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Right Now & Later On - Fabolous



     
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Right Now & Later On Lyrics


Uh, c'mon, uh, c'mon
Uh, William H. Bonnie, ma' I make you famousThe kid been makin' these mami's, yell "papacita"
Since Kangols and shell-top Adidas
Love when te-ta's look like they'll pop through beaters
And the hips won't fit in the L-drop two-seater
But ma' I ain't the type to love ya
I'm a triflin', good for nothin', type a brother
This cute face'll make your wife smile
And I check in two bags and one's just a suitcase full of lifestylesAnd we both rent out playa
Difference is you a sweet subsitute, I'm a Penthouse playa
Y'all seen my rings borders
It's full of queen and king's daughters, as clean as spring water
'F's for freakin', A's alright
(Yeah)
'B's for bottles that pop all night
(Uh huh)
'O's for the ounces that I got
(Say what)

That we blow everday, know why, why not nigga?Right now you probably like me, but
Later on you gonna love me and
Right now you probably want me, but
Later on you gonna need me, yeahRight now you don't like me, but
Later on you gonna hate me
(What)
And I just got to do it
Fuck y'all, I'm a keep doin' my thingIt's the hoodrat Hugh Hefner, that bend dimes, too
The five plus one, sittin' on ten times two
Shorty when I'm through
I'm a know if you nice on the mic and if your friend rhyme, too
It's so funny how I suit the women
They know I'm still spendin show money from "Superwoman"
They like, "Where'd he get those twenties?"
And "I didn't know that's a color that the coupe could come in
Damnit man"All I say to the heffers is "Jesus"
Keep swallowin' my kids, mights as well have no nephews and nieces
I know you wanna sip Proof
And try to make me crack a smile
Just so you can see my chipped tooth
I'm tryna' get you, in and out of my room
Just to get, in and out of your womb
And the rocks in mine glare, somethin' like Times Square
Excuse me miss, you want me to sign where?Right now you probably like me, but
Later on you gonna love me and
Right now you probably want me, but
Later on you gonna need me, yoRight now you don't like me, but
Later on you gonna hate me, what
And I just got to do it
Fuck y'all, I'm a keep doin' my thingFab's hard to be found
But most likely I'm with a foreign dame who name's hard to pronounce
I started out, gettin' hard by the ounce
No more cash in stashes, it's cards in accounts
The way I make 'em nod to the bounce
Somebody call Silvia and tell her ship larger amounts
This playa make 'em scream a scheme
My closest look like I keep gettin' traded from team to teamLook sleezy, it's difficult but me
And Tim the only ones that make pimpin' look easy
Tell me how I'm gonna make my album cleaner
With bitches suckin' me up like vacuum cleaners
Even chickens wanna cluck outside
(Yo' Fab, it must be the truck outside)
And mami can't stop eyein'
And when I said my rims was only nineteens, she said, "Stop lyin'!"Right now you probably like me, but
Later on you gonna love me and
Right now you probably want me, but
Later on you gonna need me, yeahRight now you don't like me, but
Later on you gonna hate me, yeah
And I just got to do it
Fuck y'all, I'm a keep doin' my thingSay what, say what, uh huh
You don't need us, huh?
I see you comin' back to her
Like that, with the two-step
Fabolous, we out

Enjoy the lyrics !!!
John David Jackson (born November 18, 1977 in Brooklyn, New York), better known by his stage name Fabolous, is a Grammy award nominated American rapper, actor and designer signed to Def Jam Records. He released his debut album, Ghetto Fabolous in 2001 and has since released 2003's Street Dreams, 2004's Real Talk and 2007's From Nothin' To Somethin', all of which have collectively sold over four million copies in the United States. His fourth studio album, Loso's Way, was released in July of 2009 and debuted at #1 on the Billboard 200 chart.

