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Healing (soca remix) - Beenie Man



     
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Healing (soca remix) Lyrics


intro:l. saw - this is a classic one(ooh, yah)
the doctor and lady saw in a combination
b. man - o lady saw yuh raw, yuh raw, yuh raw, yuh raw.chorus:
l. saw - mi man (cho) nuff gal a ask me what yuh dealing
mi tell them a you have the healing
i can't forget how yuh mi stretch to the ceiling
ooh beenie man it is impossible, i can't stop wocking with you
mi man can't you feel it too yuh wock me like a stallion.
b. man - lady saw (wah) don't you worry yuh self cause mi nah chaw
yuh know man a bad man man a outlaw
you are the girl who brought the joy in my world
ooh saw this is possible a would a wock yuh even if yuh cripple
could a blind yuh could a deaf or could a handicap too too
a love the woman wa inside a you (but true)verse 1:
l. saw - a true yuh hot and mi round mi mek yuh select mi sound
nuff man out a road wa tek weh yuh crown
mi love how yuh ride and move yuh waist line
gi mi the bubble and drew the chalkline

chorus:
l. saw - mi man (cho) nuff gal a ask me what yuh dealing
mi tell them a you have the healing
i can't forget how you make me stretch to the ceiling
ooh beenie man iy is impossible i can't stop wocking with you
mi man can't you feel it too yuh mek mi gallop like a stallion.
verse 2:
b. man - true i'm the doctor i'm nuh actor in the business this is the factor
yuh little and yuh cute yuh want a man why don't yuh come yah
yuh wan't a man to wock yuh right someone to love yuh proper
if a the world to mek yuh splurt then i will pop off yuh skirt
yes mi nah go run leave mi shirt
chorus:
b. man - but lady saw, don't yuh worry yuh self cause mi nah chaw
because man a bad man, man a outlaw
and don't yuh know say bad man a nuh old squaw
you are the girl who brought the joy in my world
ooh saw this is possible a would a wock yuh even if yuh cripple
yuh could a blind yuh could a deaf or full hadicap too
a love the woman wah inside a you.verse 3:
l. saw - beenie man with yuh nine millimeter yuh wid get any gal
nuff wah fi war but mi know mi offical mi nah watch nuh face
mi a wife material the rest a them a just scandal
when yuh gi mi wa yuh have say mi nah blow yuh job
a yuh a outlaw and me a hot gal
want it real raw beenie man yuh na stall
give mi the loving mak mi ball
chorus:
l. saw - mi man (cho) nuff gal a ask me what yuh dealing
mi tell them a you have the healing
i can't forget how you make me stretch to the ceiling
ooh beenie man iy is impossible i can't stop wocking with you
mi man can't you feel it too yuh mek mi gallop like a stallion.
b. man - but lady saw, don't yuh worry yuh self cause mi nah chaw
because man a bad man, man a outlaw
and don't yuh know say bad man a nuh old squaw
you are the girl who brought the joy in my world
ooh saw this is possible a would a wock yuh even if yuh cripple
yuh could a blind yuh could a deaf or full hadicap too
a love the woman wah inside a you.
b. man - lady saw yuh knee knock, but yuh fat
mi love the dimple wa yuh got
all mi temperature rise and in a the bath a wa we drop
yuh a soap up all mi chest and all a rub down all mi back
that's way mi wa yuh tell mi the fact.
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Enjoy the lyrics !!!
Anthony Moses Davis (born August 22, 1973 in Kingston, Jamaica), better known by the stage name Beenie Man, is a well established reggae artist and DJ. He was involved in the music industry from a young age when he won the Tastee Talent contest in 1981. Only one year later, when he was eight years old, he recorded a single, "Too Fancy", with record producer "Junjo" Lawes. By 1983, Beenie Man was recording with heavyweight DJs, such as Dillinger and Fathead and released his debut album, The Invincible Beenie Man: The Ten Year Old DJ Wonder and the single "Over the Sea".

He was booed off stage at a show celebrating the visit of Nelson Mandela. In 1993 at the very popular show Sting he accused fellow deejay Bounty Killer that the elder artist had stolen his catchphrase, "people dead". This triggered a lyrical battle which continued on the air with each artist counteracting the other's songs. Finally, in 1995, Beenie Man and Bounty Killer settled their differences on the air by actually signing a peace treaty and the two recorded an album together, Guns Out. This was followed by a single, "No Mama No Cry", a rehash of the Bob Marley classic "No Woman No Cry", speaking out against violence and inspired by the murder of Pan Head, another popular Deejay.

Partially as a result of prodding from his producers, Sly and Robbie, Beenie Man soon converted to the Rastafari movement.

In 1994, he was signed by Island Records and released the critically acclaimed album Blessed.

In 1995, Beenie Man released a remix of Barrington Levy's "Under Mi Sensi" in the United Kingdom, and collaborated with Dennis Brown and Triston Palma to release Three Against War and Lt. Stitchie on Mad Cobra Meets Lt. Stitchie & Beenie Man. He took another step up the ladder in 1996, releasing the seminal Maestro, produced by Patrick Roberts and shot him to UK fame. During the period from the mid to late '90s, Beenie Man dominated the Jamaican charts to the extent that he perhaps had a good claim to the crown of "Dancehall King", a title only bestowed previously on Yellowman in the early 1980s.

In 1998, Beenie Man signed to Virgin Records to release albums in the United States. His first American offering was The Doctor (1998). In 2000, Beenie Man teamed up with Arturo Sandoval and Wyclef Jean (The Fugees) to release The Art & Life. During the late 1990s, Beenie Man began his conquest of America with the hits, "Romie", "Who Am I" and "Girls Dem Sugar", which featured American R&B singer, Mya.

In 2002, he had a sizeable hit with a duet with Janet Jackson called "Feel It Boy", but his biggest break in America came in early 2004 with the release of a remix of "Dude", featuring guest vocals by fellow Jamaican Ms. Thing, as well as rhymes by Shawnna.

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Beenie Man