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So Harlem - Jim Jones



     
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So Harlem Lyrics


Free bail posters, tail lights on the roadster
Live life vulgar, the FBI posters
The fast cars pack guns no holsters
We act dumb don't approach us
We hit the spot and stand on club sofas, so get the club owners
'Cause we the boss type Knicks game court side
Big chain sporty ride, G4 the lord of skies
And courts in session so you all could rise
Then pay homage to the board that lies so many niggaz
On my corner died, of marijuana how I mourn you guys
And never mind that my cash better find that
We do the mask work, kick doors cash search
Now where the paper at, man where the yayo at?
You make me wait the gat where your baby layin' at
'Cause it's a cold world, after world
Emblem on the car it's no horn on the Capricorn
Everybody talkin' 'bout this byrd gang money
And this shit is gettin' funny to me

Think you a frog
And I'ma hit you with one in your knee
We switch up the cars, we switch up the broads
Got the bitches sayin', “Oh my darling”
We fucks with the stars, it's us against y'all
Bucks at the bar we oh so Harlem
A desperado, rich like I struck the lotto
Trained to fight like Cus D'Amato
I paint the night in them custom models
Racin' in the street duckin' potholes
Who gives a fuck is the motto
The new sneakers, Blackberry's new beepers
And no tops on the 2 seaters, it's summertime
Give me Coupe fever, it's four inches for my shoe divas
You gon' get it 'cause my crew G'd up
We take chances, flip label advances
3 day stays at Atlantis, make way for the gangsters
A 1000 deaths to the cowards, you let him die no flowers
I used to drive 4 hours
Switch with my man had a supply worth of powder
You chumps want the power
But when it rain man you can't duck the showers
It's Byrd gang and you don't wanna fuck with ours
Everybody talkin' 'bout this byrd gang money
And this shit is gettin' funny to me
Think you a frog
And I'ma hit you with one in your knee
We switch up the cars, we switch up the broads
Got the bitches sayin', “Oh my darling”
We fucks with the stars, it's us against y'all
Bucks at the bar we oh so Harlem
I got no manners, ignorant with choppy grammar
Where we livin' at the cops can't stand us
And belligerent and packin' hammers
And my constituents a act bananas
'Cause they get hungry from gorilla talk
I'm talkin' beef not a bit of pork
If you a soldier go get your boss
We need to sit and talk
Before it go further
Mo money mo murder
And we will pop at you
And whoever you got with you
My Muslim niggaz too hard, cop jewels new cars
Take guns to Jumar, tryna avoid a new charge
Now I salaam to that and drop a bomb to that
It's war in these streets no sleep we insomniacs
You out your weight class, we'll eat you like Drake fast
The credits all good motherfucker but I'm straight cash
Yeah, and I'm oh so Harlem
15th bang, bang, you don't want no problems
Everybody talkin' 'bout this byrd gang money
And this shit is gettin' funny to me
Think you a frog
And I'ma hit you with one in your knee
We switch up the cars, we switch up the broads
Got the bitches sayin', “Oh my darling”
We fucks with the stars, it's us against y'all
Bucks at the bar we oh so Harlem

Enjoy the lyrics !!!
DO NOT redirect Rev. Jim Jones here.

There are two artists by this name:

1) Jim Jones is the stage name of American hip hop artist and director Joseph Guillermo Jones II.

2) Jim Jones was a producer and experimental music artist best known as the guitarist for Pere Ubu.


1) Fortitude, ambition and creative business tactics are at the forefront of Jim Jones’ career. The enigmatic Diplomat CEO and entrepreneur spent the past decade designing an empire that will solidify his place in Hip Hop history and beyond.

After continued success with his Dipset crew and his Diplomat Record label, Jim’s solo album, On My Way To Church, debuted at #18 on Billboard Top 200 in August 2004, and has sold over 200,000 copies independently to date. The videos for the first single, “Certified Gangsta”, and second single, “Crunk Musik”, have received consistent airplay on both BET and MTV. Jim Jones is also exceedingly popular in the fast-paced world of mix-tape releases.

Building upon successes from his record label to his new alcohol brand, Sizzurp, Jim Jones is preparing to release a new Documentary Film, currently titled THE JIM JONES PROJECT, which presents a candidly-told cautionary tale of a “gangsta” rapper in transition. A purposeful message in the documentary is intended to act as a deterrent for the self-destructive behaviors of at-risk youth who have taken the bravado of “gangsta” rap to heart.

