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This Is Gangsta - Jim Jones



     
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This Is Gangsta Lyrics


Dipset bitch, Juelz Santana
Yeah, 2004, it's a brand new muthafuckin' year
I hope you know that, you already know
And we are in total control once a muthafuckin' gain, nigga
Dipset in the building, Juelz Santana, Jim Jones
Killa muthafuckin' Cam, Freeky Zeeky
Live from the bottom of the pot where crack is cooked at
I'm back like cooked crack and I rap like cooked crack
That's a good match and that's some good crack
My gun hotter then the stove is on
So hot even I thought the stove was on
But the stove was off, I was just rollin' hot
I was just rome the block
Hard body, I'm a rolling block
Dodge squally, I don't know the cops
I don't know them rats, no, I don't condone in that
I'm in my zone in fact, ain't no holdin' back
The 4'll mac when the beefin' is on

Niggas cheat when it's on
Niggas get reef when its on
They can't believe when it's on
But it's me when it's on
But it is and this is what I do so
What it is, what it be, what's the scoop, yo?
Normally, I don't ask that
Normally, I just blast that
But you an exception pussy
Your girl told me you just obsessed with pussy
And you can't fuck, you just upset the pussy
I'm somethin' mean to watch
My machine'll pop, lift off your halipino top
Now I've been seen in drop coops, oops
Radar detectors, you can't catch me copper
You just upset me copper, I'm on a jet ski copper
Now if this ain't gangsta and that ain't gangsta
Then what is gangsta?
Nigga, I am gangsta, who ain't gangsta?
You ain't gangsta
Now if this ain't gangsta and that ain't gangsta
Then what is gangsta?
Nigga, I am gangsta, who ain't gangsta?
You ain't gangsta
The truth is I'm what the games been needin'
Food for thought, the fuck man you lames been eatin' them lies
I move the streets, do follow, I speed race, why?
Not through the streets 'cause police do follow, so watch 'em
These niggas throw flappy and sick, that's right
We young cold flashy and rich, plus we gun hoe
And SPZ on a bitch 'cause we don't pay for the pussy
The beef cum we don't lay for the pussy
Fuck 'em, watch 'em, got 'em, spot 'em
Pop 'em, drop 'em, lay 'em down
Now Lord, forgive us, pray for us
Gangstas, say what? We all religious
And y'all wangstas I swear you give us the shivers
Dipset, the new black panthers
The boys ask us questions, man, we do not answer
Life's too short for me to pull my pants up
I'm tryna let my nuts hang, system out the truck bang, bang
That's certified gangsta, you heard about me
Well, then you heard about gangsta
I'll beat the brace off a nigga
But I'm tryna keep the tapes off a nigga
To get rich we do whatever we have to do
And when we hit the hood our presence be grabbin' you
Foul hundreds the 7th's Avenue
And niggas feel the pressure whenever we mashin' through
Dipset
Now if this ain't gangsta and that ain't gangsta
Then what is gangsta?
Nigga, I am gangsta, who ain't gangsta?
You ain't gangsta
Now if this ain't gangsta and that ain't gangsta
Then what is gangsta?
Nigga, I am gangsta, who ain't gangsta?
You ain't gangsta
You ain't gangsta, listen up, I grip a pump
Squeeze 3 and have any OG bitchin' up
Man, he a missing chump and if not the big glock
Our big shots, so doc can't stitch him up
I'm from the city where it's easy to make doe
Easy to bake hoes, it's easy to make 4's
You gettin' them pencils, the pigs and the checks know
Next week they'll have you sittin' on stake road
From HOC to CF to CF
Can't hold me, I'm prone to this BS
So imagine Bez on the phone gettin' key check
Fresh outta DC lampin' in the GS
That's how niggas do go get a clip or 2
Fifth or glock, get a block, hit the spot, flip a few
And for a brick or 2, the led I carry, shit
I'm reditary and your kids could get it too
Now if this ain't gangsta and that ain't gangsta
Then what is gangsta?
Nigga, I am gangsta, who ain't gangsta?
You ain't gangsta
Now if this ain't gangsta and that ain't gangsta
Then what is gangsta?
Nigga, I am gangsta, who ain't gangsta?
You ain't gangsta

Enjoy the lyrics !!!
DO NOT redirect Rev. Jim Jones here.

There are two artists by this name:

1) Jim Jones is the stage name of American hip hop artist and director Joseph Guillermo Jones II.

2) Jim Jones was a producer and experimental music artist best known as the guitarist for Pere Ubu.


1) Fortitude, ambition and creative business tactics are at the forefront of Jim Jones’ career. The enigmatic Diplomat CEO and entrepreneur spent the past decade designing an empire that will solidify his place in Hip Hop history and beyond.

