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We Don't Give A - Fabolous



     
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We Don't Give A Lyrics


Sick mothafuckers, go head, throw up nigga
Yeah, yeah, okay, I know you punk, I know, I knowIf you wanna have smaller digits
The kid was never, a playa hata or baller bigit
Every week, pay em all a visit
I bring Pamela Lee to the P's so we all can dig it
I popped enough alcohol so we all could swig it
Guns, stand them up they be as tall as midgets
Okay, I'll rap a little faster
But do I really sound like I turned from a rapper to a pastor?I'm like you except I date supermodels
The cars that I drive, the state troopers follow
We get the same parties probably
My stones look like sunshine, yours probably cloudy
And I dont front for nothin'
I likes, I gets, I want for nothin'
I'm givin' ya straight answers
And I'd rather be dead than livin' wit hate cancerSay what you wanna say, talk if you wanna talk
We don't give a fuck
Look how you wanna look, grill if you wanna grill

We don't give a fuck
Act how you wanna act, front if you wanna front
We don't give a fuck
Live how you wanna live, try if you wanna die
We don't give a fuckI just used to post on the corner, roast marijuana
I'd be on the coast of Tawanna
Bitches who look, close to Madonna
And Dosie cabanna, toast by a nana
I 'posed to be wanna of those dudes ridin' in Testaroastas upon ya
Not the [Incomprehensible] but I'm gonna
I keep toastin' the armor
For niggaz who supposed to be dramaI mostly just wanna, get fed garlic toast and lasagna
Get head while I'll roast in a sawna
F A B O L O U S, how can you hate that?
And I ain't concerned with the scandals
'Cause it's all bullshit my attroneys can handle
Ya insides be burnin' like candles
Rippin' down posters, turnin' the channels
You wanna end up on the ern on the mantle nigga, yeahSay what you wanna say, talk if you wanna talk
We don't give a fuck
Look how you wanna look, grill if you wanna grill
We don't give a fuck
Act how you wanna act, front if you wanna front
We don't give a fuck
Live how you wanna live, try if you wanna die
We don't give a fuckI look at these brothers and laugh
Jealous niggas don't hate havin', just others that have
I still got love for the ave
Come through to give ya niggas girls baby mothers my math
I speak on others behalf, only hate makin' money
And gotta give the government half
You know this brother live last
And not even Mike seen Jordans in the colors I haveI used to run from undercovers like Shaft
That was until this young playa got shoved into the draft
Now I'm covered in ice, like Bruce Lee's body
Niggas is scared, to lose these hotties
Talk if you wanna talk, grill if you wanna grill
We don't give a fuck nigga
Front if you wanna front, try if you wanna die
If you live it's luck niggaSay what you wanna say, talk if you wanna talk
We don't give a fuck
Look how you wanna look, grill if you wanna grill
We don't give a fuck
Act how you wanna act, front if you wanna front
We don't give a fuck
Live how you wanna live, try if you wanna die
We don't give a fuckSay what you wanna say, talk if you wanna talk
We don't give a fuck
Look how you wanna look, grill if you wanna grill
We don't give a fuck
Act how you wanna act, front if you wanna front
We don't give a fuck
Live how you wanna live, try if you wanna die
We don't give a fuck

Enjoy the lyrics !!!
John David Jackson (born November 18, 1977 in Brooklyn, New York), better known by his stage name Fabolous, is a Grammy award nominated American rapper, actor and designer signed to Def Jam Records. He released his debut album, Ghetto Fabolous in 2001 and has since released 2003's Street Dreams, 2004's Real Talk and 2007's From Nothin' To Somethin', all of which have collectively sold over four million copies in the United States. His fourth studio album, Loso's Way, was released in July of 2009 and debuted at #1 on the Billboard 200 chart.