Bronx-born-but Harlem raised, Jim Jones knew all to well at a very early age what the streets had to offer. While he experienced his share of trouble growing up in Harlem, he was fortunate enough to escape anything that would cause him to wind up as another statistic in the concrete jungle.

In addition to his many ventures, Jim Jones is also gaining respect for his role as a music video director winning several music award nominations. He created the vision behind several videos for Dipset emcee Cam’ron including “Oh Boy”, “Hey Ma” and “Get Em Girl/Killa Cam”, State Property’s “When You Hear That”, as well as his own popular “Certified Gangsta” and “How G Is This” videos.

Jim takes his ability to influence the world at large very serious, he continues to search for new ways to find social and political growth while progressing within the Hip Hop culture. Currently, Jim is an active participator in Russell Simmons’ Hip Hop Summit, The Andre Neal Foundation as well as the South East Queens Action Network for Public Schools, all which focus on building and strengthening the community through it’s youth, educating them on politics and teaching them how influential their voice is.

Even his pursuit to bring the ideals of gangsta rap to the world with his Documentary Film, Jim makes it clear that he is no way advocating a movement toward it. “My advice for younger people is: Please don’t try this shit at home. There’s a difference between a gangsta and a gangbanger - a gangbanger is very ambitious, he has a fiery heart. When he knows how smart he is, he’ll turn into a gangsta. A gangsta becomes a businessman, because with power you gotta show restraint - you only show that power when your back is against the wall and people force you to come out swinging.” - Bio courtesy of Tygereye Entertainment

Along with fellow Harlem-based player Cam'ron, Jim Jones founded the Diplomat label, home to the Diplomats/Dipset and many of that crew's prolific solo activities. Though more of a businessman and behind-the-scenes figure than an MC (he was also named a director of AR at Warner Music Group in early 2005), Jones released solo albums in 2004 (On My Way to Church, which hit the Top 20 upon its August release) and 2005 (Diary of a Summer). Andy Kellman, All Music Guide

2) Jim Jones (born James E. Jones, 1950 in Cleveland, Ohio. Died of a heart attack Feb 18 2008) graduated from Mayfield High School in 1968. He played baritone sax in the MHS Marching Band, alto sax in the concert band, and discovered an affinity for tape manipulation while in charge of the high school language lab. Jim attempted two quarters at Cuyahoga Community College in '69, but his interest in music won out. He formed the short-lived band, Lazarus, and worked as a clerk/buyer for Leo Mintz's Record Rendezvous retail chain for the next fifteen years. Jim started his own record shop, Platter-Puss Records, in '84. He sold the business in '87 after joining Pere Ubu. Jim got his first guitar in 1965, and taught himself to play in a self-devised open tuning. He was/is profoundly moved by music in nearly all forms, especially Indian music (thanks to George Harrison), 20th century classical & experimental, 50's thru 60's pop and mood music, and of course "rock" in it's many forms. Jim joined local "underground" band, Mirrors, in '74 as bass player. Mirrors shared gigs with Rocket From The Tombs and The Electric Eels (whom he later recorded with), and later transformed into The Styrenes. In '77 Jim quit The Styrenes and took some time off from work to become a member of the Pere Ubu road crew, doing the infamous Co-Ed Jail Tours of the US & Europe in support of The Modern Dance lp. Back from the tours Jim and fellow roadie, Pat Ryan, started a two-man experimental rock band called Foreign Bodies, which released a single. The next few years saw Jim honing his skills as a studio producer for a number of local Cleveland artists and bands, recording his own music, and composing electronic pieces for local theatre and dance companies. In 1980 Jim formed the raucous Easter Monkeys, and concomitantly became a member of Scott Krauss And Tony Maimone's project, Home & Garden. Gigs were played and recordings were released by both bands. Having worked with David Thomas and the Pedestrians On The Variations On A Theme album in '84, Jim was asked to join David's latest project, The Wooden Birds, in 1986. A year later that group (with the addition of Scott Krauss) became the revived Pere Ubu. Jim has recorded with the band since that time, but no longer tours. He currently appears and records with local bands Speaker\Cranker, Noble Rot, and KNG NXN as mainly a keyboardist. Jim has overseen operations of the US arm of Ubutique in Cleveland since 1990.

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Jim Jones