After continued success with his Dipset crew and his Diplomat Record label, Jim’s solo album, On My Way To Church, debuted at #18 on Billboard Top 200 in August 2004, and has sold over 200,000 copies independently to date. The videos for the first single, “Certified Gangsta”, and second single, “Crunk Musik”, have received consistent airplay on both BET and MTV. Jim Jones is also exceedingly popular in the fast-paced world of mix-tape releases.

Building upon successes from his record label to his new alcohol brand, Sizzurp, Jim Jones is preparing to release a new Documentary Film, currently titled THE JIM JONES PROJECT, which presents a candidly-told cautionary tale of a “gangsta” rapper in transition. A purposeful message in the documentary is intended to act as a deterrent for the self-destructive behaviors of at-risk youth who have taken the bravado of “gangsta” rap to heart.

Bronx-born-but Harlem raised, Jim Jones knew all to well at a very early age what the streets had to offer. While he experienced his share of trouble growing up in Harlem, he was fortunate enough to escape anything that would cause him to wind up as another statistic in the concrete jungle.

In addition to his many ventures, Jim Jones is also gaining respect for his role as a music video director winning several music award nominations. He created the vision behind several videos for Dipset emcee Cam’ron including “Oh Boy”, “Hey Ma” and “Get Em Girl/Killa Cam”, State Property’s “When You Hear That”, as well as his own popular “Certified Gangsta” and “How G Is This” videos.

Jim takes his ability to influence the world at large very serious, he continues to search for new ways to find social and political growth while progressing within the Hip Hop culture. Currently, Jim is an active participator in Russell Simmons’ Hip Hop Summit, The Andre Neal Foundation as well as the South East Queens Action Network for Public Schools, all which focus on building and strengthening the community through it’s youth, educating them on politics and teaching them how influential their voice is.

Even his pursuit to bring the ideals of gangsta rap to the world with his Documentary Film, Jim makes it clear that he is no way advocating a movement toward it. “My advice for younger people is: Please don’t try this shit at home. There’s a difference between a gangsta and a gangbanger - a gangbanger is very ambitious, he has a fiery heart. When he knows how smart he is, he’ll turn into a gangsta. A gangsta becomes a businessman, because with power you gotta show restraint - you only show that power when your back is against the wall and people force you to come out swinging.” - Bio courtesy of Tygereye Entertainment

Along with fellow Harlem-based player Cam'ron, Jim Jones founded the Diplomat label, home to the Diplomats/Dipset and many of that crew's prolific solo activities. Though more of a businessman and behind-the-scenes figure than an MC (he was also named a director of AR at Warner Music Group in early 2005), Jones released solo albums in 2004 (On My Way to Church, which hit the Top 20 upon its August release) and 2005 (Diary of a Summer). Andy Kellman, All Music Guide

2) Jim Jones (born James E. Jones, 1950 in Cleveland, Ohio. Died of a heart attack Feb 18 2008) graduated from Mayfield High School in 1968. He played baritone sax in the MHS Marching Band, alto sax in the concert band, and discovered an affinity for tape manipulation while in charge of the high school language lab. Jim attempted two quarters at Cuyahoga Community College in '69, but his interest in music won out. He formed the short-lived band, Lazarus, and worked as a clerk/buyer for Leo Mintz's Record Rendezvous retail chain for the next fifteen years. Jim started his own record shop, Platter-Puss Records, in '84. He sold the business in '87 after joining Pere Ubu. Jim got his first guitar in 1965, and taught himself to play in a self-devised open tuning. He was/is profoundly moved by music in nearly all forms, especially Indian music (thanks to George Harrison), 20th century classical & experimental, 50's thru 60's pop and mood music, and of course "rock" in it's many forms. Jim joined local "underground" band, Mirrors, in '74 as bass player. Mirrors shared gigs with Rocket From The Tombs and The Electric Eels (whom he later recorded with), and later transformed into The Styrenes. In '77 Jim quit The Styrenes and took some time off from work to become a member of the Pere Ubu road crew, doing the infamous Co-Ed Jail Tours of the US & Europe in support of The Modern Dance lp. Back from the tours Jim and fellow roadie, Pat Ryan, started a two-man experimental rock band called Foreign Bodies, which released a single. The next few years saw Jim honing his skills as a studio producer for a number of local Cleveland artists and bands, recording his own music, and composing electronic pieces for local theatre and dance companies. In 1980 Jim formed the raucous Easter Monkeys, and concomitantly became a member of Scott Krauss And Tony Maimone's project, Home & Garden. Gigs were played and recordings were released by both bands. Having worked with David Thomas and the Pedestrians On The Variations On A Theme album in '84, Jim was asked to join David's latest project, The Wooden Birds, in 1986. A year later that group (with the addition of Scott Krauss) became the revived Pere Ubu. Jim has recorded with the band since that time, but no longer tours. He currently appears and records with local bands Speaker\Cranker, Noble Rot, and KNG NXN as mainly a keyboardist. Jim has overseen operations of the US arm of Ubutique in Cleveland since 1990.

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