It takes talent to make the struggle to succeed seem effortless, but that is the gift that separates artists like Brooklyn's John Jackson, aka Fabolous, from the everyday MC. While most rappers spend more and more time convincing the masses of their "hustle," Fabolous lets his work speak for his effort. With two platinum albums (2001's Ghetto Fabolous and 2003's Street Dreams) and one Gold (2004's Real Talk) to his credit, the veteran hitmaker still exudes a rookie-of-the year swagger. After recording for both Elektra and Atlantic Records, Fab is enjoying a home coming with the legendary Def Jam label. His first recorded song was "If They Want It" from DJ Clue's The Professional, which was released by Roc-A-Fella/Def Jam in 1998.

"I had people in my corner already over there," Fab says of DJ Clue and A&R Skane, the Desert Storm duo who discovered Fabolous. "So it wasn't like I was coming to a new neighborhood."

While he doesn't site any one reason for his move, Fabolous has learned a lot from his time in the industry and is eager to capitalize on his experience. "I haven't peaked yet," he explains. "I was happy with the past records, but I have some adversity to learn off of for the future."

It's appropriate that Fabolous is getting a fresh start for his latest release because he wants From Nothin' to Somethin' to be a rebirth for his fans old and new. "Everybody is trying to take what they have and make something more," says Fabolous, explaining the album's title. "It's a new year, everybody's on their hustle, back in the gym and I'm trying to give them some inspiration. This is music to chase your money too, work out--motivation music.

The first single "Make Me Better" is produced by Grammy Award winning producer Timbaland and finds Fabolous doing what he does best; blending radio ready sound beds with clever and memorable lyrics. Rapping that he needs "a Corretta Scott to make me King" Fab picks up with his female fans where "Baby" left off. "It's a great feel good record, it's got a lot of style to it," he says. "I wanted a record that could show that I could touch different people with my music."

Already recognized for his hit-making ability, Fabolous is eager to show the diversity of his technique while staying true to his blueprint for success. On the cocky "Make Money" he cleverly borrows Notorious B.I.G's trademark chuckle to comment on the laugh-ability of his competition: "these dudes is stand up rappers, hip-hop comedians, I start laughin as soon as I put your CD in." His wit and wordplay is not something he gets enough credit for, but the MC is confident people will come around. "Certain people recognize it," he says, "but its like they'll sing it in the shower, but they won't sing it outside. It's all good though. One of them days you gonna get drunk and start singing that song."

Enlisting a whose-who list of guests that includes Akon, Young Jeezy, Ne-Yo and Junior Reed, Fabolous plays to a variety of audiences on this disc, but there is no mistaking that it's his show from beginning to end. The anthemic "Brooklyn" features a yet to be disclosed surprise guest and "Change Up" pairs Fab with singer, producer extraodinaire Akon helping him reflect on his life and career.

"Anytime you become a successful person, people may look at you and say you changed," explains Fabolous, who references the October 2006 shooting that took place outside of Justin's restaurant in the lyrics of the song. "That record just talks about people changing as a person for money, how they carry themselves and treat other people. For me, I might have changed where I live or my number, but I haven't changed as a person…I slid a line or two about what happened in October but I'm not coming out with a bullet proof vest or anything."

The playful "Foggin Up The Windows," produced by Miami's The Runners, features R. Kelly's chopped and screwed vocals from his hit "Ignition" to prop up Fabolous' ode to parkin' lot pimpin' of the more carnal kind.

"I just took it back to trying to get some in the car," he says with a laugh. "Everyone's either done it or tried to get some in the car. It may not have been the place of choice but everybody's had a hotel on wheels."

Other rewind worthy tracks like "Real Playa" featuring Lloyd, "Diamonds" featuring Young Jeezy and the Just Blaze produced "Back To School" round out an impressive collection that makes From Nothin' to Somethin' worth the two-year wait. In his absence no artist has come close to matching his boyish charm, wit and unassuming cool both on and off the mic. With a new team and a pop of his collar Fabolous is indeed "fresh to Def."

"I'm trying to bring good music back to the game," he says confidently. "And anybody that's bringing good music, the hype is gonna follow them."

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