rappers, hip-hop comedians, I start laughin as soon as I put your CD in." His wit and wordplay is not something he gets enough credit for, but the MC is confident people will come around. "Certain people recognize it," he says, "but its like they'll sing it in the shower, but they won't sing it outside. It's all good though. One of them days you gonna get drunk and start singing that song."

Enlisting a whose-who list of guests that includes Akon, Young Jeezy, Ne-Yo and Junior Reed, Fabolous plays to a variety of audiences on this disc, but there is no mistaking that it's his show from beginning to end. The anthemic "Brooklyn" features a yet to be disclosed surprise guest and "Change Up" pairs Fab with singer, producer extraodinaire Akon helping him reflect on his life and career.

"Anytime you become a successful person, people may look at you and say you changed," explains Fabolous, who references the October 2006 shooting that took place outside of Justin's restaurant in the lyrics of the song. "That record just talks about people changing as a person for money, how they carry themselves and treat other people. For me, I might have changed where I live or my number, but I haven't changed as a person…I slid a line or two about what happened in October but I'm not coming out with a bullet proof vest or anything."

The playful "Foggin Up The Windows," produced by Miami's The Runners, features R. Kelly's chopped and screwed vocals from his hit "Ignition" to prop up Fabolous' ode to parkin' lot pimpin' of the more carnal kind.

"I just took it back to trying to get some in the car," he says with a laugh. "Everyone's either done it or tried to get some in the car. It may not have been the place of choice but everybody's had a hotel on wheels."

Other rewind worthy tracks like "Real Playa" featuring Lloyd, "Diamonds" featuring Young Jeezy and the Just Blaze produced "Back To School" round out an impressive collection that makes From Nothin' to Somethin' worth the two-year wait. In his absence no artist has come close to matching his boyish charm, wit and unassuming cool both on and off the mic. With a new team and a pop of his collar Fabolous is indeed "fresh to Def."

"I'm trying to bring good music back to the game," he says confidently. "And anybody that's bringing good music, the hype is gonna follow them."

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