It takes talent to make the struggle to succeed seem effortless, but that is the gift that separates artists like Brooklyn's John Jackson, aka Fabolous, from the everyday MC. While most rappers spend more and more time convincing the masses of their "hustle," Fabolous lets his work speak for his effort. With two platinum albums (2001's Ghetto Fabolous and 2003's Street Dreams) and one Gold (2004's Real Talk) to his credit, the veteran hitmaker still exudes a rookie-of-the year swagger. After recording for both Elektra and Atlantic Records, Fab is enjoying a home coming with the legendary Def Jam label. His first recorded song was "If They Want It" from DJ Clue's The Professional, which was released by Roc-A-Fella/Def Jam in 1998.

"I had people in my corner already over there," Fab says of DJ Clue and A&R Skane, the Desert Storm duo who discovered Fabolous. "So it wasn't like I was coming to a new neighborhood."

While he doesn't site any one reason for his move, Fabolous has learned a lot from his time in the industry and is eager to capitalize on his experience. "I haven't peaked yet," he explains. "I was happy with the past records, but I have some adversity to learn off of for the future."

It's appropriate that Fabolous is getting a fresh start for his latest release because he wants From Nothin' to Somethin' to be a rebirth for his fans old and new. "Everybody is trying to take what they have and make something more," says Fabolous, explaining the album's title. "It's a new year, everybody's on their hustle, back in the gym and I'm trying to give them some inspiration. This is music to chase your money too, work out--motivation music.

The first single "Make Me Better" is produced by Grammy Award winning producer Timbaland and finds Fabolous doing what he does best; blending radio ready sound beds with clever and memorable lyrics. Rapping that he needs "a Corretta Scott to make me King" Fab picks up with his female fans where "Baby" left off. "It's a great feel good record, it's got a lot of style to it," he says. "I wanted a record that could show that I could touch different people with my music."

Already recognized for his hit-making ability, Fabolous is eager to show the diversity of his technique while staying true to his blueprint for success. On the cocky "Make Money" he cleverly borrows Notorious B.I.G's trademark chuckle to comment on the laugh-ability of his competition: "these dudes is stand up rappers, hip-hop comedians, I start laughin as soon as I put your CD in." His wit and wordplay is not something he gets enough credit for, but the MC is confident people will come around. "Certain people recognize it," he says, "but its like they'll sing it in the shower, but they won't sing it outside. It's all good though. One of them days you gonna get drunk and start singing that song."

Enlisting a whose-who list of guests that includes Akon, Young Jeezy, Ne-Yo and Junior Reed, Fabolous plays to a variety of audiences on this disc, but there is no mistaking that it's his show from beginning to end. The anthemic "Brooklyn" features a yet to be disclosed surprise guest and "Change Up" pairs Fab with singer, producer extraodinaire Akon helping him reflect on his life and career.

"Anytime you become a successful person, people may look at you and say you changed," explains Fabolous, who references the October 2006 shooting that took place outside of Justin's restaurant in the lyrics of the song. "That record just talks about people changing as a person for money, how they carry themselves and treat other people. For me, I might have changed where I live or my number, but I haven't changed as a person…I slid a line or two about what happened in October but I'm not coming out with a bullet proof vest or anything."

The playful "Foggin Up The Windows," produced by Miami's The Runners, features R. Kelly's chopped and screwed vocals from his hit "Ignition" to prop up Fabolous' ode to parkin' lot pimpin' of the more carnal kind.

"I just took it back to trying to get some in the car," he says with a laugh. "Everyone's either done it or tried to get some in the car. It may not have been the place of choice but everybody's had a hotel on wheels."

Other rewind worthy tracks like "Real Playa" featuring Lloyd, "Diamonds" featuring Young Jeezy and the Just Blaze produced "Back To School" round out an impressive collection that makes From Nothin' to Somethin' worth the two-year wait. In his absence no artist has come close to matching his boyish charm, wit and unassuming cool both on and off the mic. With a new team and a pop of his collar Fabolous is indeed "fresh to Def."

"I'm trying to bring good music back to the game," he says confidently. "And anybody that's bringing good music, the hype is gonna follow them."

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