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Yaw Yaw - Beenie Man



     
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Yaw Yaw Lyrics


Yaah, yaah, yaah, yaah, yaah
Yaah, yaga yaga yaw, yaah, yaah, yaah
Yaah, yaah, yaah, yaah, yaga, yaah
Yaah, yaah, yaah, yaahSi di gal dem man, yaah yah
Si di gal dem man, yaah yah
Si di gal dem man, yaah yah
Si di gal dem man, yaah yahCool baby love a couldn't mi yuh waan tease
Jus drink a guiness an mi smoke some weed
Three legs mi have but one stop short a knees
Lie dung inna di bed an gal prepare fi breedThree, pickini a whey mi give to Denise
X-girl nuh waan none, dats why she leave
Please, give a talkin to mi fren name Steve
Thirteen gal him have a garveymeadeTwelve pickini a whey him have dey a teed
Haffi tell the youthman fi try tek heed
Yes, yuh caan reach to mi speedSing, si di gal dem man, yaah yah
Si di gal dem man, yaah yah
Si di gal dem man, yaah yah
Si di gal dem man, yaga, yaga yawWho yuh think yuh are bout bad man yuh waan use?

Now yuh get refuse an start abuse
Yuh run an tek mi business and carry to X-news
Next girl a wear yuh shoes, so girl, please removeMi jump inna mi car an put it all pon cruise
AC mek mi smooth, inna mi suede shoes
Mi a talk its over mi nuh under nuh bluesMi chronic mi a use, so have mi excuse
Ah dancehall mi duh an not the blues
Di gal dem a move a get mi inna the grooveSi di gal dem man, yaah yah
Si di gal dem man, yaah yah
Si di gal dem man, yaah yah
Si di gal dem man, yaga, yaga yawWosh, which matie want to slam my car door?
Kaka su su , no flow
She think a woulda mash up when a walk through the doorOh no, oh no, she get a direct blow
She think a woulda tek it and go down low
Oh no, oh no, the more the girls dem flowSi di gal dem man, yaah yah
Si di gal dem man, yaah yah
Si di gal dem man, yaah yah
Si di gal dem man, yaga yawCool baby love a couldn't mi yuh waan tease
Jus drink a Guiness an mi smoke some weed
Three legs mi have but one stop short a knees
Lie dung inna di bed an gal prepare fi breedThree, pickini a whey mi give to Denise
X-girl nuh waan none, dats why she leave
Please, give a talkin to mi fren name Steve
Thirteen gal him have a garveymeadeTwelve pickini a whey him have dey a teed
Haffi tell the youthman fi try tek heed
Yes, yuh caan reach to mi speedSing, si di gal dem man, yaah yah
Si di gal dem man, yaah yah
Si di gal dem man, yaah yah
Si di gal dem man, yaah, yaga yawWho yuh think yuh are bout bad man yuh waan use?
Now yuh get refuse an start abuse
Yuh run an tek mi business and carry to X-news
Next girl a wear yuh shoes, so girl, please removeMi jump inna mi car an put it all pon cruise
AC mek mi smooth, inna mi suede shoes
Mi a talk its over mi nuh under nuh bluesMi chronic mi a use, so have mi excuse
Ah dancehall mi duh an not the blues
Di gal dem a move a get mi inna the grooveSi di gal dem man, yaah yah
Si di gal dem man, yaah yah
Si di gal dem man, yaah yah
Si di gal dem man, yaga yawGal dem man, yaah yah
Si di gal dem man, yaah yah
Si di gal dem man, yaah yah
Si di gal dem man, [Incomprehensible]Wosh, which matie want to slam my car door?
Kaka su su , no flow
She think a woulda mash up when a walk through the door
Oh no, oh no, she get a direct blow

Enjoy the lyrics !!!
Anthony Moses Davis (born August 22, 1973 in Kingston, Jamaica), better known by the stage name Beenie Man, is a well established reggae artist and DJ. He was involved in the music industry from a young age when he won the Tastee Talent contest in 1981. Only one year later, when he was eight years old, he recorded a single, "Too Fancy", with record producer "Junjo" Lawes. By 1983, Beenie Man was recording with heavyweight DJs, such as Dillinger and Fathead and released his debut album, The Invincible Beenie Man: The Ten Year Old DJ Wonder and the single "Over the Sea".

He was booed off stage at a show celebrating the visit of Nelson Mandela. In 1993 at the very popular show Sting he accused fellow deejay Bounty Killer that the elder artist had stolen his catchphrase, "people dead". This triggered a lyrical battle which continued on the air with each artist counteracting the other's songs. Finally, in 1995, Beenie Man and Bounty Killer settled their differences on the air by actually signing a peace treaty and the two recorded an album together, Guns Out. This was followed by a single, "No Mama No Cry", a rehash of the Bob Marley classic "No Woman No Cry", speaking out against violence and inspired by the murder of Pan Head, another popular Deejay.

Partially as a result of prodding from his producers, Sly and Robbie, Beenie Man soon converted to the Rastafari movement.

In 1994, he was signed by Island Records and released the critically acclaimed album Blessed.

In 1995, Beenie Man released a remix of Barrington Levy's "Under Mi Sensi" in the United Kingdom, and collaborated with Dennis Brown and Triston Palma to release Three Against War and Lt. Stitchie on Mad Cobra Meets Lt. Stitchie & Beenie Man. He took another step up the ladder in 1996, releasing the seminal Maestro, produced by Patrick Roberts and shot him to UK fame. During the period from the mid to late '90s, Beenie Man dominated the Jamaican charts to the extent that he perhaps had a good claim to the crown of "Dancehall King", a title only bestowed previously on Yellowman in the early 1980s.

In 1998, Beenie Man signed to Virgin Records to release albums in the United States. His first American offering was The Doctor (1998). In 2000, Beenie Man teamed up with Arturo Sandoval and Wyclef Jean (The Fugees) to release The Art & Life. During the late 1990s, Beenie Man began his conquest of America with the hits, "Romie", "Who Am I" and "Girls Dem Sugar", which featured American R&B singer, Mya.

In 2002, he had a sizeable hit with a duet with Janet Jackson called "Feel It Boy", but his biggest break in America came in early 2004 with the release of a remix of "Dude", featuring guest vocals by fellow Jamaican Ms. Thing, as well as rhymes by Shawnna.

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Beenie Man