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The Big Picture - Bright Eyes



     
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The Big Picture Lyrics


The picture is far too big to look at kid
Your eyes won't open wide enough
And you are constantly surrounded
By the swirling stream of what is and what was
Well, we all made our predictions
But the truth still isn't out
But if you wanna see the future
Go stare into a cloud
And keep trying to find your way out
Of that maze of memories
It all sort of looks familiar
Until you get up close and then it's different clearly
But each time you turn a corner
You are, you are right back where you were
And your only hope is that forgetting
Might make a door appear
Well, is it your fear of being buried
That makes you so afraid to speak?

An avalanche of opinions
Like the one that fell, that I am now underneath
It was my voice that moved the first rock
And I would do it all over again
So, I mean it's cool if you keep quiet
But I like singing, yeah
So I'll be holding my note and stomping
And strumming and feeling so very lucky
There is nothing I know except this lifetime
Is one moment and wishing will just leave me empty
So you can try and live in darkness
But you will never shake the light
It will greet you every morning
And it'll make you more aware with its absence at night
When you are wrapped up in your blankets, baby
That comfortable cocoon
But I have seen the day of your awakening, boy
And it's coming soon
So go ahead and lose yourself in liquor
And you can praise the clouded mind
But it isn't what you are thinking, no
It's the course of history, your position in line
You are just a piece of the puzzle
So I think you better find your place
And don't go blamin' your knowledge
On some fruit you ate
'Cause there's been a great deal of discussion
Yes, about the properties of man
Animal or angel? You were carved from bone
But your heart it's just sand
And the wind is going to scatter it
And cover everything with love
So if it makes you happy then
Keep kneeling, Mama, but I am standing up
Because this veil, it has been lifted, yes
My eyes are wet with clarity
I have been a witness to such wonders
Oh, I have searched for them all across this country
But I think I'll be returning now
To the town where I was born
And I understand you must keep movin' friend
But I am headed home
Yeah, I'm gonna follow the road
And let the scenery sweeping by easily enter my body
And I'll send you all this message in code
Underground, over mountains, through forests and deserts and cities
Ah, ah, ah, all across electric wires, and baited line, ya
The hook's in deep boys, there is no more time
So you can struggle in the water, be too stubborn to die
Or you could just let go and be lifted to the sky, ah, ah, ah

Enjoy the lyrics !!!
Bright Eyes is a band consisting mainly of American singer, guitarist, and songwriter Conor Oberst. Bright Eyes also features multi-instrumentalist/producer Mike Mogis, keyboard player Nate Walcott and a rotating lineup of collaborators drawn primarily from Omaha, Nebraska, and the United States' indie music scene. Having been deeply influenced early on by singer-songwriters David Dondero and Simon Joyner, Conor Oberst has been recording music since the age of 13. He released his first three albums at the ages of 13, 14, 15, respectively, all under the name "Conor Oberst" and released only on cassettes. He then moved onwards with a band called Commander Venus with whom he released two albums. After the break-up of this band in 1997, Conor's main focus became Bright Eyes, and in 1998 he released the first Bright Eyes album, A Collection of Songs Written and Recorded 1995-1997(a collection of 20 stockpiled songs) on the independent label saddle creek Records, which he had co-formed earlier in collaboration with fellow local Omaha musicians.

Saddle Creek also released Letting Off the Happiness in November 1998, a ten-track record that boasted a much more focused and clear sound than the previous album. According to the Saddle Creek press release, it features members of Lullaby for the Working Class, Neutral Milk Hotel, and of Montreal. It was predominantly recorded in the Oberst family basement in Omaha on an analog eight track reel to reel; with some work also done at keyboardist Andy Lemaster's Athens, GA studio. Although almost all of the tracks feature a full band, June On The West Coast is performed with only acoustic guitar and vocals. Padraic My Prince gives a dramatic fictional account of the death of Oberst's imagined baby brother.

In 2000 Bright Eyes released Fevers and Mirrors, a demonstration of the immense improvement in production quality and musical vision of the band. New instruments such as flute, piano, and accordion were introduced into the song arrangements. After An Attempt To Tip The Scales, a mock radio interview takes place. The mock radio interview features Todd Fink of The Faint doing an impression of Conor Oberst while reading a script that Oberst wrote. The man interviewing is Matt Silcock, a former member of Lullaby for the Working Class. In this interview, the fake Oberst intentionally presents a strange, contradictory explanation of his attitude towards his music. The interview acknowledges criticisms of his lyrics as overblown and insincere, which had begun to appear as the popularity of the band increased, but responds by stating that the lyrics are meant for personal interpretation. In a 'real' interview with KittyMagik.com, Oberst stated about the mock one: "It was a way to make fun of ourselves because the record is such a downer. I mean, that's one part of who I am, but I also like laughing and fucking around."

2002 saw the release of Lifted or The Story Is in the Soil, Keep Your Ear to the Ground, and since then Oberst has released an almost constant stream of new material on collaborative EPs, split singles, tribute albums, and charity records. He ventured into the studio with Nebraska folk-pop outfit Tilly and the Wall, co-producing their debut album Wild Like Children and released it on his newly established record label, Team Love.

January 2005 saw the release of two albums: I'm Wide Awake, It's Morning, which is a country-tinged mélange of Conor’s finest acoustic songs, featuring guest vocal appearances from Emmylou Harris and Jim James of My Morning Jacket; and Digital Ash in a Digital Urn, which is a more produced, electronic album featuring cameo appearances by Nick Zinner of the Yeah Yeah Yeahs.
One single from each album, Take It Easy (Love Nothing) from Digital Ash and Lua from I'm Wide Awake took the top two slots on Billboard Hot 100 Singles Chart, the first time for any artist since 1997.
As had become expected of Bright Eyes recordings, the albums feature an array of talented comrades including members of Rilo Kiley, Tilly and the Wall, Cursive, now its overhead, The Good Life, Azure Ray, The Faint, The Bruces, Neva Dinova, The Postal Service and Audrye Sessions.

In October 2006, Bright Eyes released a compilation of rare tracks called Noise Floor: Rarities 1998-2005.

Bright Eyes released their sixth studio album called Cassadaga on April 9, 2007, preceded by an EP entitled Four Winds on March 6, 2007.
A further 25-30 tracks have been recorded in Portland, Oregon and New York City, with another session planned in Omaha, Nebraska. Some of these tracks had already been performed at live shows.

On February 15, 2011, the band released their seventh studio album, The People's Key.


- - - - -
TRIVIA
A few of Oberst's songs find their roots in classic literature, such as Tereza and Tomas (a reference to Milan Kundera's The Unbearable Lightness of Being) and Neely O'Hara (Valley of the Dolls).

List of bands featuring Conor Oberst:
Bright Eyes (1995-present)
Commander Venus (1995-97)
The Magnetas (1996)
Park Ave. (1996-98)
Desaparecidos (2000-01)
Conor Oberst and the Mystic Valley Band (2007-present)
Monsters of Folk (2009-present)

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Bright Eyes