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Wine Gal - Beenie Man



     
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Wine Gal Lyrics


Intro:
TJ Records
stang brrrr steng ba dam ba dam
fi di gal dem hey, ziggy
fi di gal demjiggle up ya body an shake up ya aaaass
every man a watch ya body when ya paaaass
seh you a lead an some gal deh a laaaas, laaaas
My girl justChorus:
take di middle an (wine gal)
from ya know ya fit like fiddle (wine gal)
jerk up ya breast an make it jiggle (wine gal)
buss a wine an make ya ass wiggle (wine gal)
take di middle an (wine gal)
from ya know ya fit like fiddle (wine gal)
jerk up ya breast an make it jiggle (wine gal)
buss a wine an make ya ass wiggle (wine gal)Verse: 1
tick toc ticky ticky toc umhum!!! fling it up from front or back
ya want a good train fi come run pon ya track

yes ya want a good jock fi come stand up inna ya sock
intercourse gal ya nah ramp wit dat
especially if a bwoy have beer chat
if him flop outta road ya a go chat
bout him soft like cotton an him light like box
proper service ya want ya nah deal wit crap
cocky inna belly ya want it none stop
no ease up all when ya hear someting pop
side way back way front way any shotChorus:
take di middle an (wine gal)
from ya know ya fit like fiddle (wine gal)
jerk up ya breast an make it jiggle (wine gal)
buss a wine an make ya ass wiggle (wine gal)
take di middle an (wine gal)
from ya know ya fit like fiddle (wine gal)
jerk up ya breast an make it jiggle (wine gal)
buss a wine an make ya ass wiggle (wine gal)Verse: 2
yuh nah mad deh way ya see di gal a gwan
she a rage anna blow like katrina storm
deh more mi tell her di more she carry on
so mi grip inna di hair an pop out a few strawn
her body make mi nature get warm
I'm so bless a she one mi have in mi palm
no ease up girl when mi turn on di charm
mi a give you good sex from dusk till dawn
gwan like ya bad so a you mi have fi call mi a go use mi ore an blow up ya farm
believe ya amaze by the way mi preform fi get ya boring man name shawnChorus:
take di middle an (wine gal)
from ya know ya fit like fiddle (wine gal)
jerk up ya breast an make it jiggle (wine gal)
buss a wine an make ya ass wiggle (wine gal)
take di middle an (wine gal)
from ya know ya fit like fiddle (wine gal)
jerk up ya breast an make it jiggle (wine gal)
buss a wine an make ya ass wiggle (wine gal)jiggle up ya body an shake up ya aaaass
every man a watch ya body when ya paaaass
seh you a lead an some gal deh a laaaas, laaaas
My girl justVerse: 1
tick toc ticky ticky toc umhum!!! fling it up from front or back
ya want a good train fi come run pon ya track
yes ya want a good jock fi come stand up inna ya sock
intercourse gal ya nah ramp wit dat
especially if a bwoy have beer chat
if him flop outta road ya a go chat
bout him soft like cotton an him light like box
proper service ya want ya nah deal wit crap
cocky inna belly ya want it none stop
no ease up all when ya hear someting pop
side way back way front way any shotChorus:
take di middle an (wine gal)
from ya know ya fit like fiddle (wine gal)
jerk up ya breast an make it jiggle (wine gal)
buss a wine an make ya ass wiggle (wine gal)
take di middle an (wine gal)
from ya know ya fit like fiddle (wine gal)
jerk up ya breast an make it jiggle (wine gal)
buss a wine an make ya ass wiggle (wine gal)

Enjoy the lyrics !!!
Anthony Moses Davis (born August 22, 1973 in Kingston, Jamaica), better known by the stage name Beenie Man, is a well established reggae artist and DJ. He was involved in the music industry from a young age when he won the Tastee Talent contest in 1981. Only one year later, when he was eight years old, he recorded a single, "Too Fancy", with record producer "Junjo" Lawes. By 1983, Beenie Man was recording with heavyweight DJs, such as Dillinger and Fathead and released his debut album, The Invincible Beenie Man: The Ten Year Old DJ Wonder and the single "Over the Sea".

He was booed off stage at a show celebrating the visit of Nelson Mandela. In 1993 at the very popular show Sting he accused fellow deejay Bounty Killer that the elder artist had stolen his catchphrase, "people dead". This triggered a lyrical battle which continued on the air with each artist counteracting the other's songs. Finally, in 1995, Beenie Man and Bounty Killer settled their differences on the air by actually signing a peace treaty and the two recorded an album together, Guns Out. This was followed by a single, "No Mama No Cry", a rehash of the Bob Marley classic "No Woman No Cry", speaking out against violence and inspired by the murder of Pan Head, another popular Deejay.

Partially as a result of prodding from his producers, Sly and Robbie, Beenie Man soon converted to the Rastafari movement.

In 1994, he was signed by Island Records and released the critically acclaimed album Blessed.

In 1995, Beenie Man released a remix of Barrington Levy's "Under Mi Sensi" in the United Kingdom, and collaborated with Dennis Brown and Triston Palma to release Three Against War and Lt. Stitchie on Mad Cobra Meets Lt. Stitchie & Beenie Man. He took another step up the ladder in 1996, releasing the seminal Maestro, produced by Patrick Roberts and shot him to UK fame. During the period from the mid to late '90s, Beenie Man dominated the Jamaican charts to the extent that he perhaps had a good claim to the crown of "Dancehall King", a title only bestowed previously on Yellowman in the early 1980s.

In 1998, Beenie Man signed to Virgin Records to release albums in the United States. His first American offering was The Doctor (1998). In 2000, Beenie Man teamed up with Arturo Sandoval and Wyclef Jean (The Fugees) to release The Art & Life. During the late 1990s, Beenie Man began his conquest of America with the hits, "Romie", "Who Am I" and "Girls Dem Sugar", which featured American R&B singer, Mya.

In 2002, he had a sizeable hit with a duet with Janet Jackson called "Feel It Boy", but his biggest break in America came in early 2004 with the release of a remix of "Dude", featuring guest vocals by fellow Jamaican Ms. Thing, as well as rhymes by Shawnna.

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Beenie Man