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Twin Towers - Jim Jones



     
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Twin Towers Lyrics


[Bizzy Bone "Chorus in background"]
Turn my vocals up.....turn my vocals up, turn'em, turn'em up, a little more
Turn'em up a little more, turn'em up a little, yeah there we go yeah, uh yeah[Bizzy Bone]
Born in the poverty probably we never get off the monopoly, won't we just stop it
with all the monotony, look at me awkwardly hide my broccoli, nigga what
Fuck the media, how could you come to me, follow me, bother me, tell me to simmer it down
Part of the system is worser now, melody murder must've ran
What if the rapture happens, nigga just deeper than rapping vanish or not
Never gone change my style, I do what I wanna pop, 'til the "Body Rot" stop
Generation X, I am the mastermind, general militants seven times, revolution rebellious, totally out of line
I still in the mind of apocalyptic, biblical optimistic
Thank my lucky stars, never I say my graces, I'm so thankful god
Take me to the promise land, all I see is cops with guns
Soap in my sock, county charges stuck in the struggle with number one
Never will have a friend like me, reality checking the crooked judge
Man because the rapping is over, we fucking soldiers, we fucking thugs
And ain't nobody stopping my fucking drugs
If I can melt down the words, and put them in plastic sucks, rip it to the nation, let it go what, what

Bitch I would speak your mind, even if they offended you 'cous
Ride off in the sun set, with the streets niggas 'cause that's who I love
Standing next to Capo twin towers shoot up to the heaven sky
We rolling down the ninety-five, take the bridge, I'm ready to die..................[Bizzy Bone]
For the grace of Capo... for the grace of Capo, in the moment of silence,
now the grace of Capo, in the moment of silence, in the mist of tyrants and silence,
and the demon malignancies, motherless children are born, poppa the one who murdered her,
witness the vision first hand plumping master of source of us[Jim Jones]
By the, grace of Capo, in the moment of silence, in the mist of tyrants and violence,
I'm flossing my diamonds, by the grace of Capo, in he mist of the hood, and it should be all good,
But murders go down, you know they go down[Jim Jones]
Straight out the projects b, I'm telling ya'll it was so hard for me (so hard)
Coming up hard in these Harlem streets, where niggas will starve, cause it's hard to eat
Some niggas will rob in the hardcore streets, ridiculous all it's hard concrete (watch it)
Bitches the boosters the credit card scammers, niggas that shoot cause they all gone blame us
People they shoot cause they cocky 'bout scanners (scwalay!)
So if watch where the birds fly, (watch it) don't speed when you swerve high
Cause believe me the third eye, put the squeeze on your whole ride (lock down)
See I'm always in the rear view, see the law in your rear view (what else) pray to the lord he can hear you (why)
I'm the nigga on the corner, plus my niggas on the corner bring same shit
Three carry gripes in the crime in heaven, I'm in this Fahrenheit called 9/11
When I go to the cross roads, lord knows Ferrari white, mean highway to heaven (forgive them lord)
And these digital times, we all need to have a political mind (that's right)
Federology, technology, and we can shine like astrology (they can see from the stars)
When we walking on eggshells, when you talk on next cells (what happens)
When you talking on fed cells (listen to me) and we all on sex cells (whooo)
When the drugs and rock-n-roll, and when the drugs lock your soul
Don't blame it on 'caine, got rich when the reggae came (that's right)
Bill Clinton rejuvenated us (yeah), all been the Bush's hoovernated us (stupid)
Police will soon be chasing us (that's right), the streets they be afraid of us (yeah)
From cutting up raw, from frying up coke, give a fuck about war
We ain't trying to voting (voting)
So if you draft me jail me (you hear that)
Or better yet kill me (uh-huh) 'cause I rather go to hell b, and there's nothing you can tell me
Cause we risking ourselves, just sit in the cell, over punk as nigga in cells (damn)
All the grief in the cells, spin on shelves, I'm running out of time, cause I'm living in hell (yeah)[Jim Jones]
By the, grace of Capo in this moment of silence, in the mist of the violence, the mist of tyrants,
Flossing my diamonds......yeah, by the grace of Capos nigga, you heard, that's two strong armies nigga
Two under bosses we can't be stopped, we will not be brought down like the twin towers
We some political soldiers ghettolutionists, we freedom fighters

Enjoy the lyrics !!!
DO NOT redirect Rev. Jim Jones here.

There are two artists by this name:

1) Jim Jones is the stage name of American hip hop artist and director Joseph Guillermo Jones II.

2) Jim Jones was a producer and experimental music artist best known as the guitarist for Pere Ubu.


1) Fortitude, ambition and creative business tactics are at the forefront of Jim Jones’ career. The enigmatic Diplomat CEO and entrepreneur spent the past decade designing an empire that will solidify his place in Hip Hop history and beyond.

After continued success with his Dipset crew and his Diplomat Record label, Jim’s solo album, On My Way To Church, debuted at #18 on Billboard Top 200 in August 2004, and has sold over 200,000 copies independently to date. The videos for the first single, “Certified Gangsta”, and second single, “Crunk Musik”, have received consistent airplay on both BET and MTV. Jim Jones is also exceedingly popular in the fast-paced world of mix-tape releases.

Building upon successes from his record label to his new alcohol brand, Sizzurp, Jim Jones is preparing to release a new Documentary Film, currently titled THE JIM JONES PROJECT, which presents a candidly-told cautionary tale of a “gangsta” rapper in transition. A purposeful message in the documentary is intended to act as a deterrent for the self-destructive behaviors of at-risk youth who have taken the bravado of “gangsta” rap to heart.

Bronx-born-but Harlem raised, Jim Jones knew all to well at a very early age what the streets had to offer. While he experienced his share of trouble growing up in Harlem, he was fortunate enough to escape anything that would cause him to wind up as another statistic in the concrete jungle.

In addition to his many ventures, Jim Jones is also gaining respect for his role as a music video director winning several music award nominations. He created the vision behind several videos for Dipset emcee Cam’ron including “Oh Boy”, “Hey Ma” and “Get Em Girl/Killa Cam”, State Property’s “When You Hear That”, as well as his own popular “Certified Gangsta” and “How G Is This” videos.

Jim takes his ability to influence the world at large very serious, he continues to search for new ways to find social and political growth while progressing within the Hip Hop culture. Currently, Jim is an active participator in Russell Simmons’ Hip Hop Summit, The Andre Neal Foundation as well as the South East Queens Action Network for Public Schools, all which focus on building and strengthening the community through it’s youth, educating them on politics and teaching them how influential their voice is.

Even his pursuit to bring the ideals of gangsta rap to the world with his Documentary Film, Jim makes it clear that he is no way advocating a movement toward it. “My advice for younger people is: Please don’t try this shit at home. There’s a difference between a gangsta and a gangbanger - a gangbanger is very ambitious, he has a fiery heart. When he knows how smart he is, he’ll turn into a gangsta. A gangsta becomes a businessman, because with power you gotta show restraint - you only show that power when your back is against the wall and people force you to come out swinging.” - Bio courtesy of Tygereye Entertainment

Along with fellow Harlem-based player Cam'ron, Jim Jones founded the Diplomat label, home to the Diplomats/Dipset and many of that crew's prolific solo activities. Though more of a businessman and behind-the-scenes figure than an MC (he was also named a director of AR at Warner Music Group in early 2005), Jones released solo albums in 2004 (On My Way to Church, which hit the Top 20 upon its August release) and 2005 (Diary of a Summer). Andy Kellman, All Music Guide

2) Jim Jones (born James E. Jones, 1950 in Cleveland, Ohio. Died of a heart attack Feb 18 2008) graduated from Mayfield High School in 1968. He played baritone sax in the MHS Marching Band, alto sax in the concert band, and discovered an affinity for tape manipulation while in charge of the high school language lab. Jim attempted two quarters at Cuyahoga Community College in '69, but his interest in music won out. He formed the short-lived band, Lazarus, and worked as a clerk/buyer for Leo Mintz's Record Rendezvous retail chain for the next fifteen years. Jim started his own record shop, Platter-Puss Records, in '84. He sold the business in '87 after joining Pere Ubu. Jim got his first guitar in 1965, and taught himself to play in a self-devised open tuning. He was/is profoundly moved by music in nearly all forms, especially Indian music (thanks to George Harrison), 20th century classical & experimental, 50's thru 60's pop and mood music, and of course "rock" in it's many forms. Jim joined local "underground" band, Mirrors, in '74 as bass player. Mirrors shared gigs with Rocket From The Tombs and The Electric Eels (whom he later recorded with), and later transformed into The Styrenes. In '77 Jim quit The Styrenes and took some time off from work to become a member of the Pere Ubu road crew, doing the infamous Co-Ed Jail Tours of the US & Europe in support of The Modern Dance lp. Back from the tours Jim and fellow roadie, Pat Ryan, started a two-man experimental rock band called Foreign Bodies, which released a single. The next few years saw Jim honing his skills as a studio producer for a number of local Cleveland artists and bands, recording his own music, and composing electronic pieces for local theatre and dance companies. In 1980 Jim formed the raucous Easter Monkeys, and concomitantly became a member of Scott Krauss And Tony Maimone's project, Home & Garden. Gigs were played and recordings were released by both bands. Having worked with David Thomas and the Pedestrians On The Variations On A Theme album in '84, Jim was asked to join David's latest project, The Wooden Birds, in 1986. A year later that group (with the addition of Scott Krauss) became the revived Pere Ubu. Jim has recorded with the band since that time, but no longer tours. He currently appears and records with local bands Speaker\Cranker, Noble Rot, and KNG NXN as mainly a keyboardist. Jim has overseen operations of the US arm of Ubutique in Cleveland since 1990.

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